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The Pitch: Frozen Orchestra (Amsterdam)
by Glenn Astarita
Frozen Orchestra (Amsterdam) is an appropriate moniker for these two works performed live at an Amsterdam venue by the core Berlin-based quartet The Pitch, with assistance from a combination of six woodwinds and strings performers. With inadvertent semblances to minimalist composer Morton Feldman, the music is largely about ever-so-subtle shifts in sound design and pitch. As ...
Solen avløser regnet som avløser solen
By Bergljot
Label: SOFA
Released: 2014
Track listing: Ljos; Simre; Brott; Bak Fram; Regnet avløser solen som avløser regnet.
Bergljot: Solen avløser regnet som avløser solen
by Eyal Hareuveni
The Czech-Norwegian trio Bergljot is now at its third incarnation. The trio--Czech pianist Vojtěch Procházka, whose musical background includes experimenting with extensive work with electronic keyboards, classical Indian music, as well as jazz--along with Norwegian double bassist Adrian Myhr, who explores the sonic vocabulary through preparations and extended bowing techniques, and drummer Tore Sandbakken, who plays ...
Sidsel Endresen: One
by John Kelman
While those around her were busy exploring the nexus of technology and conventional instrumentation at the 2006 Punkt Festival in Kristiansand, Norway, Sidsel Endresen was demonstrating just how much could be done with one unaltered human voice. One documents the advances she's made in stretching the potential of voice and articulation. It's a record that eschews, ...
Panopticon
By Point4
Label: SOFA
Released: 2008
Track listing: Wide red; Di fianco; Sostenuto; Partita - Allemande I; Partita - Digression; Partita - Allemande II; Partita - Courtante; Partita - Sarabande; Partita - Gigue; Panopticon; Seven perspectives - point zero; Seven perspectives - point one; Seven perspectives - point two; Seven perspectives - point three; Seven perspectives - point five; Seven perspectives - point six; Seven perspectives - point seven; Side shadow; Vanishing point.
Point4: Panopticon
by Glenn Astarita
Arguably, this 2008 release stands as one of the more comprehensive and, plainly speaking, finest albums this avant-garde Norwegian record label has issued thus far. However, that statement unto itself might seem a bit bold, especially when considering its impressive discography and largely exuberant acceptance from global avant-jazz and New Music aficionados. With this double duo ...
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