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Musician

Regina Carter

Born:

Regina Carter combines exciting technical proficiency and improvisation with an aggressive approach to her instrument, adding multicultural influence. Her playing is melodic, yet percussive. "People are only used to hearing violin in European classical music or country music," says Carter, "and so we get stuck in this idea that this is what a violin is supposed to do. And it's such a precious instrument and such a delicate instrument... That's what people think: it's such a small, delicate little thing. Even sometimes I play with classical players in a quartet and part of the piece might call to use the back of the bow, the wood, to hit on the string to get a percussive effect or to get a different sound, and they'll say, 'I'm not going to bang on my instrument like that. This violin cost way too much money.'They don't think of it as another way of playing the instrument

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Article: Live Review

Charleston Jazz Festival 2020

Read "Charleston Jazz Festival 2020" reviewed by Martin McFie


Various Venues Charleston Jazz Festival Charleston, SC January 23-26, 2020 Jazz Festivals are like people, six years old is still in infancy, but everything has to start somewhere. Historically, the city which gave birth to the Charleston dance craze and was the inspiration for Gershwin's Porgy and Bess, deserves The Charleston ...

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Article: Radio & Podcasts

My Dear Acquaintance - A Happy New Year

Read "My Dear Acquaintance - A Happy New Year" reviewed by Mary Foster Conklin


My last broadcast of the decade included several women-penned songs for New Years Eve, with new releases by Boogaloo Joe Jones, Kris Davis and Cathy Segal-Garcia, plus birthday shout outs to Cab Calloway, Una Mae Carlisle, Chris McNulty, Katie Bull, Annie Lennox and Janice Friedman, among others. Also remembering those artists lost in 2019 with a ...

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Article: What is Jazz?

2020 Winter JazzFest Marathons: A Survival Guide

Read "2020 Winter JazzFest Marathons: A Survival Guide" reviewed by Ludovico Granvassu


Believe it or not, it is that time of the year again! The holidaze are barely over and a new edition of Winter JazzFest is upon us. Knowing a jazz marathon is the perfect antidote to the holiday shopping and social marathons, producer Brice Rosenbloom and his cohorts have put together a program of gargantuan proportions. ...

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Article: Radio & Podcasts

Never Forget to Say Thank You

Read "Never Forget to Say Thank You" reviewed by Mary Foster Conklin


This week we feature Grammy nominees and finalists from the Hot House/Jazzmobile NYC Readers Jazz Awards, a new release from Alice Ricciardi and Pietro Lussu, plus birthday shout outs to June Christy, Hoagy Carmichael, Johnny Mandel, Etta Jones, pianist Geoffrey Keezer and Michelle Ann May of Musique Noire, among others. Playlist Musique Noire “Pretty ...

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Article: Album Review

Brian Lynch Big Band: The Omni-American Book Club / My Journey Through Literature in Music

Read "The Omni-American Book Club / My Journey Through Literature in Music" reviewed by Jack Bowers


Aside from being a multi-award-winning trumpeter and composer, Brian Lynch appears to be an avid reader and social arbiter as well. His twenty-third album as leader, a two-CD set whose protracted and austere name, The Omni-American Book Club / My Journey Through Literature in Music, belies its bold and free-hearted nature, is dedicated to a number ...

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Article: Radio & Podcasts

These Leos Are Jazz Lions

Read "These Leos Are Jazz Lions" reviewed by Mary Foster Conklin


Some heavyweight birthdays in this mid-August broadcast, which included new releases from saxophonist Ben Flocks, songwriter Mark Winkler and guitarist Paul Silbergleit with celebratory shout outs to songwriter Bernice Petkere, Benny Carter and organist Trudy Pitts in the first hour, Roberta Piket, Jeri Southern, Howard Johnson and Regina Carter in the second hour, Abbey Lincoln in ...

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Article: Out and About: The Super Fans

Meet Andrew Rothman

Read "Meet Andrew Rothman" reviewed by Tessa Souter and Andrea Wolper


Lawyer, audiophile, lifelong arts enthusiast, our newest Super Fan's life plan was to be a classical pianist, until college took him in another direction. But it was two “major epiphanies" (the first time he heard Miles Davis and, later, Bill Evans) that turned him into a jazz Super Fan--such a Super Fan, in fact, that he ...

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Article: Under the Radar

The Black Swan: A History of Race Records

Read "The Black Swan: A History of Race Records" reviewed by Karl Ackermann


Montgomery, Alabama native Perry Bradford was an African-American composer and vaudeville musician when he approached General Phonograph Company, Director of Artists, Fred Hagar in 1920. Bradford was pitching Mamie Smith, a relatively unfamiliar pianist and singer from Cincinnati, Ohio, and Hagar agreed to a two-side recording deal. Widely regarded as a blues singer, Smith more frequently ...

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Article: Radio & Podcasts

New sounds and a focus on Bobby Hutcherson

Read "New sounds and a focus on Bobby Hutcherson" reviewed by Bob Osborne


Three classic tracks from vibes master Bobby Hutcherson plus new music from Angelika Niescier, Matthias Spillman and Ocean Fanfare, with a selection of other jazz treats. Playlist Angelika Niescier “The Surge" from New York Trio (Intakt) 00:00 Matthias Spillmann “Peace" from Live at the Bird's Eye Jazz Club (Clean Feed) 09:53 Ocean Fanfare “We ...


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