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Catching Up With e.s.t.'s Dan Berglund and Magnus Ostrom

Read "Catching Up With e.s.t.'s Dan Berglund and Magnus Ostrom" reviewed by Renato Wardle

The tragic death of pianist Esbjörn Svensson in the summer of 2008 brought to a close the 12-year run of one of the most prolific and brilliant piano trios in recent years. The enigmatically hypnotic tapestries that the Esbjörn Svensson Trio (which came to be known as e.s.t.) wove simultaneously eschewed and venerated the jazz tradition. ...

ARTICLE: INTERVIEW

Jeff Ballard: A Life In Music

Read "Jeff Ballard: A Life In Music" reviewed by Renato Wardle

For some jazz musicians, it seems as though they explode onto the scene virtually from the first day they pick up their instrument, and then proceed to land a huge name gig and the rest is history (or they are, after their 15 minutes). Other musicians spend a lifetime building and honing their craft. One gig ...

ARTICLE: ALBUM REVIEW

Rashanim: Masada Anniversary Edition Vol. 5: Masada Rock

Read "Masada Anniversary Edition Vol. 5: Masada Rock" reviewed by Renato Wardle

John Zorn's groundbreaking Masada outfits have been successfully expanding their own unique realm of klezmer-infused jazz and improvisational music for more than ten years. To celebrate, Zorn's own Tzadik label has released five tenth anniversary CDs featuring an array of musical cohorts performing their own arrangements of selections from his Masada songbook. Masada Rock documents Rashanim, ...

ARTICLE: ALBUM REVIEW

Esbjorn Svensson: Viaticum

Read "Viaticum" reviewed by Renato Wardle

The Esbjörn Svensson Trio, a self-proclaimed “pop group that plays jazz," exists in between the musical realms of the ECM juggernaut Bobo Stenson Trio and art rockers Radiohead. Viaticum represents a culmination of years of relentless cooperative musical discovery for the group, which has been together since 1993. This music, possessed of a cinematic ...

ARTICLE: ALBUM REVIEW

Michael Musillami Trio: Dachau

Read "Dachau" reviewed by Renato Wardle

The cult of youth has poisoned the world of music. Pop culture would have “instant artists shine momentarily, and then disappear quietly into the “where are they now category before they lose their baby teeth. In spite of this, seasoned musicians continue to move forward, breaking boundaries and defying the international fetishism of youth. ...

ARTICLE: INTERVIEW

Stanton Moore: Living Outside the Box

Read "Stanton Moore: Living Outside the Box" reviewed by Renato Wardle

These days, it seems as if everyone is obsessed with the phrase, “thinking outside the box. Aside from being the most over-used phrase in marketing, it also happens to be the most misused phrase. Typically, it is applied to the antithesis of the idea, like a fastfood chain. When in comes to music, in these days ...

ARTICLE: ALBUM REVIEW

Billy Childs Ensemble: Lyric: Jazz-Chamber Music Vol. 1

Read "Lyric: Jazz-Chamber Music Vol. 1" reviewed by Renato Wardle

Since its birth, the world of jazz has been at odds with the realm of classical music. Owing to the presupposition that these two musical worlds are possessed of an incongruent aesthetic, a fusion between them may seem impossible. However, Lyric shows that music is music. With the first installment of his new Jazz-Chamber Music series, ...

ARTICLE: ALBUM REVIEW

Bobo Stenson/Anders Jormin/Paul Motian: Goodbye

Read "Goodbye" reviewed by Renato Wardle

Somewhere bewteen the worlds of twentieth century classical music, the music of Ornette Coleman, minimalism, and Scandinavian folk music exists the world of the Bobo Stenson Trio. Since the early '70s, pianist Bobo Stenson has been a vital member of several groundbreaking ECM groups, including those with Charles Lloyd and Tomasz Stanko, as well as the ...

ARTICLE: EXTENDED ANALYSIS

Don Cherry: Symphony For Improvisors

Read "Don Cherry: Symphony For Improvisors" reviewed by Renato Wardle

Don Cherry Symphony For Improvisers Blue Note 2005 (1966) By September of 1966, the so-called “free jazz" movement was in full swing. It had been nearly six years since Ornette Coleman's highly controversial landmark residency at the Five Spot. Cecil Taylor had recently been pushing the limits of ...

ARTICLE: ALBUM REVIEW

Bill Frisell: East/West

Read "East/West" reviewed by Renato Wardle

Jazz musicians are relentlessly struggling to find a unique sound on their particular instruments. However, only a very few can lay claim to discovering their own voice, let alone engendering an entire genre. Bill Frisell is one such artist. His style of jazz exists at the crossroads between the disparate idioms of jazz, blues, and country. ...


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