Results for "Rolling Stones"
John Wolf Brennan: Nitty Gritty Ditties
by Alberto Bazzurro
Sotto l'insegna Nonsolopiano (sottotitolo del CD), John Wolf Brennan ci offre una nuova prova del suo enciclopedismo musicale, fatto di un polistrumentismo tastieristico in cui il piano rimane pur sempre il faro e di input stilistici (meglio ancora linguistici) decisamente variegati. In questi fittissimi trentatré brani (svarianti da meno di un minuto a quasi quattro, per ...
The First Generation 1965-1974
by John Kelman
What do guitarists Eric Clapton, Peter Green, Mick Taylor, Jon Mark, Harvey Mandel and Freddy Robinson, reed/woodwind multi-instrumentalists John Almond, Ray Warleigh, Alan Skidmore, Dick Heckstall-Smith, Red Holloway and Ernie Watts, bassists John McVie, Jack Bruce, Andy Fraser, Tony Reeves, Stephen Thompson and Larry Taylor, drummers Mick Fleetwood, Keef Hartley, Aynsley Dunbar, Jon Hiseman and Collin ...
Surviving in a Ruthless World: Bob Dylan's Voyage to Infidels
by Doug Collette
Surviving in a Ruthless World: Bob Dylan's Voyage to Infidels Terry Gans 256 pages ISBN: # ISBN-13 : 978-1912733392 Red Planet Books 2020 Terry Gans' Surviving in a Ruthless World: Bob Dylan's Voyage to Infidels is an in-depth examination of Bob Dylan's Infidels (Columbia, 1983) album, the title of ...
Jack Broadbent: the Road to Success Started on the Street
by Alan Bryson
It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb, “I hate jazz." If you choose to engage, the key is to tread lightly and tailor an approach that considers the tastes and sensibilities of the other person. The “So You Don't Like Jazz" ...
Ronnie Wood: Somebody Up There Likes Me
by Doug Collette
Ronnie Wood Somebody Up There Likes Me Eagle Rock Entertainment 2020 The colloquialism from which the Ronnie Wood video documentary takes its title, Somebody Up There Likes Me, might well also reference the high-profile musicians with whom he's collaborated over the course of a remarkably enduring career: Jeff Beck, Rod ...
King Crimson: The Complete 1969 Recordings
by John Kelman
There will, inevitably, exist some cynics who will dispute the first comment about King Crimson's long-awaited The Complete 1969 Recordings box set, but it's difficult to imagine it being anything but the plain truth. This is, indeed, the definitive final word on the band's first lineup, collecting multiple versions of its earth-shattering 1969 Island Records debut, ...
The Ed Palermo Big Band Flaunts the Union Jack with The Great Un-American Songbook Vol. 3: Run for Your Life
While pundits and experts debate whether the United States of America has entered an age of decline as a world power, New York saxophonist, composer, arranger, bandleader and inveterate troublemaker Ed Palermo makes an incontrovertible case for un-American ascendance. With The Great Un-American Songbook Volume 3: Run for your Life, slated for release on guitarist/vocalist Bruce ...
Rolling Stones: Steel Wheels Live
by Doug Collette
The Rolling Stones Steel Wheels Live Eagle Rock Entertainment 2020 The Rolling Stones have previously covered their Steel Wheels (Rolling Stones, 1989) tour on Live At The Tokyo Dome 1990 (Eagle, 2012), but given its significance in their career timeline, it's no surprise that the band has decided to revisit ...
Grateful Dead: Workingman's Dead - 50th Anniversary Deluxe Edition
by Doug Collette
Released on-line around the time of the fiftieth anniversary of the release of Workingman's Dead (Warner Bros., 1970), The Angel's Share of over two-and-a-half hours of unreleased studio outtakes and fly-on-the wall conversations from the recording sessions somewhat give the lie to the expeditious cost-effective time the Grateful Dead spent recording their landmark album. But it's ...
Graham Parker: The Up Escalator - 40th Anniversary Edition
by Doug Collette
It might well be an exercise in futility to find a more potent transitional album than Graham Parker's The Up Escalator. At least that's what The 40th Anniversary Edition suggests, and in no uncertain terms. Why else open the album with a track of deserved braggadocio titled “No Holding Back" or close it with that sentiment ...
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