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Elliot Mason & Cre8tion: Before, Now & After
by Dan Bilawsky
Jazz has no shortage of albums dealing with the past-present-future continuum--quite the opposite, in fact--but few carry as personal a tone as trombonist Elliot Mason's debut leader date. While speaking to broad concepts in dealing with the music's history and the notion of time taking form as one giant through line, Mason also inserts family ties ...
Greg Cordez: Last Things Last
by Roger Farbey
"Chekov's Gun" opens this recording with a laid-back yet electrifying atmosphere hinting vaguely of a Soft Machine influence. “Cherry V Des Moines" has a rock-based feel but the overlaid horn ensemble sections imbue it with a jazz-inflected impetus as does Michael Blake's sinewy tenor solo. “Figlock" is dominated by Steve Cardenas's chiming electric guitar work and ...
Kate McGarry/Keith Ganz/Gary Versace: The Subject Tonight Is Love
by Dan Bilawsky
The ancient Greeks spoke of love's many forms, codifying and distilling the essence of every one in detailed thought and language. Each of those documented variants rightly differs from the others, yet the keen mind can certainly discern that all of them basically stem from the same roots: connectivity and understanding. In something of a musical ...
Timeline
Album: Timeline
By Josiel Konrad
Label: Self Produced
Released: 2017
Duration: 4:42
Alicia Hall Moran: Here Today
by Angelo Leonardi
Le sintesi tra canto operistico e universo musicale afroamericano sono state sporadiche. In generale la relazione tra i due mondi è apparsa difficilmente compatibile per la forte diversità tra le due estetiche: mi sembra che l'esempio più riuscito di conciliazione resti l'opera Porgy and Bess . Di recente un significativo passo avanti lo sta compiendo il ...
OSU Jazz Orchestra: Solid Gold
by Jack Bowers
Having overseen one impressive Jazz Studies program, at Northeast (OK) State University in Tahlequah, Tommy Poole has moved on to Oklahoma State University in Stillwater where he seems well on the way to repeating that success. The subtitle of Solid Gold, the first recording under Poole's direction by the OSU Jazz Orchestra, reads “featuring Michael Dease." ...
Dennis Gonzalez: Ts'iibil Chaaltun
by Don Phipps
Dennis Gonzalez's trio, Ataraxia is comprised of trumpet (Gonzalez), bass (Drew Phelps), and percussion (Jagath Lakpriya), a mix of instruments that on the surface would alone suggest interesting music. And their double album, Ts'iibil Chaaltun, does not disappoint. There's a lot of desert in this music... large rocks that jut from the sand, dunes that stretch ...
Syrinx Effect: A Sky You Could Strike a Match On
by Patrick Burnette
Syrinx Effect is comprised of just two musicians: Naomi Siegel (trombone) and Kate Olson (soprano saxophone); they expand their sound with effect pedals and overdubbing. Eric Eagle, the producer on their new album, A Sky You Could Strike a Match On, plays percussion on several of the tracks. Syrinx Effect labels itself “interstellar folk ...
Gregory Lewis: Organ Monk Blue
by Jerome Wilson
Organist Gregory Lewis gained the nickname “Organ Monk" due to his specialization in the music of Thelonious Monk. Known for his exaggerated, florid playing, this is the third CD he's done of Monk's music and this time he has teamed up with a musician who can match him flourish for flourish, chameleon guitarist Marc Ribot.
Jami Lynn: Sparse
by Don Phipps
Recorded live at the Community Reformed Church, Sioux Falls, South Dakota, Sparse offers up new ground for folk singer Jami Lynn. The album is a collaborative effort with bassist Andrew Reinartz and members of the JAS quintet. Sparse presents a modest reading of such jazz standards like “Autumn Leaves" and the Billie Holiday/Arthur Herzog Jr. blues ...
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