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UNT Two O'Clock Lab Band: Two Music: It Don't Mean a Thing, If It...
by Jack Bowers
As has been pointed out a number of times before, there's no audible difference between the University of North Texas' One O'Clock and Two O'Clock Lab Bands, which are customarily named for rehearsal times but based on performance alone could well be designated One O'Clock and One-Fifteen. This is not meant to devalue the One O'Clock ...
Kenny Dorham: The Complete ‘Round About Midnight at the Café Bohemia – Blue Note 1524
by Marc Davis
I think I have a new favorite hard bop record. For many years, I considered Art Blakey and the Jazz Messengers the perfect hard bop band--the Beatles of the bop set. I still do. I don't know how Blakey managed to find the very best up-and-coming jazz musicians in America, year after year, but ...
Independence Day with Fischer and Cohn
Today, the United States of America is celebrating the 238th anniversary of its independence. Rifftides observes the 4th of July with two versions of the song that many Americans wish was the national anthem. Pianist Clare Fischer arranged the first for his 1967 album Songs For Rainy Day Lovers. The second version is by tenor saxophonist ...
Hot Tone Music: Creating Great Music of Today
by Jakob Baekgaard
There was a time when the only possibility for an artist was to record for a major label, but nowadays things have changed. While major labels are struggling to make the money they used to do, many of them have also stopped being innovators. Instead, they churn out repackaged product and focus on new music that ...
Etienne Charles and Creole Soul at SubCulture
by DanMichael Reyes
Etienne Charles and Creole Soul SubCulture New York, NY November 8, 2013 Fresh from his three-week residency at Doha's Jazz At Lincoln Center, Etienne Charles along with his band, Creole Soul, took to NYC's SubCulture on a chilly autumn evening. Charles and the band played to a packed audience at ...
Thelonious Monk: Newport '59
by Mark Corroto
Only with hindsight can it be ascertained that 1959 marked the pinnacle of jazz music as a cultural force in the United States. In 1959, the Mount Rushmore presidents of jazz were recording their definitive statements: John Coltrane's Giant Steps (Atlantic, 1960), Dave Brubeck's Time Out (Columbia, 1959), Charles Mingus' Ah Um (Columbia, 1959), Miles Davis' ...
Joe Locke: Lay Down My Heart - Blues & Ballads Vol 1
by John Kelman
In a rarefied space, Joe Locke continues to evolve, engage and impress. There simply isn't another vibraphonist of his generation with Locke's stellar chops, thorough understanding of history/tradition--not just of jazz, but of music, period--and ability to build programs based on thematic concepts that not only stand out in his gradually growing discography, but fit contextually ...
Wallace Roney: In the Realm of Anti-Gravity
by R.J. DeLuke
Much is made of trumpeter Wallace Roney coming from the Miles Davis school, a mentor-protégé situation that blossomed in the 1980s that Roney is very proud of. But that wouldn't be telling the whole story of the Philadelphia native who, in his prime years, has become one of the world's finest trumpet players, and a musician ...
Joe Locke: Lay Down My Heart: Blues & Ballads Vol.1
by Dan Bilawsky
Vibraphonist Joe Locke doesn't seem to want to put his mallets down for very long. As soon as he arrived at Motéma Music, he released the modern-leaning Signing (Motéma Music, 2012) with the Joe Locke/Geoffrey Keezer Group, and partnered up with Lincoln's Symphony Orchestra for the somewhat serene Wish Upon A Star (Motéma Music, 2013). Now, ...
In Tune or Not in Tune... That Is the Question
by Jack Bowers
Suppose a month goes by, you have a column to publish, but nothing has happened that's worth writing about. What do you do then? Read on, as the question is about to be answered. A while back there was a discussion at a Stan Kenton web site (Kentonia) about musicians or groups of ...
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