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Red Norvo
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Red Norvo was one of jazz's early vibraphonists. He helped establish the xylophone and later the vibraphone as viable jazz instruments. Norvo was born Kenneth Norville in Beardstown, Illinois. The story goes that he sold his pet pony to help pay for his first marimba. Norvo's career began in Chicago with a band called "The Collegians", in 1925. He played with many other bands, including an all-marimba band on the vaudeville circuit, and the bands of Paul Whiteman, Benny Goodman, Charlie Barnet, and Woody Herman. Norvo recorded with Mildred Bailey (his wife), Billie Holiday, Dinah Shore and Frank Sinatra, among others
Jazz Lines: Free Verse in the Key of Jazz Both Erudite and Playful by Gloria Krolak
Jazz Lines: Free Verse in the Key of JazzGloria Krolak 96 PagesISBN 978-1-938417-53-5Lydia Inglett Starbooks Publishing2019 Jazz Lines: Free Verse in the Key of Jazz, is a unique, beautifully assembled coffee table book by longtime radio host, jazz columnist and distinguished patron of the arts, Gloria Krolak. The book features a ...
Tony Miceli: Vibraphone All-Star Jam Session at Chris’ Jazz Cafe
by Victor L. Schermer
Tony Miceli and Company Vibraphone All-Star Jam Session / Steve Weiss Mallet Festival Chris' Jazz Café Philadelphia, PA August 3, 2019 It's hard to imagine how five (if you include a special guest, six) vibraphone players can come together to provide an hour or so of ...
Martin Fabricius Trio: Under The Same Sky
by Chris May
The vibraphone has come a long way—technically and aesthetically—since Lionel Hampton used it in a short, improvised introduction to Louis Armstrong's “Confessin,'" recorded with Les Hite's band in 1930. Back then, it was regarded primarily as a percussion instrument, and it is still categorized as tuned-percussion in the classical music world. Hampton was the first musician ...
Blue Note 50th Anniversaries: January 1969 & More
by Marc Cohn
We celebrate Blue Note 50th anniversary recordings from Frank Foster (material never formally released until a CD reissue of Manhattan Fever), Lonnie Smith and Horace Silver. Certamente, there's more--including a 75th anniversary salute to sides by clarinetist Edmond Hall with Red Norvo and Teddy Wilson, and a 78 rpm recording of Blue Note 5 by Earl ...
Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 1-4
by Simon Pilbrow
Los Angeles Jazz Institute Festival “Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 The Los Angeles Jazz Institute (LAJI), under Ken Poston, has continued for some thirty years to ...
A Conversation with Mike Mainieri
by Anthony Smith
The following is an excerpt from the chapter “A Conversation with Mike Mainieri" of Masters of the Vibes by Anthony Smith (Marimba Productions, 2017). So you've been working on a new project this week? Yes, just finishing some overdubs... it's a project I'm involved in with some friends, but I really can't ...
Remembering Milt Jackson
by Lazaro Vega
This interview was first published at All About Jazz in November 1999 and is part of our ongoing effort to archive pre-database material. This interview was conducted prior to a Modern Jazz Quartet performance at Hope College, Holland, Michigan in September of 1989. Broadcast at the time on Blue Lake Public Radio; portions of ...
Meet Francesca "Cha Cha" Miano
by Tessa Souter and Andrea Wolper
A Newport Jazz Festival-New York concert at Carnegie Hall in the early 1970s got Queens native Francesca “Cha Cha" Miano hooked on hearing live jazz--even though, she says, some of the music she heard on the mixed bill that night was way ahead of her at the time. Little did she know that her magnificent obsession ...
Weekend Extra: Eddie Duran
In 1980 when Benny Goodman appeared at the Aurex Jazz Festival in Tokyo, he called on Eddie Duran to solo on Duke Ellington’s “Prelude to a Kiss.” The video allows us an opportunity—far too rare—to see and hear the elegance of a guitarist whose vast experience includes playing with Charlie Parker, Cal Tjader, Stan Getz, Vince ...
