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Scott Joplin
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Scott Joplin personified ragtime; he was its chief champion, the figure most closely associated with its composition. It was Joplin's short, hard-driving melodies- -and the syncopated backbone he furnished them—that helped define the musical parameters of ragtime, a style that gave voice to the African American experience during the late 19th and early 20th centuries. Sadly, for all his accomplishments in putting a new musical form on the map, Joplin spent his final years madly obsessed with a fruitless crusade to enter, if not conquer, another arena: opera, the staid, classical venue accepted by a white community that had for so long ridiculed ragtime as cheap, vulgar, and facile black music. Many of the details of Joplin's life, like much of his music, have been lost to history
Schapiro 17: Best Laid Plans
by Jack Bowers
There are times when even the Best Laid Plans are unable to generate quite enough horsepower to realize their full promise and purpose. New York City-based composer and arranger Jon Schapiro clearly had a plan in mind for the third recording by his large ensemble, Schapiro 17. The plan evidently included broadening the horizons of contemporary ...
Ted Rosenthal Trio: The Good Old Days
by Dan McClenaghan
In 2024, Ted Rosenthal dove deeply into the piano trio tradition. High Standards, The Ted Rosenthal Songbook and Classics Reimagined: Impromptu were all released in 2025, all on the TRM Music label. The Good Old Days, the fourth album from those bountiful sessions, released in 2026, presents Rosenthal's vision via multiple moods and thematic twists as ...
Ricky Alexander: Ragology
by Jack Bowers
Ragtime takes its name from the ragged rhythmic patterns created by syncopated melodies played against a regular, steady bass line. The result is a lively and energetic sound that predates traditional jazz and swing. Among ragtime's foremost exponents was Scott Joplin, whose music was reintroduced to the public in 1973 via Paul Newman and Robert Redford's ...
Amaury Faye: A French Jazz Composer Returns To The Source
by Frank Housh
Amaury Faye was a child in Toulouse when he began his unlikely love affair with American jazz. A piano teacher exposed him to ragtime which led to Art Tatum, which led him to Ahmad Jamal and the great jazz trios. He released trio recordings in 2016, 2017, and 2018 and a solo album, Buran (L'Esprit du ...
Dave Burrell / Sam Woodyard: The Lost Session, Paris 1979
by Mark Corroto
Listeners would be hard-pressed to name another artist besides Dave Burrell who commands such mastery across jazz's entire timeline, from its ragtime origins to its most adventurous avant-garde territories. The pianist, born in 1940, brings equal authenticity to Jelly Roll Morton's classic compositions and completely free improvisation. His discography spans the works of Thelonious Monk, Billy ...
Terry Waldo & the Gotham City Band: Treasury, Volume 2
by Jack Bowers
Like any other handiwork you can name, contemporary jazz did not emerge from a vacuum. It sprang forth from a variety of sources, including but not limited to bebop, cool jazz, swing, trad jazz (Dixieland), blues, stride and perhaps the granddaddy of them all, ragtime. Yes, ragtime. Before there was King Oliver or Louis Armstrong, Duke ...
Terry Waldo: Treasury Volume 1
by Nicholas F. Mondello
Simply stated, and without hyperbole, Terry Waldo is an American musical treasure. He's also a treasure purveyor. A protégé of and mentored by Eubie Blake, Waldo is a player, composer, arranger, author, podcaster, theatrical director, and the noted oracle for ragtime and early American popular music. With Treasury Volume 1 (the first of a three-volume set), ...
Terry Waldo & the Gotham City Band: Treasury Volume 1
by Jack Bowers
Pianist Terry Waldo isn't stuck in the past; he revels in it, as do his eager teammates on Treasury, Vol. 1--the first of three such discourses, according to the album's liner notes--recorded not in jazz's primal era but in May and June 2022 (save for “After You've Gone," recorded in October 2018 with the splendid guest ...
Arina Fujiwara: Neon
by Katchie Cartwright
Neon, pianist-composer--arranger Arina Fujiwara's luminous debut release, ends on an unexpected note, a solo take on Scott Joplin's “Maple Leaf Rag" (1899), his most popular and enduring tune. It complements her program of four excellent originals and an inspired reconception of “Hotaru Koi," a Japanese children's song. Fujiwara's “Maple Leaf Rag" flows out of Joplin's classic ...
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