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Roscoe Mitchell and the Note Factory: Far Side
by John Kelman
It's been over a decade since reed and woodwind multi-instrumentalist Roscoe Mitchell--a veteran of Chicago's Association for the Advancement of Creative Musicians (AACM), which he helped establish in the mid-1960s, in addition to co-founding the groundbreaking Art Ensemble of Chicago, around the same time--released Nine to Get Ready (ECM, 1999), with his Note Factory group. Far ...
Roscoe Mitchell – David Wessel: Contact
by AAJ Italy Staff
Le sessioni del compositore David Wessel e del sassofonista Roscoe Mitchell contenute nel doppio CD-DVD “Contact" distano parecchio tempo (in termini musicali) l'una dall'altra: l'una ha avuto luogo presso l'IRCAM di Parigi come parte del festival Résonances il 20 ottobre 2004, l'altra al Center for New Music dell'UC di Berkeley il 13 e 14 ottobre 2002. ...
Introducing Anthony Braxton
by Robert Levin
[Editor's Note: This article first appeared in Jazz & Pop Magazine, 1970]To anyone still questioning the validity of the systems and methods at which Cecil Taylor and Ornette Coleman arrived, I would first of all recommend that he listen more attentively to the work of those men. But I'd also suggest that he make ...
Ottawa Jazz Festival 2010: Days 1-3, June 24-26, 2010
by John Kelman
Days 1-3 | Days 4-6 | Days 7-9 | Days 10-11 Mikko Innanen & InnkvisitioEtienne Charles and Folklore / Bill Frisell's Beautiful DreamersBill Frisell 858 Quartet TD Ottawa International Jazz Festival Ottawa, Ontario, Canada June 24-26, 2010 Back in April 2010, when the TD Ottawa International ...
Muhal Richard Abrams / Roscoe Mitchell: Spectrum
by Kurt Gottschalk
Muhal Richard Abrams and Roscoe Mitchell are arguably the two figures most central to the birth and rearing of the seminal '60s collective the Association for the Advancement of Creative Musicians (AACM). The organization was borne out of Abrams' Experimental Band and the first standing group to emerge from it was the Roscoe Mitchell Art Ensemble ...
Keefe Jackson and Aram Shelton: Seeing You See and Two Cities
by Clifford Allen
The city of Chicago continues to find itself in a jazz renaissance well into the waxing years of the 21st century--a status that many of America's cities can't easily lay claim to. With the pedigrees of individual improvisers and composers like reedman Ken Vandermark and flutist Nicole Mitchell well established in the 1990s, a slightly younger ...
Bare Bones Improvisation: A Challenge Rewarded
by Mark Corroto
Mood, ambiance and atmosphere are the basic building blocks of music making. Taken at its essence, music is made up of these three components. In generating sound--especially experimental, improvised sound--getting to the essence is a major victory for musicians. And, although it may appeal only to the adventurous listener, there is an importance to bare bones ...
Von Freeman: Vonski Speaks
by Clifford Allen
Von Freeman Vonski Speaks Nessa Records 2009 The “musician's musician" is a tiring phrase--assuming that only someone who actually plays an instrument can receive joy from listening to players such as tenor saxpohonists Dexter Gordon, Don Byas and Ike Quebec, trumpeter Dupree Bolton or drummer Walter Perkins. None ...
Matthew Shipp at Cafe Oto, London
by John Sharpe
Matthew Shipp/Paul Dunmall/John Edwards/Mark Sanders Cafe Oto London February 12, 2010 At first glance the opening night of New York City-based pianist Matthew Shipp's three-day residency at north London's Cafe Oto promised a fire music spectacular. Lined up to appear alongside him were three of the UK's leading improvisors ...
Matthew Shipp: 4D
by Robert Iannapollo
Since his emergence at the start of the 1990s, pianist Matthew Shipp seems to have fostered an infinite number of options available to him. From his free jazz alliances to his electronic beat explorations (also taking into account memberships in the groups of David S. Ware and Roscoe Mitchell), Shipp seems to like to mix it ...
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