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RED Trio and Mattias Ståhl: North And The Red Stream
by John Sharpe
On their fifth album, Swedish vibraphonist Mattias Ståhl joins the Portuguese Red Trio as a guest. He's the latest in a sequence which includes alliances with saxophonist John Butcher and trumpeter Nate Wooley on disc, and reedman Ken Vandermark in performance. The product, North And The Red Stream, comprises three collective improvisations recorded at the VDU ...
Oporto Guitarist Mané Fernandes Releases "Boucelab"
Mané Fernandes is a young guitarist from Oporto, Portugal, and has just recorded his debut album as a leader—BounceLab. This project came up during the final stage of Mané's degree in ESMAE (Oporto), which was granted a 20/20 in his final recital. There are two sides of his project BounceLab: one of improvised music, mainly influenced ...
Miguel Angelo: Branco
by Ian Patterson
Portuguese bassist/composer Miguel Ângelo has been much in demand on the Porto jazz scene since graduating in Double Bass and Jazz from the School of Music and Performing Arts in 2008. His collaborations have been numerous and he has guested on five recordings since 2012. Branco, his debut as leader, showcases Ângelo's writing skills as much ...
Sei Miguel: Salvation Modes
by Glenn Astarita
Here, Portuguese trumpeter, composer Sei Miguel delves into his stockpile of older compositions that were seldom performed or recorded. And his customary, eccentric mode of operations is structured in an enticingly bizarre approach to jazz and jazz improvisation. On this release comprised of three extended tracks, the artist employs two quartets and a ten-piece ensemble as ...
Rodrigo Amado Motion Trio meetings with Peter Evans
by Eyal Hareuveni
Portuguese, Lisbon-based saxophonist (and photographer) Rodrigo Amado's main musical vehicle in recent years is the Motion Trio, a powerful, rhythmic unit that collaborated before with Chicagoan trombonist Jeb Bishop (The Flame Alphabet, Clean Feed, and Burning Live At Jazz Ao Centro, JACC, both released on 2012). Amado and this trio new collaborative endeavour unites these excellent ...
Rodrigo Amado's Motion Trio and Peter Evans
by John Sharpe
Ever since the 2009 debut of the Motion Trio, Portuguese saxophonist Rodrigo Amado has sought to broaden the options available through the addition of more fire power. On both Burning Live (Jazz Ao Centro, 2012) and The Flame Alphabet (Not Two, 2012), Chicago trombonist Jeb Bishop occupied that berth, his garrulous melodicism proving a winning match ...
Rodrigo Amado: Wire Quartet
by Eyal Hareuveni
The debut album of Portuguese saxophonist Rodrigo Amado's Wire Quartet--featuring the rhythm section of the acclaimed RED Trio, double bassist Hernâni Faustino and drummer Gabriel Ferrandini (who also plays in Amado's long-standing working Motion Trio) and experimental guitarist Manuel Mota--demonstrate Amado strongest and most intense performances to date, defying any attempt to associate it with post-bop ...
Rodrigo Amado: Wire Quartet
by Glenn Astarita
Portuguese saxophonist Rodrigo Amado is an aggressive, improvisational dynamo who has amassed a hearty discography for Clean Feed Records and several other European record labels. His mode of delivery parallels a heavyweight boxer who jabs, dances, and executes vicious left hooks and uppercuts. Recorded in a Lisbon studio, his quartet opens the floodgates with blossoming theme ...
Pedra Contida: Xisto
by Eyal Hareuveni
Pedra Contida (contained stone in Portuguese) is a Portuguese quintet assembled by guitarist Marcelo dos Reis to work together for a week in the remote mountain village Cerdeira in Serra da Lousã, in the Coimbra district of Portugal. The five musicians-- dos Reis also on prepared guitar, voice and singing bowls are Angélica V. Salvi on ...
Fail Better!: Zero Sum
by Eyal Hareuveni
The name of the Portuguese quintet Fail Better! is inspired by Samuel Beckett who advised: “ever tried, ever failed, no matter, try again, fail again, fail better." This saying, together with the one of Miles Davis who claimed that there are no mistakes in music, capture the very essence of the process of free improvisation. And, ...
