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Kenny G: Playin' It Straight
by Ken Dryden
Kenny G has been categorized as a jazz musician by record companies simply because he plays saxophone. The reality is that his style is actually banal pop consisting of repetitious melodies with short passages of bland improvisation and, occasionally, long-held notes to show off his grasp of circular breathing—a technique Clark Terry and Rahsaan Roland Kirk ...
Documenting Jazz 2019
by Ian Patterson
Documenting Jazz Conservatory of Music and Drama TU Dublin Dublin, Ireland January 17-19, 2019 Jazz music, which has pretty much always meant different things to different people, has been comprehensively documented since its arrival in the first decades of the twentieth century. The most obvious form of ...
Mother Ship's 50th Anniversary, Bu @ 100 & More
by Marc Cohn
Who took the happiness out? Not Gifts & Messages! This week we celebrate the 50th anniversary for the Blue Note album Mother Ship by Larry Young. Also featured is Blue Note No. 6 from Sidney Bechet and three tracks to start the Art Blakey centennial celebration, including a rare (and powerful) one from Gypsy Folk Tales. ...
The Ascent of the Tenor - Coleman Hawkins (1929 - 1939)
by Russell Perry
The clarinet dominated the reeds throughout the 1920s. Sidney Bechet made a stand with the soprano sax and Frankie Trumbauer celebrated the lightness of the C-melody sax. And then there was Coleman Hawkins. Our guest in this hour is Jeff Decker—saxophonist, composer, educator and member of the jazz performance faculty of the University of ...
2018: The Year in Jazz
by Ken Franckling
The year 2018 was a busy one for the jazz world. The genre's version of the #MeToo movement resulted in a new Code of Conduct and other efforts to make the music workplace more equitable. International Jazz Day brought its biggest stage to St. Petersburg, Russia. The Thelonious Monk Institute of Jazz, which ran a high-profile ...
Francesco Martinelli: European Jazz - Tales of Etruscan Vases, Arias And Resistance
by Ian Patterson
Few have attempted to tackle the history of European jazz in any meaningful way. That's hardly surprising given the size of the task. How do you address the jazz history of over forty countries in a succinct and logical manner? How do you manage to throw light on all the major personalities at the ...
Chicago Jazz Roots (1922 - 1929)
by Russell Perry
In the last hour we listened to the music of the first great jazz composer, Jelly Roll Morton, and Sidney Bechet, the only soloist in early jazz to seriously challenge Louis Armstrong. In addition to Joe “King" Oliver, Jelly Roll Morton and Louis Armstrong, the Chicago scene bristled with black and white bands, initially ...
Rain Sultanov: Putting Baku On The Jazz Map
by Ian Patterson
The Baku Jazz Festival has been a labor of love for its founder and Artistic Director, Rain Sultanov. And, like most love stories, there have been a few bumps along the road. Thirteen editions in, however, the Baku Jazz Festival is well established as one of the highpoints of Azerbaijan's annual cultural calendar. It mightn't draw ...
Newk with Bud, a Trip in the Way-Back Machine & More
by Marc Cohn
We start with our usual dose of twenty-first century music (Marsico should be better known in the States!). And there's a quiz for you in tracks two and three; so pay attention! Then, it's 19-year-old Sonny Rollins with Bud Powell from '49, followed by a walk in the Fall air where the original French ...
Seven Women (Plus Three) 2018 – Part X
by C. Michael Bailey
Lucia Jackson You and the Night and the Music Roni Music 2018 To a precious few, much talent is given, particularly the young of age, like New York City —native Lucia Jackson, who, at the age of 26 has already distinguished herself as an accomplished dancer and model. Now Jackson emerges ...
