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2021: The Year in Jazz
by Ken Franckling
The jazz world continued grappling and adjusting in year two of the COVID-19 pandemic. International Jazz Day again went virtual for the most part. Singer Tony Bennett put the final stamp on his touring--and likely recording--career after his Alzheimer's disclosure. Trumpeter Irvin Mayfield was headed to federal prison. The National Endowment for the Arts welcomed four ...
Amos Gillespie: Unstructured Time for Jazz Septet
by Jack Bowers
Chicago-based composer/educator/alto saxophonist Amos Gillespie's CD, Unstructured Time, employs a variety of time signatures but is anything but unstructured--in fact, the opposite may reasonably be opined, as taut structure is clearly front and center on the album's four instrumental and five vocal numbers. In other words, “unstructured" in Gillespie's lexicon bears absolutely no resemblance to “free" ...
Barry Harris: Iconic Jazz Pianist and Keeper of the Flame
by Victor L. Schermer
In memory of Barry Harris. This article was first published at All About Jazz on October 29, 2015. At the ripe age of 85, pianist Barry Harris has been on the jazz scene for seventy years, and throughout that time, he has remained loyal to and consistent with his bebop roots. Even though his ...
Brian Lynch: Songbook Vol. 1: Bus Stop Serenade
by Angelo Leonardi
Con Bus Stop Serenade Brian Lynch inaugura una serie di album che raccolgono il suo intero songbook, scritto in quarant'anni di carriera e disseminato in numerose incisioni. Da alcuni anni il trombettista ha varato una propria etichetta (la Hollistic MusicWorks) e iniziato a reinterpretare le sue vecchie composizioni: “Ho sentito che avrebbero beneficiato di un po' ...
When Jazz Pops, Part 2
by Ludovico Granvassu
Ornette Coleman playing for Lou Reed? Or the Sun Ra Arkestra together with Steven Bernstein's Sexmob Orchestra backing U2 courtesy of Hal Willner? And Kenny Wheeler collaborating with both David Sylvian and Joni Mitchell? This and many more fascinating collaborations between jazz masters and pop and rock musicians in this playlist.Happy listening!Playlist ...
Gulda: Classic Bad Boy
by Alan Bryson
It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb, “I hate jazz." If you choose to engage, the key is to tread lightly and tailor an approach that considers the tastes and sensibilities of the other person. The “So You Don't Like Jazz" ...
Adam Nolan Trio: Prim and Primal
by Jim Worsley
Prim and Primal is a cool name for a record. It does, however, take some balls to put out a record with such a title. It leaves listeners with deep expectations. To paraphrase the old saying, though, “It's okay to talk the talk if you can walk the walk." Alto saxophonist Adam Nolan has a pair ...
Baritone Saxophonist Tate Hanlon: Winner of Gerry’s Jazz Challenge
by Sanford Josephson
The names of the judges in the Gerry & Franca Mulligan Foundation's Gerry's Jazz Challenge competition among high school music students were kept anonymous. The results, though, were anything but mysterious. The contestants were judged on five categories: notes, sound, technique, intonation, and presentation. Tate Hanlon, a senior at Fairview High School in Fairview, ...
Ben Sidran at 78: This is the other side
by Leo Sidran
For the third year in a row, I talked to musician/producer/journalist/philosopher Ben Sidran (my father) in honor of his birthday. This time he's turning 78, and we consider the “buddhist roots of jazz," joy and pain, Henry Miller's Tropic of Cancer, the wisdom of Phil Woods, the final recordings of Lester Young, saxophonist Willis Jackson's 1978 ...
Greg Abate: “Be-Bop-Er” Takes His Music To The World
by Rob Mariani
This article was published posthumously and on behalf of All About Jazz's long-time friend and contributor, Rob Mariani. “Bebop is one of the more complicated forms of jazz music," says Greg Abate, one of New England's most well-known alto sax players. He's been keeping this “art form" alive and thriving for years.
