Home » Search Center » Results: Self Produced

Results for "Self Produced"

Advanced search options

232

Article: Album Review

Sean Smith Quartet: Trust

Read "Trust" reviewed by Dan Bilawsky

by Dan Bilawsky

Trust is a key element in any successful relationship. Spouses have to trust one another in their day-to-day lives and children have to trust that their parents will be there for them, no matter what happens. Trust between close friends is often a given and, while we don't always think about it, trust between band mates ...

148

Article: Album Review

Sheryl Bailey: For All Those Living

Read "For All Those Living" reviewed by Nic Jones

by Nic Jones

In the past, guitarist Sheryl Bailey has been an embodiment of versatility through her work with bassist Richard Bona, and with David Krakauer's klezmer ensemble. She now has another strain of music in her bag with this program of straight-ahead jazz guitar. Both Pat Martino and Wes Montgomery can be cited as reference points for this ...

213

Article: Album Review

Alan Adams: My Notes

Read "My Notes" reviewed by C. Michael Bailey

by C. Michael Bailey

Solo piano recordings of all-original music often bear the burden of being dumped in the same genre bin with George Winston, Jim Brickman and David Lanz. For Portland, Oregon native Alan Adams, this would not be only unfair, it would be unfortunate. Music this finely crafted and wrought was made not only to be listened to ...

231

Article: Album Review

Jimmy Haslip: Nightfall

Read "Nightfall" reviewed by Ian Patterson

by Ian Patterson

Electric bassist Jimmy Haslip hasn't had a prolific solo career, Nightfall being his third release in eighteen years, since his debut, Arc (GRP, 1993). Haslip's energy has mainly been devoted to the Yellowjackets, the band he co-founded with pianist/keyboardist Russell Ferrante thirty years ago--a milestone celebrated with the release of Timeline (Mack Avenue Records, 2011), which ...

158

Article: Album Review

Jane Ira Bloom: Wingwalker

Read "Wingwalker" reviewed by Raul d'Gama Rose

by Raul d'Gama Rose

On Wingwalker, as on her other albums, soprano saxophonist/electronics manipulator Jane Ira Bloom concerns herself with all things mysterious and beautiful. On this album, however, she does considerably more. The saxophonist has connected with the seemingly magical elements that lead her to expand the imagination. She does so as she lets the voice of her straight ...

118

Article: Album Review

Ken Silverman Septet: From Emptiness

Read "From Emptiness" reviewed by Hrayr Attarian

by Hrayr Attarian

Guitarist/oudist/composer Ken Silverman's From Emptiness is an overtly theatrical and intensely spiritual work. From the abstract, Zen-like, black and white cover art to the chanting of the Buddhist Monk and Sanshin player Kossan that opens and closes the record, the profound spirituality of the music is quite apparent. The titles of the tunes ...

127

Article: Album Review

Bastian Weinhold: River Styx

Read "River Styx" reviewed by Dan Bilawsky

by Dan Bilawsky

In Greek Mythology, the River Styx was said to separate the world of the living from the world of the dead. With this in mind, it be assumed that drummer Bastian Weinhold's debut might be a drab journey filled with gloom, but that's not the case. A dark, aggressive side certainly comes out in a lot ...

51

Song of the Day

Dr. Gradus Ad Parnassum

Album: Libera Me
By Rhinoceri Trio
Label: Self Produced
Released: 2011
Duration: 4:38

102

Article: Album Review

Audrey Silver: Dream Awhile

Read "Dream Awhile" reviewed by C. Michael Bailey

by C. Michael Bailey

eviews touting a singer's perfect diction are reminiscent of George Bernard Shaw's Pygmalion (or the Lerner and Lowe 1956 musical and 1964 movie, My Fair Lady), and the plight of Eliza Doolittle to straighten out her coarse Cockney into the Queen's speech). Diction has been a driving force in describing singer Audrey Silver's sophomore recording Dream ...

208

Article: Album Review

Come Sunday: Crosscurrents

Read "Crosscurrents" reviewed by C. Michael Bailey

by C. Michael Bailey

American roots music can be divided into four broad genres: blues, jazz, country and gospel. A Venn diagram of the relationship of these four would reveal an area of intersection of all these musical elements. It is in this area that the jazz-gospel group Come Sunday achieves its durable yet delicate goal of divining these spirits ...


Engage

Publisher's Desk
Beyond All About Jazz: Sharing Jazz Across the Web
Read on...
The place for jazz polls and surveys!
Reader Polls
Which jazz venues deserve to be on top?
Cast Your Vote Today
The Big Question
Does Jazz History Weigh Too Heavily on Today’s Practitioners?
Post Your Comment

Get more of a good thing!

Our weekly newsletters highlight our top stories, top album reviews, website news, free songs, radio & podcast shows, news, and upcoming jazz events near you.