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Artemis: A Band For the Times
by R.J. DeLuke
A jazz band was formed a few years ago, comprised completely of women. That was by design for a moment in time at a jazz festival. But the convergence of these great musicians--dubbed collectively as Artemis--is growing to be something more. The members coalesced in a special way. Its importance remains to be seen. ...
New releases & Anniversary Blue Notes
by Marc Cohn
First show of the month means Blue Notes! But there's only one 50th anniversary celebration: Big John Patton's Memphis to New York Spirit. Never fear, though, there's more from Blue Note ahoy: the 60th anniversary of Back to the Tracks from saxophonist Tina Brooks; a great new band, Artemis; and classic James P. Johnson from BN-27. ...
Richie Beirach: Exploring Who Matters Most Among the Jazz Pianists
by Victor L. Schermer
[The following is a commentary on pianist Richie Beirach's 2020 e-book The Historical Lineage of Modern Jazz Piano: The 10 Essential Players (Conversations between Richie Beirach and Michael Lake), downloadable for free here.] Jazz piano has always garnered (no intended reference to Erroll Garner) special interest among the instruments because it is truly an ...
Artemis: Artemis
by Mike Jurkovic
It's truly exhilarating yet sadly mundane and reductive that a recording as vital and victorious as Artemis will be universally hailed as a first from an all-female supergroup. That it cuts across all generational, cultural, international, and ethnic planes. That Blue Note Records has expanded its ever legendary ranks to include, well, you know, a female ...
George Garzone: Sax In The City
by Jim Worsley
George Garzone is not the mayor of the city of Boston. If he was appointed to a position it would more likely be king. He is, at the very least, the toast of the town. This isn't news. King George has reigned with a firm grasp of his mighty tenor saxophone for close to half a ...
Results for pages tagged "Renee Rosnes"...
Renee Rosnes
Born:
Renee Rosnes is one of the premier jazz pianists and composers of her generation. Upon moving to New York City from Vancouver, Canada, she quickly established a reputation of high regard, touring and recording with such masters as Joe Henderson, Wayne Shorter, Bobby Hutcherson, J.J. Johnson, James Moody, and legendary bassist Ron Carter. She was a charter member of the all-star ensemble, the SFJAZZ Collective, with whom she toured for six years. Ms. Rosnes has released 17 recordings, and has appeared on many others as a sideman. In 2016, Written in the Rocks (Smoke Sessions) was named one of ten Best Jazz Albums of the Year by The Chicago Tribune, one of the Best Albums in all genres of music by The Nation, and was awarded a 2017 Canadian Juno (her fifth Juno award)
Michael Dease: Never More Here
by David A. Orthmann
Perhaps the most significant thing about Never More Here, trombonist Michael Dease's seventh outing for the Posi-Tone imprint, is the striking polarity of two of the disc's four outstanding tracks, “Mirror Image" and “Blue Jay." In a recording filled with compositions by J.J. Johnson, John Lewis, Jackie McLean and Jimmy Heath, pianist Renee Rosnes' ...
Mike Murley: Taking Flight
by Don Phipps
Mike Murley's Taking Flight is a candlelight romance of well-chosen covers and two original compositions. At times, Murley's sax sound is slightly reminiscent of Ben Webster while, when he plays ballads, one can hear echoes of John Coltrane. In short, his sound is sweet and warm. Combining this sound with the elegant contributions of his bandmates ...
Moon in Scorpio and Mischief Night
by Mary Foster Conklin
Besides some spooky seasonal fare, this week we focus on new releases from vocalists Carmen Lundy, Michelle Lordi and Carrie Wicks, trombonist Michael Dease and pianist Michele Rosewoman with birthday shout outs to Nellie Lutcher (pictured), Victoria Spivey, Laura Nyro, Bobby Troup, Jane Bunnett, Esperanza Spalding, Brenda Earle Stokes, Allison Miller and Freddy Cole, among others. ...
Michael Dease: Never More Here
by Dan McClenaghan
Trombonist Michael Dease released Bonafide (Posi-Tone Records) in 2018. The disc was a testament to some of his influences—pianist Geri Allen, trumpeter Marcus Belgrave, trombonist J.J. Johnson. For his 2019 testament, Never No More Here, he tips his hat to saxophonist Charlie Parker. But he doesn't cover “Confirmation" “or “An Oscar For Treadwell" or “Segment," familiar ...
