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Blue Music Group
by Marcia Hillman
Blue Music Group (BMG) is a record label that has positioned itself for the 21st century. Not only does it fulfill the demand for instant gratification and portability, but also it has succeeded in filling the gap created by the loss of many retail record store outlets due to the recession. As a matter of fact, ...
The Multi-Tasking State of David Binney 2010
by C. Michael Bailey
Saxophonist David Binney has been a ubiquitous presence in jazz since his first recording, Point Game (Owl, 1989), both as a leader and a sideman. So prolific is Binney, that any multiple-disc review featuring him will be dated immediately. Well, so be it, this is a summer 2010 snapshot of some of the recent activity of ...
Life After Rashied: Live at the Woodstock Playhouse 1965; Why Not?; Eddie Jefferson at Ali's Alley; Configurations--The Music of John Coltrane; Mystic Journey
by Gordon Marshall
Burton GreeneLive at the Woodstock Playhouse 1965Porter2010 Marion BrownWhy Not?ESP2009 Rashied Ali QuintetFeaturing Eddie Jefferson at Ali's AlleyBlue Music Group2010 Rashied Ali with Prima ...
Von Freeman: Vonski Speaks
by Clifford Allen
Von Freeman Vonski Speaks Nessa Records 2009 The “musician's musician" is a tiring phrase--assuming that only someone who actually plays an instrument can receive joy from listening to players such as tenor saxpohonists Dexter Gordon, Don Byas and Ike Quebec, trumpeter Dupree Bolton or drummer Walter Perkins. None ...
Sherman Irby Quartet: Live At The Otto Club
by Joshua Weiner
Live At The Otto Club is Sherman Irby's first live album with his quartet, and it would be hard to conjure up a more joyful example of seriously swinging jazz that sounds like a great lost classic from the heyday of hard bop. Though the liner notes seem to suggest that this was a bit of ...
Drummer Mike Reed Interviewed at AAJ
There is not a name yet for what Mike Reed does on drums. Elvin Jones created polyrhythmics; Rashied Ali, multi-directionalism. Reed is delivering something related but distinct. It has as much to do with tonal complexity as with keeping the beat, but the complexity goes beyond that, into a recombination of the many drumming styles of ...
Mike Reed: The Drum Thing
by Gordon Marshall
There is not a name yet for what Mike Reed does on drums. Elvin Jones created polyrhythmics; Rashied Ali, multi-directionalism. Reed is delivering something related but distinct. It has as much to do with tonal complexity as with keeping the beat, but the complexity goes beyond that, into a recombination of the many drumming styles of ...
Paul F. Murphy: Playing Universally
by Dominic Fragman
Legendary drummer Paul F. Murphy has been involved with the high end of improvised music since the mid-1970s in San Francisco. He is most closely associated with the avant-garde of the '70s, '80s and '90s as a 12-year member of alto saxophonist Jimmy Lyons' band and a leader of several of his own groups, including Trio ...
Marion Brown: Why Not?
by Jerry D'Souza
Alto saxophonist Marion Brown came off playing with John Coltrane on Ascension (Impulse!, 1965) when he recorded two albums for ESP Disk. On the first, his eponymous 1966 release, the music was fiery and free-wheeling, underscoring Brown's presence as a potent improviser. His second, Why Not?, saw him take a more altruistic approach. He moved away ...
Nik Turner: Bringing the Music to the People
by Jack Gold-Molina
Nik Turner is perhaps best known as the founding saxophonist and flautist for pioneering “space rock" band Hawkwind. As well as contributing to the profound influence that this band has had on rock and punk with its focus on community and grassroots movements--including its many benefit shows and long-standing support of England's free festivals, Turner may ...
