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13

Article: My Blue Note Obsession

Walter Davis Jr.: Davis Cup - 1959

Read "Walter Davis Jr.: Davis Cup - 1959" reviewed by Marc Davis


Every now and then, I hear a musician in a band and I think, “Damn, can we get rid of the other guys and just hear this one by himself?" That was my immediate thought after listening to Davis Cup, a hard bop cooker from 1959. Walter Davis Jr. is a pianist with a ...

Article: Multiple Reviews

Tornano i tesori della Xanadu

Read "Tornano i tesori della Xanadu" reviewed by Angelo Leonardi


Proseguono le riedizioni dei dischi della Xanadu grazie all'accordo tra Zev Feldman e Jordi Soley di Elemental Music e la società The Orchard, attuale proprietaria dell'etichetta fondata da Don Schlitten. Dopo un primo assaggio di sei dischi uscito qualche mese fa, il nuovo capitolo della Master Edition Series è corposo e ci dà l'occasione per rievocare ...

Article: Multiple Reviews

I classici Xanadu - Seconda parte

Read "I classici Xanadu - Seconda parte" reviewed by Angelo Leonardi


In questo nuovo blocco di riedizioni Xanadu, pubblicate dalla Elemental, dopo la puntata dedicata ai sassofonisti, ci occupiamo soprattutto di pianisti, ovviamente legati alla scuola bop secondo le preferenze stilistiche del produttore Don Schlitten: Kenny Drew, Dolo Coker e Barry Harris. Questi non sono leader in tutti i dischi ma il loro contributo è sempre centrale. ...

9

Article: Interview

Nick Brignola: Big Horn, Strong Words

Read "Nick Brignola: Big Horn, Strong Words" reviewed by Rob Rosenblum


This article first appeared in Coda Magazine in 1978. With the possible exception of torture, there has never been an art form more maligned than jazz. So, it is inevitable that every once in a while there is an exceptional musician who finds that the financial rewards of being a jazz musician are too ...

13

Article: Album Review

Joshua Breakstone/The Cello Quartet: 88

Read "88" reviewed by Mark Sullivan


Veteran guitarist Joshua Breakstone pays tribute to some of his favorite pianist/composers here. He tells a story about a fellow Berklee student (a saxophonist) who asked legendary saxophonist Sonny Stitt if he could sit in. Stitt shut him down with the question “how many keys on a saxophone?" The novice couldn't answer--there are 23--but everyone knows ...

18

Article: Interview

Ron Carter: Always at the Center of the Action

Read "Ron Carter: Always at the Center of the Action" reviewed by Victor L. Schermer


Great jazz bassists can always be identified by the fact that you really listen to them! A good jazz bassist keeps good time and gets the chords right, but a great bassist, going as far back as Jimmy Blanton, Scott LaFaro, Charlie Haden, or Jimmy Garrison, catches your ear because you're surprised and moved by what ...

16

Article: My Blue Note Obsession

Cannonball Adderley: Somethin' Else – 1958

Read "Cannonball Adderley: Somethin' Else – 1958" reviewed by Marc Davis


Is there anything new to say about a jazz classic that features one of the greatest two-horn tandems ever to lay down a blue note? How about this: You must own this record. Period. I suspect that everyone with even a passing interest in jazz owns Miles Davis' Kind of Blue, the best-selling jazz ...

1

Article: Album Review

Trumpetology: This Is Trumpetology

Read "This Is Trumpetology" reviewed by Jack Bowers


Southern California-based Trumpetology is an octet comprised of five sure-handed trumpeters and rhythm. For comparison's sake, think SuperSax for trumpets. Even though leader / arranger Walter Simonsen doesn't transcribe solos by well-known horn players to unsettle his mates, several of his charts demand the same kind of snug digital dexterity employed by SuperSax, and the group ...

Album

Exclusively For My Friends

Label: MPS
Released: 2015
Track listing: CD1: Action. At Long Last Love; Easy Walker; Tin Tin Daeo; I've Got A Crush On You; A Foggy Day. CD2: Girl Talk. On A Clear Day; I'm In The Mood For Love; Girl Talk; Medley: I Concentrate On You/Moon River; Robbins Nest. CD3: The Way I Really Play. Waltzing Is Hip; Satin Doll; Love Is Here To Stay; Sandy's Blues; Alice In Wonderland; Noreen's Nocturne. CD4: My Favorite Instrument. Someone To Watch Over Me; Perdido; Body And Soul; Who Can I Turn To; Bye, Bye Blackbird; I Should Care; Lulu's Back In Town; Little Girl Blue; Take The A-Train. CD5: Mellow Mood. In A Mellotone; Nica's Dream; Green Dolphin Street; Summertime; Sometimes I'm Happy; Who Can I Turn To. CD6: Travelin' On. Travelin' On; Emily; Quiet Nights; Sax No End; When Lights Are Low. CD7: The Lost Tapes 1. Gravy Waltz; Three O'Clock In The Morning; Squeaky's Blues; Tenderly; I Will Wait For You; Let's Fall In Love; Put On A Happy Face; Stella By Starlight; Moanin'; Never Say Yes; It's Impossible; My Romance. CD8: The Lost Tapes 2. Autumn Leaves; The Folks Who Live On The Hill; Body And Soul; Misty; Hymn To Freedom; Goodbye; Li'l Darlin'; Satin Doll; All Of Me; A Lovely Way to Spend An Evening.

12

Article: My Blue Note Obsession

Tina Brooks: True Blue - 1960

Read "Tina Brooks: True Blue - 1960" reviewed by Marc Davis


I love finding little-known records by almost-unknown artists. There's nothing wrong with soaking in the comfortable pool of guys you know oh-so-well. I can listen to Art Blakey, Jimmy Smith and Kenny Burrell all day. But even the greats can wear you out. How many times can you listen to the Beatles' “Hey Jude" ...


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