Home » Search Center » Results: Russell Perry
Results for "Russell Perry"
The Lyricists - Benny Golson, Gigi Gryce, Art Farmer (1953 - 1962)
by Russell Perry
"Musicians of a gentler, more lyrical bent ... found in hard bop a more congenial climate than bebop had offered: for instance, trumpeter Art Farmer, [and] composers Benny Golson and Gigi Gryce.... In a sense, such musicians were not hard boppers at all. They are, however, partially associated with the movement for two reasons. First, they ...
Sons of the Jazz Messengers (1956 - 1964)
by Russell Perry
In 1956, with Horace Silver's departure, Art Blakey inherited the Jazz Messengers. Over the next five years, the Jazz Messengers took part in recording sessions that have resulted in almost 40 live and studio recordings. Also in this period, Blakey collaborated with players who became the stars of Hard Bop. In this hour, we will hear ...
Birth of Hard Bop (1954 - 1958)
by Russell Perry
While the “Cool School" was emerging on the West Coast from its roots in Bix and Pres as codified by Miles in The Birth of the Cool sessions of 1949-- 1950, what became known as Hard Bop, a gospel-and blues-influenced variant was growing from Bebop in the east. Playlist Host Intro 0:00 Miles Davis ...
Stan Kenton and West Coast Jazz (1950 - 1958)
by Russell Perry
In the last hour, we heard evidence of Woody Herman's capacity for talent development in the form of further work by reed players Stan Getz, Serge Chaloff, Al Cohn, Zoot Sims and Jimmy Giuffre. In this hour we turn the spotlight on alumni of the Stan Kenton Orchestra which produced several significant players in the West ...
Cool - Four Brothers After Woody Herman (1946 - 1961)
by Russell Perry
Bandleader Woody Herman created a distinctive sound around The Four Brothers -the three tenor plus baritone sax front line of Stan Getz, Zoot Sims, Herbie Stewart (later Al Cohn) and Serge Chaloff--and the writing of clarinetist Jimmy Giuffre. In time, Getz, Sims, Chaloff, Cohn and Giuffre would all become distinctive soloists and all had a role ...
Bebop Pioneers in the 1950s (1949 - 1960)
by Russell Perry
Bebop had its roots in the big bands of the late 1930s and was nurtured in jam sessions during the war and the musician's strike of the 1940s. By 1950, the prescient Coleman Hawkins, and the pioneers--Charlie Parker, Dizzy Gillespie, Bud Powell, and Max Roach were well-established stars at risk of the music moving on and ...
Miles and Friends - The “Birth” of the Cool (1947 - 1950)
by Russell Perry
The torrid pace of bebop improvisations reached a point in the late 1940s that prompted a musical reconsideration and Miles Davis was there at the conception. Davis had been with the Charlie Parker Quintet since 1945, when he began to woodshed with composer/arrangers John Lewis, Gerry Mulligan and Gil Evans, all of whom would become major ...
Big Bands of the 1950s (1950 - 1957)
by Russell Perry
Woody Herman disbanded the Second Herd in 1949 and, while Stan Kenton and Duke Ellington managed to keep a big band on the road through the 1950s, Count Basie disbanded his band at the start of the decade but assembled a new one in a few years. Generally this was a tough period for large ensembles. ...
Lennie Tristano and Lee Konitz: Proto-Cool (1946 - 1955)
by Russell Perry
Pianist Lennie Tristano was a very visible participant in the modern jazz innovations of the mid-1940s through the early 1950s, winning polls and participating in all-star jam sessions. Yet his music was always a little outside the mainstream and was increasingly so as he began to experiment with fully improvised performances by 1947. While his focus ...
Dixieland Revival – A Sense of History (1939 - 1955)
by Russell Perry
In the 1940's, some twenty-five to thirty years into the history of recorded jazz, the sometimes violent reaction against the bebop revolution caused a hard look into the rear view and the jazz world focused on its own history. Many of the players who led the first jazz revolution were still alive, ready for prime time, ...
