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Take Five With Craig Akin
by AAJ Staff
Meet Craig Akin: Craig Akin is an in-demand upright and electric bassist living in New York City. Between 1997 and 2007, he averaged 270 gigs a year in his musical hometown of Kansas City. There he developed his rhythm and tone while playing or recording with nearly everyone on the jazz and blues scene. ...
Sonny Rollins: Road Shows, Vol. 2
by Greg Simmons
The Beacon Theatre in New York holds 2,700 people, and--much like fans claiming to have seen the final game of the Brooklyn Dodgers at Ebbets Field--there may already be 20,000 people who swear they were there for Sonny Rollins' 80th Birthday performance. At 80 years old, Rollins is still a damn good tenor saxophonist, and Roadshows ...
Jay Phelps Big Band: Snape, UK, August 17, 2011
by Bruce Lindsay
Jay Phelps Big BandSnape MaltingsSnape, UKAugust 17, 2011 Trumpeter Jay Phelps, a native of Vancouver who moved to the UK in his teens, first came to the attention of the British jazz scene as a member of Tomorrow's Warriors. In his early 20s he co-founded Empirical, playing on that band's debut ...
Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64
by Eugene Holley, Jr.
The Modern Jazz Quartet The Complete Atlantic Studio Recordings of The Modern Jazz Quartet 1956-64 Mosaic Records 2011 They were diverse in talent and temperament. John Lewis, the quiet and determined westerner, who told sound stories with his linear and logical blues-based pianisms; Milt “Bags" Jackson, the baggy eyed, Motor ...
Harrison Bankhead Sextet: Morning Sun, Harvest Moon
by Raul d'Gama Rose
Harrison Bankhead's uniqueness is not restricted solely to his bass playing, which is touched by the melodicism of Ray Brown and the authority and inventiveness of Charles Mingus in a voice singularly his own. Bankhead is a composer with a sensibility finely attuned to a painterly impressionism, while being unafraid to fly in the face of ...
Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64
by John Kelman
The Modern Jazz Quartet The Complete Atlantic Studio Recordings of The Modern Jazz Quartet 1956-64 Mosaic Records 2011 Even now, nearly sixty years later, it seems improbable that a group which came together as the rhythm section for one of the hottest players in bebop's genesis era, trumpeter Dizzy Gillespie, ...
"Jazz At The Hollywood Bowl - Expanded Edition" On Hip-O Select / Verve
Jazz At The Hollywood Bowl was the first recorded jazz concert at the prestigious Los Angeles outdoor venue. It was a prime example of jazz elevated to the concert stage, a concept developed by Norman Granz, record producer, label owner, artist manager and the foremost jazz promoter in the world. It was recorded August 15, 1956, ...
Robert Hurst: Unrehurst Volumes 1 and 2
by C. Michael Bailey
The jazz piano trio--piano, bass, and drums, also known as the “rhythm section"--is a fundamental unit in jazz ensembles. It is the motor that drives all combos greater than itself. Which instrument a trio “leader" plays often has a profound effect on the personality and temperament of the music produced. Bass-led trios often bring the bass ...
Toots Thielemans Honored at San Sebastian Jazz Festival
Since 1994, the San Sebastian Jazz Festival (now Heineken Jazzaldia) has honored an outstanding musician or impresario for his or her contribution to jazz. This year, Toots Thielemans joins previous award winners: Doc Cheatham (1994), Phil Woods (1995), Hank Jones (1996), Steve Lacy (1997), Chick Corea (1998), Max Roach and Clark Terry (1999), Kenny Barron (2000), ...
Kyle Eastwood: Movies, Motown & Monterey
by Bruce Lindsay
Bassist/composer Kyle Eastwood can whistle. It's a talent to which few musicians lay claim, but it's one which he puts to good use on his version of Bob Haggart's “Big Noise (From Winnetka)," a tune that serves as a popular encore to his live set. The fact that Eastwood whistles in concert says much about the ...
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