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23

Article: Album Review

Lionel Loueke & Dave Holland: United

Read "United" reviewed by Ian Patterson

by Ian Patterson

Why did they not think of this before? A fair question. But as the Greek poet Homer put it, even a fool is wise after the event. “Why did you not think of it before?," Homer might have retorted. Yes, the music on United is so sublime, so natural sounding, that guitarist Lionel Loueke and bassist ...

23

Article: Album Review

Arthur Blythe Quartet: Live From Studio Rivbea, July 6, 1976

Read "Live From Studio Rivbea, July 6, 1976" reviewed by John Sharpe

by John Sharpe

Saxophonist Arthur Blythe arrived in New York City in 1974 with a gorgeous tone and a fully formed conception. Having featured in the ensembles of pianist Horace Tapscott in his native LA, he first caught the ear in the Big Apple after his recruitment into the bands of drummer Chico Hamilton and pianist/composer Gil Evans. This ...

Album

Classic Bobby Hutcherson Blue Note Sessions 1963 – 1970

By Bobby Hutcherson

Label: Mosaic Records
Released: 2024
Track listing:

Disc One:
The Kicker
1. If Ever I Would Leave You (A) 10:32
(A.J. Lerner-F. Lowe)
2. Mirrors (A) 6:51
(Joe Chambers)
3. For Duke P.(A) 7:53
(Bobby Hutcherson)
4. The Kicker (A) 6:05
(Joe Henderson)
5. Step Lightly (A) 14:17
(Joe Henderson)
6. Bedouin (A) 8:11
(Duke Pearson)
Dialogue
7. Catta (B) 7:15
(Andrew Hill)
8. Idle While (B) 6:35)
(Joe Chambers)
9. Les Noirs Marchant (B) 6:35
(Andrew Hill)

Disc Two:
1. Dialogue (B) 9:58
(Joe Chambers)
2. Ghetto Lights (B) 6:12
(Andrew Hill)
3. Jasper (B) 8:27
(Andrew Hill)
Components
4. Components (C) 6:23
(Bobby Hutcherson)
5. Tranquility (C) 5:01
(Bobby Hutcherson)
6. Little B’s Poem (C) 5:08
(Bobby Hutcherson)
7. West 22nd Street Theme (C) 4:42
(Bobby Hutcherson)
8. Movement (C) 7:29
(Joe Chambers)
9. Juba Dance (C) 5:21
(Joe Chambers)
10. Air (C) 4:45
(Joe Chambers)
11. Pastoral (C) 2:02
(Joe Chambers)
12. West 22nd Street Theme (alt tk) (C) 5:42
(Bobby Hutcherson)

Disc Three
Happenings
1. Aquarian Moon (D) 7:50
(Bobby Hutcherson)
2. Bouquet (D) 8:00
(Bobby Hutcherson)
3. Rojo (D) 6:00
(Bobby Hutcherson)
4. Maiden Voyage (D) 5:45
(Herbie Hancock)
5. Head Start (D) 5:15
(Bobby Hutcherson)
6. When You Are Near (D) 3:50
(Bobby Hutcherson)
7. The Omen (D) 7:00
(Bobby Hutcherson)
8. Aquarian Moon (alt tk) (D) 10:28
(Bobby Hutcherson)
9. Bouquet (alt tk) (D) 8:15
(Bobby Hutcherson)
10. Rojo (alt tk) (D) 6:49
(Bobby Hutcherson)

Disc Four
Stick-Up!
1. Una Muy Bonita (E) 6:24
(Ornette Coleman)
2. 8/4 Beat (E) 6:56
(Bobby Hutcherson)
3. Summer Nights (E) 6:55
(Bobby Hutcherson)
4. Black Circle (E) 6:54
(Bobby Hutcherson)
5. Verse (E) 9:29
(Bobby Hutcherson)
6. Blues Mind Matter (E) 3:31
(Bobby Hutcherson)
7. Una Muy Bonita (alt tk) (E) 6:09
(Ornette Coleman)
8. Black Circle (alt tk) (E) 7:30
(Bobby Hutcherson)
9. Verse (alt tk) (E) 8:02
(Bobby Hutcherson)
Oblique
10. Subtle Neptune (F) 8:33
(Bobby Hutcherson)

Disc Five
1. ‘Til Then (F) 4:44
(Bobby Hutcherson)
2. My Joy (F) 7:11
(Bobby Hutcherson)
3. Theme From “Blow Up” (F) 8:16
(Herbie Hancock)
4. Oblique (F) 7:20
(Joe Chambers)
5. Bi-sectional (F) 5:07
(Joe Chambers)
Patterns
6. Effi (G) 7:07
(Stanley Cowell)
7. Irina (G) 7:20
(Joe Chambers
8. Nocturnal (G) 4:12
(Joe Chambers)
9. Patterns (G) 5:54
(Joe Chambers)
10. A Time To Go (G) 5:44
(James Spaulding)
11. Ankara (G) 6:24
(Joe Chambers)
12. Patterns (alt tk) (G) 6:00
(Joe Chambers)

Disc Six
Total Eclipse
1. Herzog (H) 6:32
(Bobby Hutcherson)
2. Total Eclipse (H) 8:52
(Bobby Hutcherson)
3. Matrix (H) 6:45
(Chick Corea)
4. Same Shame (H) 9:25
(Bobby Hutcherson)
5. Pompeian (H) 8:50
(Bobby Hutcherson)
Spiral
6. Ruth (I) 7:50
(Joe Chambers)
7. The Wedding March (I) 3:52
(Stanley Cowell)
8. Poor People’s March (I) 6:15
(Harold Land)
9. Spiral (I) 6:13
(Joe Chambers)
10. Visions (I) 3:49
(Bobby Hutcherson)
11. Photon In A Paper World (I) 6:49
(Stanley Cowell)
Medina
12. Comes Spring (J) 3:20
(Bobby Hutcherson)

Disc Seven
1. Avis (J) 6:41
(Bobby Hutcherson)
2. Dave’s Chant (J) 5:16
(Stanley Cowell)
3. Orientale (J) 5:51
(Stanley Cowell)
4. Medina (J) 10:55
(Joe Chambers)
5. Ungano (J) 8:02
(Joe Chambers)
San Francisco
6. Goin’ Down South (K) 7:01
(Joe Sample)
7. Prints Tie (K) 7:22
(Bobby Hutcherson)
8. Jazz (K) 5:21
(Joe Sample)
9. Ummh (K) 7:42
(Bobby Hutcherson)
10. Procession (K) 5:40
(Bobby Hutcherson)
11. A Night In Barcelona (K) 7:20
(Harold Land)

3

Article: Interview

Marco Pennisi: la Red Records di oggi

Read "Marco Pennisi: la Red Records di oggi" reviewed by Libero Farnè

by Libero Farnè

La foto riportata qui sopra, scattata da Curti Parini, è emblematica perché rappresenta il passato e il presente della Red Records, storica casa discografica milanese che dal 2021 ha ripreso quota, incrementando le sue mirate edizioni. Da sinistra possiamo distinguere Tommaso Belletti (digitale e promozione), Cem Cansu (store manager), l'attuale produttore e responsabile Marco Pennisi, Sergio ...

12

Article: Album Review

T. K. Blue: Planet Bluu

Read "Planet Bluu" reviewed by Dan McClenaghan

by Dan McClenaghan

Is T.K. Blue the coolest name for a jazz artist? Only “Thelonious Monk" competes in the category. Blue (aka Talib Kibue) a New Yorker of Trinidad and Jamaican descent who boasts a wide-ranging career--involvements with saxophonist Sam Rivers and pianist Randy Weston (he plays on Weston's 1991, Verve Records masterpiece, The Spirits Of Our Ancestors)--showcases a ...

13

Article: Album Review

Kalaparusha Maurice McIntyre: Live From Studio Rivbea

Read "Live From Studio Rivbea" reviewed by John Sharpe

by John Sharpe

Kalaparusha Maurice McIntyre is in some ways the forgotten man of Chicago's pioneering Association for the Advancement of Creative Musicians (AACM). He appears on two of the first albums to come out of the collective: Roscoe Mitchell's Sound (Delmark, 1966) and Muhal Richard Abrams' Levels And Degrees Of Light (Delmark, 1968); and was the leader of ...

27

Article: Multiple Reviews

Brilliant ECM Luminessence Series Shines New Light On Classic Vinyl

Read "Brilliant ECM Luminessence Series Shines New Light On Classic Vinyl" reviewed by Joshua Weiner

by Joshua Weiner

Blue Note. Verve. Impulse! ESP-Disk. Just saying the name of such storied jazz record labels immediately conjures up each one's distinct aesthetic, from the music to the cover art. By the close of the 1960s, jazz was undergoing a period of intense change, with an unprecedented mixing and matching of styles and influences--both musical and political--that ...

7

Article: Profile

Kasan Belgrave Takes Off

Read "Kasan Belgrave Takes Off" reviewed by Paul Rauch

by Paul Rauch

As a jazz journalist, attending summer festivals is almost a rite of passage, a journey to a place where so many pieces of the international jazz community are gathered in one spot to sample, or to indulge oneself. Over the years, accompanied by repeated visits, the sights and sounds of the festival locations become clearer and ...

16

Article: Interview

Meilana Gillard: Adventures In Sound

Read "Meilana Gillard: Adventures In Sound" reviewed by Ian Patterson

by Ian Patterson

To nurture a sound on one's instrument--a personal voice--that is instantly recognizable, is not necessarily easy. It can be especially hard if following in a line of historical heavy hitters. Meilana Gillard, the Ohio-raised, Northern Ireland-based tenor saxophonist has been compared to Johnny Hodges, Sonny Rollins, Dexter Gordon, Coleman Hawkins, Joe Lovano and Branford ...

13

Article: Jazz Raconteurs

Patricia Nicholson Parker: A Disciplined Disregard for Traditional Boundaries

Read "Patricia Nicholson Parker: A Disciplined Disregard for Traditional Boundaries" reviewed by Dave Kaufman

by Dave Kaufman

Patricia Nicholson Parker is a dancer, poet, and organizer of movement, music and causes. She is the founder and executive director of Arts for Art (AFA) and the Vision Festival. Entering its 27th year when this interview was conducted, the Vision Festival celebrates free jazz in all its forms, with a focus on equity, diversity and ...


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