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Jack DeJohnette and John Surman at the Seattle Art Museum
by Jack Gold-Molina
Jack DeJohnette and John Surman Earshot Jazz Festival Seattle Art Museum October 26, 2002 The evening began with a kind of mood piece. With a background of ambient sound programmed into a sequencer and English reeds player John Surman complementing with bass clarinet, Jack DeJohnette read poetry by Walt Whitman, ...
Matt Jorgensen: Seattle's New Sound
by Franz A. Matzner
Originally from Seattle, drummer, composer, and bandleader Matt Jorgensen began pursuing music relatively late. After only a few years of study during college, he picked up and left home to throw himself into the New York jazz scene. Now, ten years later, he’s formed a critically acclaimed ensemble, released his fourth album, and is co-owner of ...
Origin Arts: The Tsunami from Seattle
by C. Michael Bailey
In general, the median quality of Jazz Music is several orders of magnitude greater than that of Popular Music. To this writer, this is best evidenced by the flood of music spilling out of my mailbox on a daily basis. Amazingly, the vast majority of music that I listen to is of a very high quality. ...
Seattle Repertory Jazz Orchestra with guest Clark Terry
by Jason West
Beneroya Recital Hall, Seattle WA October 28, 2000 A veteran of the Count Basie and Duke Ellington orchestras, Clark Terry delivered five decades of musicianship and a timeless sense of humor to Seattle, entertaining a packed house of 500-plus fans who filled Beneroya Recital Hall. High notes mirrored sightgags as the venerable ...
Pat Martino Trio at Jazz Alley
by Roy Strassman
Pat Martino Trio Jazz Alley Seattle, WA October 31, 2000Amidst good tidings, packed house and festive d'cor, replete with onstage Christmas tree, the Three Jazzmen journeyed to the West, Seattle's Jazz Alley, thereby annunciating the holy rebirth of jazz guitar-organ funk. The jazzmen in question are none other ...
Gonzalo Rubalcaba Trio in Seattle
by Christopher Jones
Gonzalo Rubalcaba Trio in SeattleDimitriou’s Jazz Alley August 8th, 2000 I don’t have many pet peeves, but this is one of them: Why is it that so many jazz musicians, when performing live, neglect to say much of anything to the audience? Is this a phenomenon passed down from the bebop era, a ...
Tula's: Seattle Jazz Club
by Jason West
On the east side of Second Avenue, between Blanchard and Bell St., there's something for everyone. For the rockers there's The Crocodile; for the mods there's The Lava Lounge; for margaritas there's Mama's Mexican Kitchen; an for the best local jazz six nights a week, there's Tula's.With blinds drawn and only a modest blue ...
Roy Hargrove Quintet in Seattle
by Christopher Jones
If you like flashy solos and the 'head-solo-solo-solo-head' school of group jazz, you'll like the Roy Hargrove Quintet. If you're looking for something else in your jazz, you might need to look elsewhere. This is not a criticism of Hargrove's quintet, which is currently in the midst of a five-day run at Dimitriou's Jazz Alley in ...
The Standards Trio In Seattle
by Jason West
Keith Jarrett, Gary Peacock, Jack DeJohnette Benaroya Hall, Seattle, WA Friday, November 14, 2003 Presented as part of the Earshot Jazz Festival Walking into Benaroya Hall at 7:55pm it was apparent by the hundreds of people in line at will call that the scheduled 8pm start would have to be ...
Skip Heller with Dose: The Battle in Seattle 3.13.03
by C. Michael Bailey
Skip Heller is a West Coast Uri Caine with a much more wicked sense of humor. That comparison should be flattering to both parties, as they were friends growing up on the jazz fertile street of Philadelphia. Both men like to apply jazz, or simply music, if you will, in the most unlikely places. Ever searching, ...
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