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Article: Extended Analysis

Prasanna: Be The Change

Read "Prasanna: Be The Change" reviewed by Phil DiPietro

by Phil DiPietro

Prasanna Be the Change 2004 For this, his second solo project, the astonishing Indian (and currently Bostonian) guitarist Prasanna assembles two world-class bands, going south for Flecktones Victor Wooten, saxman Jeff Coffin and drummer Derico Watson; and west (or for him, further east) for seminal fusion bassist Alphonso Johnson, drummer Ralph Humphrey ...

1,132

Article: Interview

Prasanna's Carnatic Convergence Concept Produces Potent Panethnic Potion

Read "Prasanna's Carnatic Convergence Concept Produces Potent Panethnic Potion" reviewed by Phil DiPietro

by Phil DiPietro

The music of India has long crossed over into western pop, rock and jazz styles. Every few years, the press will note a 'resurgence' in this trend, which in fact, appears to have continued steadily since the days of George Harrison's fascination with Ravi Shankar. Jazz has incorporated Indian influences for many years as well, and ...

Album

Peaceful

By Prasanna

Label: Susila Music
Released: 2002
Track listing: 12 pieces total, for details seehttp://www.guitarprasanna.com

272

Article: Album Review

Prasanna: Peaceful

Read "Peaceful" reviewed by John W. Patterson

by John W. Patterson

After listening to Prasanna's Peaceful CD, I must say it is well named as it was ultimately relaxing in its widely meandering stroll through a myriad of styles. Prasanna injects soul and passion with grace into each composition. This raga rock, raga jazz, and even introspective raga acoustic guitar that delivers.I was waiting for ...

Album

Peaceful

By Prasanna

Label: Unknown label
Released: 2001
Track listing: Raghunatha, Culture of Silence, Bach Minuet, Peaceful - Part I,Part II, Speak Up Sam, The Night Sky, Jagadanandakaraka, Wrinkle in Time, Nasika Blues, Theeratha vilayattu Pillai, Gaza, Cosmic Potato

270

Article: Album Review

Prasanna: Peaceful

Read "Peaceful" reviewed by Phil DiPietro

by Phil DiPietro

Formulating an introduction for a musician of such complex origins and remarkable technique as Prasanna is challenging, but considering my target audience, may be succinctly summarized as follows. Whereas the known practitioners of the hybridizations of classical Indian music and jazz have previously journeyed East from West, Prasanna has journeyed West from East. Put another way, ...


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