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About Brian Morris
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About Mia Dyberg
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Mia Dyberg
Mia Dyberg (b, 1986) is a danish saxophonist, improviser and composer currently residing in Berlin, Germany, where she works as a freelance musician. Performing with improv-musicians such as Clayton Thomas, Dag Magnus Narvesen, Casey Moir and Tobias Delius. Her ability to combine sound experiments with melancholy in a unique melodic expression, makes her one of the new exciting voices on the european jazz scene. She is active project leader & co-founder of the international improvisers collective The Community. Mia is a part of the Copenhagen jazz/improv. scene and holds a Master Diploma in Music ‘2015 from the Conservatory of Copenhagen
About Daniel Heffez
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About Mark Jackovic
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Mark Jackovic
Mark Jackovic, M.M., Jazz Education and Archives Manager at MCG Jazz, is an award-winning jazz performer with more than a decade of teaching experience. Jackovic holds a Bachelor's of Science Degree in Music Education from Duquesne University, with a major in K-12 general, choral, and instrumental music education. He also holds a Master in Music degree from Rutgers University, with a major in jazz saxophone performance.
About Steve Stelmaszek
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About Len DeFrank
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About Warren Keller
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Warren Keller
Born:
The child of a concert pianist and teacher, and a world-class operatic baritone, Warren began playing and singing early. His father, Howard Keller, blessed with an incredible baritone voice, studied with Carlton Gauld (http://en.wikipedia.org/wiki/Carlton_Gauld). Warren's dear mother, Roslyn, apprenticed with several luminaries: Anatole Kitain (http://en.wikipedia.org/wiki/Anatole_Kitain), Constance Keene (http://en.wikipedia.org/wiki/Constance_Keene), and her husband Abram Chasins (http://en.wikipedia.org/wiki/Abram_Chasins). As a teacher, 'Roz' was responsible for developing the talents of Joel Levine, musical director emeritus of the Oklahoma Philharmonic, and Sting’s occasional accompanist, Ken Helman. Warren has sung, played woodwinds (tenor/alto/soprano saxophone, flute), and written music on the New York City, Nashville, and Smooth Jazz music scenes. Warren was fortunate enough to have studied with the late, great Kenny Davern (http://en.wikipedia.org/wiki/Kenny_Davern), who began his career with Jack Teagarden, and was a multiple winner of the Downbeat Poll for soprano sax and clarinet. Three other master teachers were Gerry Orrico, fabulous alto sax and alto flute player for the Tex Benecke Orchestra and The Stardust Hotel in Las Vegas, vocal coach Marty Lawrence who taught everyone from Vicki Carr to David Coverdale, and guitarist Gary Talley of The Box Tops. Warren says that to have benefited from their level of musicianship humbles him. While playing classical clarinet and jazz sax with high school ensembles, he began his professional career with friends from New Jersey in the band 'Harper.' Though having aspirations of writing original music, they remained largely a cover band, albeit, one of the Jersey Shore's best. While the formative years from 1973-1979 were spent with Harper, Warren's singing, playing, and performing abilities were honed by the variety of styles they covered, and their extensive travels as a road band in the US and Canada. Beginning as a Chicago Transit Authority clone playing over 40 of their songs, Harper morphed into a Disco-Funk act, covering everything from Earth, Wind, and Fire, to Crown Heights Affair. It was at this time that Harper became the backup band of Rock and Roll Hall of Fame performer and Motown producer, Terry Johnson (http://en.wikipedia.org/wiki/Terry_%22Buzzy%22_Johnson) and his Flamingos ("I Only Have Eyes for You"). Their days with these veteran performers were both educational and fun. After Harper left Terry, Warren stepped out from his role as saxophonist, percussionist, and occasional singer, to become lead singer/front man. Harper evolved into a Top-40 hard rock act, doing Springsteen, Bowie, Led Zeppelin, Kansas, and Boston, as well as vestiges of their horn-oriented and funky past. In their final incarnation before Warren's departure in 1979, he had introduced the band to the new wave of the Clash, Elvis Costello, and The Cars.
About Gianluca Esposito
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About Renato Cordovani
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Renato Cordovani
Renato Cordovani, clarinetist and saxophonist from Florence, dedicated his artistical life to performances and free improvisation in solo and with many other musicians (E.Ricci, T.Honsinger, F.Monico, N. Vernuccio, R.Geremia, G. Trovesi, M.Schubert, S.Bergin, M. Sabatini, among aothers), poets and actors (J.J.Lebel, F. di Francescantonio, M. Santini, Ottovolante, N. Rinaldi, among others) dancers (Alessandro Certini, S. Cesaroni, among others), performers (Musica e poesia contemporanea Phoné e la Voce con J.J.Lebel, Not(t)e da ridere comicità in jazz, La Corte – Arte Contemporanea, Il disordine delle Arti – Le Forme del Suono, Chimica e Arte, Extra(s)colto, Jazz Homage to Henry Miller duo with G.Trovesi). He invented with M.Santini, composed for and conducted “La Grande Orchestra del Cotechino Marcio” with wacky songs and poetry by Massimo Santini. After many years of collaborations “Cordonbleux at NOF” represent his debut album.
About Derrick El
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