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[iks]: The Iksperience, Alive and Well
![Read "[iks]: The Iksperience, Alive and Well" reviewed by Pascal-Denis Lussier](https://s3.amazonaws.com/allaboutjazz/photos/profile/15267622_10209439921626469_3243546428744032611_n.jpeg)
by Pascal-Denis Lussier
Those of you who've had the opportunity to hear the Montreal-based contemporary jazz band [iks] have, I'm certain, immediately felt one of two things: nonplussed or absolute love; it's one of those bands. Those who've felt the former and awarded this band the necessary attention along with those who've instantly felt the latter are ...
David S. Ware: Planetary Musician
by Lyn Horton
On Sunday, June 27th, 2010, about a half-hour after its scheduled 9:30 pm appearance on the Abrons Art Center main performance stage in New York City, the David S. Ware Trio was setting up. The audience for this night of Vision Festival XV was its usual wandering and low-hum conversational self. William Parker stood by his ...
The Emergence of Jimmy Lyons
by Robert Levin
[Editor's Note: From Jazz & Pop Magazine, 1970] Since 1960, when he began working with Cecil Taylor, alto saxophonist Jimmy Lyons has been developing from a somewhat diffident musician into one of the more potent voices in the New Music. In recent recordings and appearances with Taylor, Jimmy has been playing with a glowing ...
Introducing Booker Little
by Robert Levin
[Editor's Note: This article first appeared in Jazz & Pop Magazine, 1970. Little died in 1961, just a few months after this interview was originally published in Metronome]Booker Little, twenty-three year-old composer, arranger and trumpet player (the order is arbitrary, each role has equal importance to him), has lately come to demonstrate, in recordings ...
Introducing Anthony Braxton
by Robert Levin
[Editor's Note: This article first appeared in Jazz & Pop Magazine, 1970]To anyone still questioning the validity of the systems and methods at which Cecil Taylor and Ornette Coleman arrived, I would first of all recommend that he listen more attentively to the work of those men. But I'd also suggest that he make ...
Fred Anderson: 1929-2010
by Kurt Gottschalk
There aren't many artists with so singular a vision as that of late Fred Anderson, who died June 24 at the age of 81. There are fewer to be certain if the list is restricted to members of that exalted and nebulous class called “masters." It's a word that, in jazz, gets thrown around a little ...
Herbie Hancock: Seven Decades of Imagination
by Andrey Henkin
In the jazz world, certain figures exist purely as first names, their reputation assuring recognition. When ones hears the name Herbie, the mind jumps immediately to possibly the most famous 'rhythm section' in history: Herbie, Ron and Tony. That group included two more figures for whom last names are unnecessary, Miles and Wayne. Herbert Jeffrey Hancock ...
Faruq Z. Bey
by Wilbur MacKenzie
Throughout the history of jazz, Detroit has produced world-class jazz artists, iconic individualists and ubiquitous sidemen alike. Many have moved to New York or other cities to pursue their career. A handful of great artists remained in Detroit, keeping the creative energy alive there (and consequently Detroit continues to produce incredible talent). One artist who has ...
Pat Metheny: One Man's Band
by Tom Greenland
In plays such as Medea and Alcestis, the ancient Greek tragedian Euripides was roundly criticized, even parodied, for his use of an artificial plot device or deus ex machina ("god from the machine"), because it violated narrative logic and challenged the audience's suspension of disbelief. Guitarist Pat Metheny, never one to shy away from wrathful gods, ...
In Memoriam: Herb Ellis (1921-2010)
by AAJ Staff
I met Herbie way before he joined Oscar Peterson, going back to at least 1953. Herb worked for me, and he also recorded with me a few times. He worked with me on the Steve Allen show--he and Barney Kessel would take turns. There was also a group with Buddy DeFranco and a tribute to Benny ...
