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Article: Live Review

Freihofer's Saratoga Jazz Festival, Saratoga Springs, NY, June 29-30, 2013

by R.J. DeLuke
July 12, 2013

Saratoga Performing Arts CenterFreihofer's Saratoga Jazz FestivalSaratoga Springs, NYJune 29-30, 2013 Fiery music that burned with intensity, eclectic compositions that shifted in time signature and tempo, sweet melodies and down-home dirty blues--all were heard at this year's Freihofer's Saratoga Jazz Festival in upstate New York, an event that is among the ...

Article: Interview

Wallace Roney: In the Realm of Anti-Gravity

by R.J. DeLuke
June 11, 2013

Much is made of trumpeter Wallace Roney coming from the Miles Davis school, a mentor-protégé situation that blossomed in the 1980s that Roney is very proud of. But that wouldn't be telling the whole story of the Philadelphia native who, in his prime years, has become one of the world's finest trumpet players, and a musician ...

Article: Interview

New York Voices: Keeping the Vocal Jazz Flame Burning

by R.J. DeLuke
May 13, 2013

Kim Nazarian went to college in upstate New York for acting, with dreams of the Broadway stage. Some 25 years later, she's enjoying a career that has taken her to stages around the globe--but as a singer. Not just a singer, but one of four that makes up New York Voices, a group that has won ...

Article: Interview

Terri Lyne Carrington: The Long Road

by R.J. DeLuke
April 22, 2013

"Better Git It in Your Soul," a perspicacious jazz man once communicated in a song title more than half a century ago. Drummer Terri Lyne Carrington wasn't even born yet, but she sure did have it in her soul upon arrival. Long before she was even aware of bassist Charles Mingus, the author of those words, ...

Article: Interview

Lionel Loueke: Creating His Own Lines

by R.J. DeLuke
March 25, 2013

Lionel Loueke, the guitarist from Benin in West Africa who brings to jazz music rich melodic and rhythmic sensibilities influenced from his homeland, always had an eye for inventing his own lines; injecting his own persona into the music even when it was against the rules. Even when he didn't yet realize the magical sounds he ...

Article: Interview

John Daversa: Bursting Out of LA

by R.J. DeLuke
February 18, 2013

Seen in the hallways at California State University in Northridge, a neighborhood of Los Angeles, where he teaches big band arranging, jazz history and other music courses, John Daversa might be seen with his goatee, and dense, dark and curly hair, parted in the middle, and correctly sense he might be involved in one of the ...

Article: Year in Review

R.J. DeLuke's Best Releases of 2012

by R.J. DeLuke
December 30, 2012

A ton of fine music came out in 2012, like most years, making these year-end lists very difficult. A lot we don't get to hear, so that limits some. For example, I've not yet heard the 2012 disks of drummer Jack DeJohnette, trumpeter Christian Scott or guitarist John McLaughlin and the Fourth Dimension. Having seen each ...

Article: Interview

Branford Marsalis: Confident MF Playin’ Tunes

by R.J. DeLuke
December 10, 2012

Musicians evolve, and so do bands, if they're allowed to stay together long enough to develop their musical relationships--that certain chemistry. Such is the case with Branford Marsalis, the outstanding saxophonist who has been through so much in his storied career. It's also the case with his band, which he has kept together, with few personnel ...

Article: Catching Up With

Kurt Elling: Stories from New York

by R.J. DeLuke
October 17, 2012

Singer Kurt Elling seems to be always on the go, working with his fine quartet and lending his artful vocals to a variety of other projects as time allows. Whatever the situation, he brings high aesthetic values and standards. He likes to investigate different musical possibilities under the jazz umbrella, which he embraces without reservation.

Article: Interview

Dafnis Prieto: Experiments in Spontaneity

by R.J. DeLuke
October 16, 2012

Improvisation--music in the moment, eloquently once called “the sound of surprise"--takes place in genres besides jazz. But in America's indigenous art form, it is a cornerstone. The degree to which a song might contain improv varies greatly. Sometimes it's hard to tell in a highly arranged piece where the musicians are taking liberties. Other times its ...