Results for "Pittsburgh"

Roger Humphries

Born: January 30, 1944

Roger Humphries is an American jazz drummer.

Born into a family of ten children in Pittsburgh, Pennsylvania, Humphries began playing drums at age four, and went professional at age 14. He led an ensemble at Carnegie Hall at age 16. Early in the 1960s, he began touring with jazz musicians; one of his more prominent gigs was in a trio with Stanley Turrentine and Shirley Scott in 1962. In 1964, he worked with Horace Silver, appearing on the album Song for My Father, where he played on four tracks, including the title tune. (On the same album Roy Brooks played on two tracks from a session recorded a year earlier). Following this Humphries drummed for Ray Charles.

Stanley Turrentine

Born: April 5, 1934

Stanley William Turrentine was one of the most distinctive tenor saxophonists in jazz. Known for his big, warm, sound, "The Sugar Man" or the original "Mr. T" found inspiration in the blues and turned it into a hugely successful career with a #1 hit and four Grammy nominations — first in R&B and then in jazz. Born on April 5, 1934 in Pittsburgh, a city that has produced more than its share of jazz masters, Turrentine hailed from a musical family. His saxophone-playing father was a big influence, as was his stride piano-playing mother and older brother, the late trumpeter Tommy Turrentine. One of Stanley's earliest influences on sax was tenor great Illinois Jacquet

Horace Parlan

Born: January 19, 1931

Horace Parlan has overcome physical disability and thrived as a pianist despite it. His right hand was partially crippled by polio in his childhood, but Parlan's made frenetic, highly rhythmic right hand phrases part of his characteristic style, contrasting them with striking left-hand chords. He's also infused blues and R&B influences into his style, playing in a stark, sometimes somber fashion. Parlan has always cited Ahmad Jamal and Bud Powell as prime influences.

He began playing in R&B bands during the '50s, joining Charles Mingus' group from 1957 to 1959 following a move from Pittsburgh to New York. Mingus aided his career enormously, both through his recordings and his influence. Parlan played with Booker Ervin in 1960 and 1961, then in the Eddie "Lockjaw" Davis-Johnny Griffin quintet in 1962. Parlan played with Rahsaan Roland Kirk from 1963 to 1966, and had a strong series of Blue Note recordings in the '60s.

Dodo Marmarosa

Born: December 12, 1925

A piano wunderkind who was for about a decade one of the most sought-after pianists in the history of jazz, yet has remained in relative obscurity. Dodo was born Michael Marmarosa, on 6 December 1925, in Pittsburgh, Pennsylvania. After formal studies and gigging with local bands, in 1941, the Johnny "Scat" Davis Orchestra came to Pittsburgh with an opening for a piano player. Even as a kid, Marmarosa had a reputation in local jazz circles, and some local musicians suggested that Davis snatch up the young pianist, so he hit the road. He was 15.

After a few months, the orchestra broke up. But Marmarosa and a few others hooked up with Gene Krupa's band. He then joined Charlie Barnet's big band. During that time, the Barnet band recorded "The Moose" and "Strollin,' " the first of dozens of recordings Marmarosa would be part of over the next few years.

Ahmad Jamal

Born: July 2, 1930

In 1951, Mr. Jamal first recorded 'Ahmad's Blues' on Okeh Records. His arrangement of the folk tune 'Billy Boy', and 'Poinciana' (not his original composition), also stem from this period. In 1955, he recorded his first Argo (Chess) Records album that included 'New Rhumba', 'Excerpts From The Blues', 'Medley' (actually 'I Don't Want To Be Kissed'), and 'It Ain't Necessarily So' —all later utilized by Miles Davis and Gil Evans on the albums "Miles Ahead" and "Porgy and Bess." In his autobiography, Mr. Davis praises Mr. Jamal's special artistic qualities and cites his influence. In fact, the mid-to-late 1950's Miles Davis Quintet recordings notably feature material previously recorded by Mr. Jamal: 'Squeeze Me', 'It Could Happen To You', 'But Not For Me', 'Surrey With The Fringe On Top', 'Ahmad's Blues', 'On Green Dolphin Street' and 'Billy Boy'.

Johnny Costa

Born: January 17, 1922

Johnny Costa was called "a phenomenal pianist" (Dick Hyman), "the Mozart of jazz piano" (Leonardo Meledandri), and "the White Tatum" (Art Tatum). I called Johnny my most precious friend. Costa was admired by many jazz giants: Benny Carter, Dave Brubeck, Tommy Dorsey, Dizzy Gillespie, Scott Hamilton, Dick Hyman, Jack Teagarden, Mel Torme, Teddy Wilson, among many others. During the final decade of Johnny's life, I traveled to Pittsburgh many times, spending as much time with him as his failing health permitted. I met his family and many of his friends, all of whom have been gracious to me, particularly Debbie Costa Elwood, his daughter, and Clara Nelson, his sister, both who became good friends. I will never forget observing the respect, love, and admiration extended to Johnny everywhere we went— waiters at restaurants, the butcher at the market, the sound engineer at Audiomation recording studio, members of the Pittsburgh Symphony Orchestra, and hundreds of fans who attended his final concert in Harrisburg, PA, men and women who followed his career for decades. This website is dedicated to Johnny Costa, the man I love, an extraordinary person and nonpareil pianist

Ray Brown

Born: October 13, 1926

Ray Brown was born in Pittsburgh, Pennsylvania, and had piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone, but was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the double bass. A major early influence on Brown's bass playing was the bassist in the Duke Ellington band, Jimmy Blanton. As a young man Ray Brown became steadily more well known in the Pittsburgh jazz scene, with his first experiences playing in bands with the Jimmy Hinsley Sextet and the Snookum Russel band. After graduating from high school, hearing stories about the burgeoning jazz scene on 52nd Street, in New York City, he bought a one way ticket to New York. Arriving in New York at the age of twenty, he met up with Hank Jones, with whom he had previously worked, and was introduced to Dizzy Gillespie, who was looking for a bass player

Richie Cole

Born: February 29, 1948

Richie Cole fans continue to praise the jazz/bebop artist who is recognized worldwide for the sweet sounds of his alto sax and the creativity behind his Alto Madness Orchestra. The Alto Madness Orchestra was developed by Richie in the early 90's and its continuing popularity is proof of its uniqueness. "The idea of the Orchestra is the concept and sound of an eighteen-piece big band using only seven instruments, four of which are horns," explained Richie with pride. "Not only does this have the big band ensemble sound, it also allows us plenty of room for improvisation as if we were in a quartet setting," he added enthusiastically. Cole’s ability goes far beyond mesmerizing the audience with his saxophone because he does all the composing and arranging, having amassed over five thousand of the latter

Erroll Garner

Born: June 15, 1921

Born in Pittsburgh in 1921 (Sy Johnson's biographical note in The Erroll Garner Songbook has June 15, 1923 as Garner's birthdate), Errol Garner started playing piano at the age of two (three according to Johnson). He never learned to read music, probably because it was never a necessity for him. He learned to play the 'novelty' styles of Zez Confrey and others from listening to 78 records, a style which used steady left hand chord rhythms to support very free right-hand melodic interpretations. This provided a perfect basis for the hard-swinging jazz style that Garner was to pioneer. At the age of seven, Garner began appearing on radio station KDKA in Pittsburgh with a group called the Candy Kids, and by the age of eleven he was playing on the Allegheny riverboats

Benny Benack III

At the age of 28, Pittsburgh-born, New York-based Jazz trumpeter & singer Benny Benack III has quickly established himself as one of the most versatile and virtuosic voices of his generation. Hailed by the New York Times as “a charismatic young trumpeter who maintains an earnest sideline as a singer”, Benack has a knack for delighting audiences with panache, in the spirit of classic crooners like Sinatra & Mel Tormé, with a nod to legendary trumpet showmen Louis Armstrong & Dizzy Gillespie. Equally comfortable in both Jazz and Pop settings, Benack has worked with some of the greatest acts in music today, touring domestically as a trumpet soloist with Josh Groban, Ben Folds, fashion icon Isaac Mizrahi, as well as European engagements with Jazz Bass extraordinaire Christian McBride