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Article: In Pictures

Freihofer Jazz Festival 2019

Read "Freihofer Jazz Festival 2019" reviewed by Rudolph Lu


The 42nd Annual Freihofer Jazz Festival in Saratoga Springs, NY was held from June 28-20, 2019 at the Saratoga Performing Arts Center. The broad spectrum of jazz was well represented. Well over 25 artists performed. There was an unofficial opening on the 28th held at the Caffe Lena, a venue located in Saratoga Springs ...

3

News: Event

In Touch Entertainment Announces Its Spring Jazz Series Lineup

In Touch Entertainment Announces Its Spring Jazz Series Lineup

In Touch Entertainment is announcing the spring lineup of its highly successful jazz series produced by New York-based concert promoter, Charles Carlini of In Touch Entertainment. The programs consist of Piano Jazz, Guitar Masters, Trumpet Masters, Percussion Masters, Boss Tenors, and Vocal Mania. The latter is also running concurrently on the West Coast, with performances held ...

4

News: Award / Grant

61st GRAMMY Awards: Jazz Winners

61st GRAMMY Awards: Jazz Winners

And the winners of the 2019 GRAMMY Awards are... 31. Best Improvised Jazz Solo For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter's name is in parenthesis for identification. Singles or Tracks only. ...

Album

If You Really Want

Label: Artistry Music
Released: 2018
Track listing: Ride On A Rainbow; God's Dream; If You Really Want; All Love Is Blind; Sunshine (I Can Fly); Ocean Dreamer; Pick Somebody Up; Everyone Deserves A Second Chance; Sittin' In The Middle; Suddenly.

6

Article: Album Review

Raul Midon: If You Really Want

Read "If You Really Want" reviewed by Chris Mosey


Raul Midon plays guitar and sings like Paul Simon. Born blind in New Mexico in 1966, The New York Times once called him “a one-man band who turns a guitar into an orchestra and his voice into a chorus." He was going somewhere once upon a time. Now he's back, still going somewhere. ...

Article: Live Review

Vicenza Jazz 2018 - Seconda parte

Read "Vicenza Jazz 2018 - Seconda parte" reviewed by Angelo Leonardi


Vicenza Jazz Varie sedi 10--20.05.2018 Proseguiamo con il festival vicentino, i cui primi concerti sono stati recensiti da Libero Farné. In una rassegna così ricca di appuntamenti --come sempre dislocati in vari luoghi cittadini e in differenti orari --è ovviamente impossibile seguire tutto e anche questa seconda parte verterà sui concerti serali ...

15

News: Award / Grant

60th GRAMMY Awards: Jazz Winners

60th GRAMMY Awards: Jazz Winners

And the winners of the 2018 GRAMMY Awards are... 31. Best Improvised Jazz Solo (For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter's name is in parenthesis for identification. Singles or Tracks only.) ...

6

Article: Year in Review

Matt Hooke's Best Releases of 2017

Read "Matt Hooke's Best Releases of 2017" reviewed by Matt Hooke


2017 marked the first year that I wrote for All About Jazz, and I got to experience some phenomenal music. It was a diverse year in jazz, international artists like Tony Allen and Seckou Keita brought unique perspectives to jazz. Other artists like Chris Thile, Brad Mehldau, and Dayme Arocena, released some of their best work ...

4

News: Award / Grant

60th GRAMMY Awards: Jazz List

60th GRAMMY Awards: Jazz List

31. Best Improvised Jazz Solo (For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter's name is in parenthesis for identification. Singles or Tracks only.) “Can't Remember Why" by Sara Caswell Track ...

6

Article: Album Review

Funk Off: Things Change

Read "Things Change" reviewed by Alex Franquelli


The whole point, when it comes to marching bands, is that they have to well, stroll around while playing their instruments. I guess, you guess, that the whole point is lost on CD, where the mono-dimensional (time) facet of the spectrum monopolises the dynamics of the whole. Things Change makes obviously no exception, but does it ...


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