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Jim Hall And Red Mitchell - "Live At Sweet Basil 1978" Released On ArtistShare And Submitted For Grammy Nomination Consideration
Considered by many to be the “father of modern jazz guitar," Jim Hall is revered by peers and audiences around the world. The previously unreleased recording, Valse Hot – Sweet Basil 1978, captures the exciting, spontaneous musical dialogue between Jim Hall and bassist Red Mitchell, featuring the legendary duo’s inventive and lyrical approach to jazz standards. ...
Conversations with Charlie Haden
by Angelo Leonardi
Conversations with Charlie Haden Josef Woodard & Charlie Haden 235 Pagine con 24 foto in bianco e nero ISBN: #978-1-935247-15-9 Silman-James Press 2017 Pubblicato negli Stati Uniti all'inizio di quest'anno, Conversations with Charlie Haden raccoglie 17 interviste del critico Josef Woodard al grande contrabbassista scomparso; alcune sono state ...
Mary Ellen Desmond at Paris Bistro and Jazz Café
by Victor L. Schermer
Mary Ellen Desmond Paris Bistro and Jazz Café Philadelphia, PA August 26, 2017 The Paris Bistro and Jazz Café is in Chestnut Hill, a neighborhood in the Northwest corner of Philadelphia that's like an upscale village all its own, with boutique stores and restaurants and the last stop on the ...
Bill Frisell, Thomas Morgan: Small Town
by Luca Canini
A certi dischi non si può far altro che arrendersi. C'è poco da raccontare, da spiegare. Li si ascolta e li si ama: punto. Senza porre condizioni o veti, senza affannarsi a cercare giustificazioni. Quello che c'è da sapere è tutto lì. E arriva dritto e preciso alla testa e al cuore. Dritto, ...
Vocalist Sinne Eeg at Chris’ Jazz Cafe
by Victor L. Schermer
Sinne Eeg Trio Chris' Jazz Cafe Philadelphia, PA March 23, 2016 Sincerity, authenticity, and fidelity to tradition are qualities seriously lacking in what's left of jazz in America today. Computers, unbridled capitalistic exploitation, and a massive field of competing talent have led too many musicians to seek audiences through entertainment, ...
The Trio: The Complete Albums
Label: Phono Suecia
Released: 2015
Track listing: Disc 1: I Got Rhythm; What Is This Thing Called Love?; Blues the Most; So in Love; Feelin' Fine; Hamp's Blues; Easy Living; All the Things You Are; These Foolish Things; Carioca; Just Squeeze Me; Stella By Starlight; Yesterdays; Steeplechase; Autumn in New York; Section Blues; You and the Night and the Music; Blues for Jacque.
Disc 2: 'Round Midnight; Somebody Loves Me; The Sermon; Embraceable You; I Remember You; A Night in Tunisia; Lover, Come Back to Me; Polka Dots and Moonbeams; Billy Boy; Body and Soul; Coolin' the Blues; All the Things You Are; I Got Rhythm; How High the Moon; I Hear Music; Walkin'; The Champ.
James Clay: Texas Tenor, Second Generation
by David Perrine
The term “Texas tenor" was originally coined to describe the sound and style of such swing era players as Herschel Evans, Illinois Jacquet, Buddy Tate, Budd Johnson, Arnett Cobb and others, and has subsequently been applied to second generation players from Texas that included James Clay, David “Fathead" Newman and Marchel Ivery. What these players had ...
Who Was Jane Fielding?
Back in 2012, I posted on Jane Fielding, a husky-voiced vocalist who recorded just two albums—Introducing Jane Fielding (1955) and Embers Glow (1956)—along with two songs performed on Bobby Troup's Stars of Jazz in 1957. Then she disappeared. At the end of the post, I originally asked Ms. Fielding to reach out to me. In February ...
Billy Harper: A Life of Persistence and Improvisation
by R.J. DeLuke
On stage, Billy Harper puts his lips to the tenor saxophone, stands relatively erect and sings through his horn; a strong, angular, muscular sound. There little physical gesticulation, belying the effort it takes to express feelings and emotions through the instrument. But Harper's creative statements demand attention. Over the last few years, a lot ...
Red Norvo: Four Classic Albums
by David Rickert
Red Norvo played the vibes while leading his own band during the swing era and grew into smaller groups in the forties and fifites once the practicality of leading a large ensemble became too much. He was one of the first to specialize of what has always been somewhat of an unusual instrument for jazz, but ...
