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Article: Album Review

Umbra: West

by Ian Patterson
September 15, 2018

American road trips have long inspired writers, from Jack Kerouac, John Steinbeck and Tom Wolfe, to Hunter S. Thompson, Robert M. Pirsig and Bill Bryson. Fewer are the extended works, similarly inspired, written by musicians. Some things, it seems, may be easier put into words. Umbra's West is inspired by founding member Chris Guilfoyle's 2017 road ...

Article: Album Review

AERIE: Sonic

by Ian Patterson
July 29, 2018

It is a little over two years since Ingo Hipp's pan-European quintet AERIE launched its impressive 2016 debut, Hatch & Host (Neuklang Records). Hipp's adventurous writing coupled with strong solo voices were the hallmarks of that outing, and, by and large, remain the guiding forces of SONIC. If anything, there's perhaps more emphasis on the compositional ...

Article: Live Review

Brilliant Corners 2018

by Ian Patterson
April 3, 2018

Brilliant Corners 2018 Black Box Belfast, N. Ireland March 3-10, 2018 Compared to Dublin or cities in the UK, Belfast is usually overlooked when jazz groups tour. When the likes of Wayne Shorter, Charles Lloyd, Ahmad Jamal, Keith Jarrett or Brad Mehldau come to Ireland it's usually a one-stop visit ...

Album

Last Minute Panic

By Sam Comerford

Label: Honolulu Records
Released: 2017
Track listing: Bozza; Kwakzalver; Last Minute Panic; Toetje.

Article: Album Review

Thunderblender: Last Minute Panic

Read "Last Minute Panic" reviewed by Ian Patterson

by Ian Patterson
December 18, 2017

A rising name on the European jazz/improvised music scene, Brussels-based Irish saxophonist Sam Comerford possesses eggs and baskets aplenty, playing regularly in Ingo Hipp's AERIE, Chris Guilfoyle's Umbra, Eve Beuven's Heptatomic, Manolo Cabras' Brilliant Corners, as well as in a duo with Matthew Jacobson. Since 2015, however, Comerford has assumed the mantle of leader with Thunderblender, ...

Article: Live Review

Match&Fuse Dublin 2017

by Ian Patterson
September 24, 2017

Match&Fuse Dublin 2017 dlr Lexicon, Dun Loaghaire, Dublin, Ireland September 16, 2017 “We are Rocky Road and we've existed since Wednesday," bassist Anneleen Boheme announced to the Saturday afternoon audience of the first Match&Fuse festival to be held in Ireland. Well, we're used to pop-up shops after all, so why ...

Article: Album Review

Insufficient Funs: Insufficient Funs

Read "Insufficient Funs" reviewed by Ian Patterson

by Ian Patterson
January 12, 2017

An original name, if not quite such an original concept. Saxophone and drum duets used to be as rare as the proverbial hen's teeth, with John Coltrane and Rashied Ali's 1960s collaboration always the benchmark. In recent years, however, this striking duo combination has seen something of a boom. Charles Lloyd and Billy Higgins; Dave Rempis ...

Article: Album Review

Umbra: Umbra

by Ian Patterson
December 31, 2016

Dublin guitarist/composer Chris Guilfoyle's Umbra has been around for half a decade, so its debut album can be seen as the product of patience and endurance. Critically acclaimed performances at the IMC's Down With Jazz and 12 Points festivals, as well as Bray Jazz, have helped raise the band's profile, but with band members not always ...

Article: Live Review

Improvised Music Company@25, Various Artists At Sugar Club

by Ian Patterson
December 14, 2016

Improvised Music Company@25 Sugar Club Dublin, Ireland November 26, 2016 It was an appropriately festive atmosphere in the Sugar Club to mark Improvised Music Company's twenty fifth birthday celebrations. Older musicians, perhaps just starting out a quarter of a century ago, rubbed shoulders with the current generation of aspiring ...

Article: Profile

Improvised Music Company: Orbital Pathways, Gravitational Pull

by Ian Patterson
November 22, 2016

Arguably some of the most dramatic changes in jazz have taken place in the last quarter of its century-long history: the emergence of a strong European jazz identity/identities; technological advances that empower individuals to become their own producers; Youtube, which has all but erased the boundary between past and present; the increase in pedagogical institutions; pan-national ...