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318

Article: Album Review

Bill Evans: The Complete Village Vanguard Recordings, 1961

Read "The Complete Village Vanguard Recordings, 1961" reviewed by Michael McCaw


Certain recordings have a sense of wonder, an overwhelming feeling that permeates everything going on and controls the listener's situation. Such is the case with Waltz for Debby and Sunday at The Village Vanguard, which have long been held in high regard as seminal recordings that nearly define the sound of the piano trio even today.

274

Article: Album Review

Bill Evans: The Complete Village Vanguard Recordings, 1961

Read "The Complete Village Vanguard Recordings, 1961" reviewed by AAJ Staff


The consummate pianist's pianist, if you had to pick only one from the history of jazz, would have to be Bill Evans. Art Tatum and Oscar Peterson certainly have their thing, but their style is more elaborate technique than raw invention, and its very baroque nature tends to obscure its message. Evans, on the other hand, ...

Album

Pisces

Label: Riverside
Released: 2004
Track listing: Pisces*/ Midnight Sun/ Willow Weep For Me*/ Bewitched, Bothered and Bewildered/ What Is There To Say?/ She's Funny That Way*/ Yesterdays/ Sophisticated Lady*/ Willow Weep for Me (alternate)*/ She's Funny That Way*/ Sophisticated Lady*/ What Is There To Say?

Album

Guitar Moods

Label: Riverside
Released: 2004
Track listing: 1. Speak Low 2. We'll Be Together Again 3. Memories OF You 4. Ill Wind 5. You Don't Know What Love Is 6. I Dream Too Much 7. June In January 8. I'll Take Romance 9. It's So Peaceful In the Country 10. Our Waltz 11. I'm Old Fashioned 12. Goodbye.

Album

The Hawk Flies High

Label: Riverside
Released: 2004
Track listing: 1. Chant 2. Juicy Fruit 3. Think Deep 4. Laura 5. Blue Lights 6. Sancticity.

Album

The Best Of

Label: Riverside
Released: 2004

446

Article: Album Review

Coleman Hawkins: The Hawk Flies High

Read "The Hawk Flies High" reviewed by David Rickert


Many of the great improvisers from the swing era were unable to hurdle the bebop fence into relevance in the fifties, but Coleman Hawkins continued to create worthwhile records up until the end of his life. How? Not by changing his style to suit the times, but by demonstrating that his approach could fit into a ...

202

Article: Album Review

Johnny Griffin & Eddie "Lockjaw" Davis: Pisces

Read "Pisces" reviewed by Derek Taylor


The early '60s was a golden age for tenor tandems. Towering team-ups like Gene Ammons and Sonny Stitt, Zoot Sims and Al Cohn, and Eddie “Lockjaw" Davis and Johnny Griffin were illustrative of the Zeitgeist. Such a simple formula, joining the talents of two titans on that most popular of jazz horns, but it's one that ...

211

Article: Album Review

Mundell Lowe: Guitar Moods

Read "Guitar Moods" reviewed by David Rickert


For fans of jazz guitar, the trio setting holds a special appeal. Not the familiar Nat King Cole style trio of guitar, piano, and bass, but rather the format where the guitarist is accompanied by bass and drums only, a situation which forces him to use chords and single note soloing to fill up the space. ...


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