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Unconventional Instruments
by Karl Ackermann
ECM regularly tops lists of the best jazz labels though their full name--Edition of Contemporary Music--would argue for a broader scope of content. A substantial number of their most popular albums, such as Carla Bley's Escalator Over The Hill (1974), Egberto Gismonti: Dança Dos Escravos (1989), Nils Petter Molvær's Khmer (1997), and many more, are not ...
A Conversation with Amiri Baraka
by Lazaro Vega
From the 1995-2003 archive: This article first appeared at All About Jazz in November 1999. All About Jazz: I'm just really happy to see that in the last year or so you've become a much more public figure outside of academia through the recording with Hugh Ragin, Afternoon in Harlem on Justin-time, that When ...
Südtirol Jazzfestival Alto Adige 2021 - Prima parte
by Giuseppe Segala
Alto Adige Varie sedi 25.06-04.07.2021 Come tante altre manifestazioni svoltesi nel periodo a cavallo tra i mesi di giugno e luglio, il Südtirol Jazzfestival Alto Adige ha dovuto lavorare alacremente per giungere alla propria realizzazione, concentrando nell'arco di poche settimane un'attività di preparazione che nella norma è dilatata in alcuni mesi ...
Warriors of the Wonderful Sound: Soundpath
by Mark Corroto
If we alter President John F. Kennedy's 1962 moon spaceflight speech just a bit, it easily fits the big band adaptation of Muhal Richard Abrams' magnum opus Soundpath, “We choose to perform this composition not because it is easy, but because it is hard, because that goal will serve to organize and measure the best of ...
Archie Shepp: Blase And Yasmina Revisited
by Chris May
The three albums tenor saxophonist Archie Shepp recorded in Paris for BYG Records during one week in August 1969 tend to get overlooked in the slipstream of the dozen or so he made in the US for Impulse earlier in the decade. More is the pity, for as Blasé And Yasmina Revisited so resoundingly attests, the ...
The Pandemic Sessions: Duos, Part 1
by Mark Corroto
After the initial shock of the COVID-19 crisis and subsequent lockdown, artists did what artists do. Unable to tour, many musicians created solo projects. Musicians, like other sentient beings though, crave contact, so when some of the most severe restrictions lifted, duos were formed and production returned. These small positive steps (note: some were recorded before ...
Noah Preminger: Thunda
by Mike Jurkovic
There's a fascinating, affirmative equilibrium coursing throughout Thunda that words may fall short of. It's a music of purity and wonder spoken by survivors of the oddest year. It's a broad, fearless conversation between two big thinkers and all who choose to listen in, either by accident or design. Simply stated, you'll find yourself easily lost ...
Gianni Mimmo: Il momento della riflessione
by Neri Pollastri
Quattordici anni fa, all'uscita dei primi dischi dell'allora neonata Amirani Records, intervistammo il protagonista di quei dischi, nonché ideatore dell'etichetta, Gianni Mimmo, scoprendo un personaggio decisamente atipico, se non proprio unico. Da allora il sopranista pavese è stato autore di molti lavori di indubbio interesse, mentre la sua etichetta ha significativamente contribuito a diffondere in Italia ...
Roscoe Mitchell & Mike Reed: The Ritual and the Dance
by John Sharpe
Though reedman Roscoe Mitchell has appeared as a guest with drummer Mike Reed's Loose Assembly outfit, captured on Empathetic Parts (482 Music, 2010), this compelling set unfurls firmly on Mitchell's improvisatory turf. On The Ritual And The Dance the representatives of two generations of Chicago's AACM combine in a single 36-minute outpouring recorded in Antwerp in ...
Instrumental Duos
by Karl Ackermann
The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...
