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Liberty Ellman: Radiate
by Dan Bilawsky
Guitarist Liberty Ellman works at the crossroads of intellectual inquisitiveness and rabid expressionism. That's been evident both in his own small but impressive discography and in his musical travels with Henry Threadgill's Zooid over the past fifteen years. On Radiate--Ellman's first album in nine years, third on the Pi Recordings imprint--those two roads ...
Liberty Ellman: Radiate
by Troy Collins
Radiate is guitarist Liberty Ellman's fourth album under his own name since 1997 and his third for Pi Recordings, following 2006's Ophiuchus Butterfly. Ellman's output as a bandleader over the years has been secondary to his role as an in-demand sideman however, working with such luminaries as Vijay Iyer, Rudresh Mahanthappa, Myra Melford, and Jason Robinson--hence ...
Tyshawn Sorey: Alloy
by Luca Canini
Certi dischi ci impiegano un po' ad arrivare. Hanno bisogno di una certa distanza, di tempo per sedimentare in fondo alle orecchie. Giorni, settimane, a volte mesi. Guai ad avere fretta: bisogna saperli aspettare con infinita pazienza, coccolarli e convincerli dolcemente a parlare. Impresa che di fronte all'ostinato silenzio del timido Alloy, quarta ...
Amir ElSaffar and the Two Rivers Ensemble: Crisis
by Hrayr Attarian
On his third album with the Two Rivers ensemble, Crisis trumpeter and composer Amir ElSaffar continues to explore the Arabic Maqam modal system. He uses this melodic type in a context with strong American influences and particularly jazz sensibilities. The result is not merely a superficial, kitschy fusion but true marriage of two improvisational traditions.
Amir ElSaffar: Crisis
by Karl Ackermann
Chicago area native, Amir ElSaffar has been working inside and outside the typical context of jazz since his Two Rivers Ensemble debut, Two Rivers (PI Recordings, 2007). The trumpeter and composer (and master santour player) has built a unique musical architecture based his study of the microtonal techniques of his ancestral Iraqi maqam. While ElSaffar was ...
Steve Coleman and the Council of Balance: Synovial Joints
by Luca Canini
Dei suoni della foresta amazzonica e dei segreti della camouflage orchestration," delle articolazioni sinoviali, dell'antico dio Heru e del metodo di composizione spontanea, lascerò che sia Steve Coleman a parlarvi. È tutto spiegato nelle note di copertina, con estrema chiarezza e dovizia di particolari; la migliore introduzione possibile alle meccaniche (più o meno celesti) che governano ...
Henry Threadgill Zooid: In For A Penny, In For A Pound
by Hrayr Attarian
Innovative multi-reed player and composer Henry Threadgill is no stranger to adventurous projects. Starting with the groundbreaking trio Air four decades ago he has not stopped expanding his creative boundaries. The ambitious multi-part suite In for a Penny, In for a Pound highlights the unusual instrumentation Threadgill has always incorporated in his groups. Each ...
Henry Threadgill Zooid: In for a Penny, In for a Pound
by Troy Collins
Renowned composer and multi-instrumentalist Henry Threadgill has led a number of critically acclaimed groups since his formative days as a founding member of the AACM, but none have endured as long as Zooid. Formed in 2001, the unit has undergone a few personnel changes over the years, although guitarist Liberty Ellman and tuba player/trombonist Jose Davila ...
Henry Threadgill Zooid: In For A Penny, In For A Pound
by Karl Ackermann
Fresh off his significant contribution to Jack DeJohnette's Made In Chicago (ECM, 2015), composer/saxophonist/flautist Henry Threadgill and his most long-established group, Zooid, return for the ensemble's most creative and ambitious collection. Almost thirty years ago, Threadgill told Chicago's Pulitzer winning writer, Studs Terkel, of the influence of marching bands that he saw in that city's frequent ...
Henry Threadgill Zooid: In for a Penny, In for a Pound
by Mark F. Turner
Don't call this jazz. In a 2013 interview with Larry Appelbaum at the Library of Congress, saxophonist, flautist, and composer Henry Threadgill, in so many words, denounced the association of labelling his music with a diluted categorization. Having performed with free thinking musicians like Muhal Richard Abrams and Anthony Braxton; lead highly regarded and out of ...





