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Tony Williams: Life Time
by Matthew Aquiline
By now, it's an irrefutable fact that drummer Tony Williams was the youngest preeminent figure within the avant-garde movement of the mid-'60s. Every jazz fan seems to know the events that led to his international fame: after intriguing trumpeter Miles Davis with his cutting-edge approach to drumming, he was hired and added to the groundbreaking “Second ...
NEC Faculty Member Dave Holland Receives 2017 NEA Jazz Masters Award
Renowned Jazz Bassist Dave Holland Earns Nation’s Highest Honor in Jazz: 2017 NEA Jazz Masters Award Holland is an NEC Visiting Artist-in-Residence NEC visiting artist-in-residence, renowned jazz bassist/composer and bandleader Dave Holland has earned the nation’s highest honor in jazz: a 2017 NEA Jazz Masters Award. Holland is one of five individuals recognized for their lifetime ...
Adam Rudolph - Go: Organic Guitar Orchestra: Turning Towards The Light
by Mario Calvitti
Il percussionista e compositore statunitense Adam Rudolph è uno di quei musicisti ai quali qualsiasi etichetta va stretta. Basta scorrere la lista degli artisti con cui ha collaborato per rendersene conto: personaggi come Don Cherry, Jon Hassell, Sam Rivers, Pharoah Sanders, L. Shankar, Fred Anderson, Muhal Richard Abrams, Wadada Leo Smith, Omar Sosa, e soprattutto Yusef ...
Dialogo su Thomas Chapin, con Stefano Pastor e Stefano Leonardi
by Giuseppe Segala
La realizzazione del documentario Thomas Chapin, Night Bird Song ci offre l'occasione di fare una chiacchierata con il violinista Stefano Pastor e il flautista Stefano Leonardi, due tenaci e impavidi musicisti e improvvisatori che nel 2014 hanno pubblicato, in quartetto con Fridolin Blumer al contrabbasso e Heinz Geisser alla batteria, il CD Conversations about Thomas Chapin: ...
David Fiuczynski: Flam! Blam!
by Maurizio Comandini
Il chitarrista americano David Fiuczynski si lascia condurre per mano dall'ispirazione che nasce dal canto degli uccelli per questo suo album intrigante e misterioso. Ci vengono subito in mente due esperienze straordinarie come quella dell'Eric Dolphy degli anni sessanta che confidava agli amici di essere stato particolarmente colpito dello stesso fenomeno e di essere impegnato nella ...
Matt Ridley: Mettã
by Roger Farbey
A graduate of London's Trinity College of Music, this is in-demand bassist Matt Ridley's second album as leader. On “Music To Drive Home To" Jason Yarde plays a repeated plangent melody on soprano saxophone followed by John Turville elegantly soloing on piano. As its name implies “Lachrymose" is something of a tear-jerking exercise with Yarde squeezing ...
Ethnic Heritage Ensemble at The Center for New Music
by Harry S. Pariser
Ethnic Heritage Ensemble Center for New Music San Francisco, CA February 15, 2016 San Francisco's Tenderloin District is a down-and-out area which wags have christened “Twitterloin," (owing to the proximity of Twitter and other tax companies given tax subsidies to erect their palatial edifices in this culturally diverse neighborhood). And the ...
Joseph Daley: The Tuba Trio Chronicles
by Hrayr Attarian
Composer and tubaist Joseph Daley pays tribute to the great saxophonist/flutist Sam Rivers with his stimulating and provocative The Tuba Trio Chronicles. Daley and percussionist Warren Smith, who appears on the current album, were member of Rivers' tuba trio in the 1970s. They both appeared on Rivers' three volume Essence (Circle, 1976), a live recording at ...
Various Artists: The Boston Creative Jazz Scene 1970-1983
by Dave Wayne
Though New York City remains first and foremost in everyone's mind as the “Jazz Capital of the World," aficionados know that many other cities in the US and abroad support significant and artistically important jazz communities. Boston looms large among the most important jazz cities, worldwide. The birthplace of Harry Carney, Roy Haynes, George Russell, Sonny ...
Poker di Jon Irabagon
by Stefano Merighi
Il jazz di oggi è sicuramente policentrico, continuando in questo la sua stratificata tradizione. Sempre più spazio trovano artisti americani di origini diverse. Tra essi, il sassofonista Jon Irabagon (sangue filippino) è emerso da un decennio con una forza dirompente, conseguenza di una preparazione enciclopedica, tradotta abilmente in un'ampia gamma di situazioni sonore.
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