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Lucien Johnson: Ancient Relics
by Chris May
The astral jazz of Pharoah Sanders and Alice Coltrane is among the most mimicked jazz to be heard in 2024. Mimicked as in superficial, cynical, clichéd, travesty. So it is a rare pleasure to come across an album as singular and substantial as New Zealand-based tenor saxophonist Lucien Johnson's Ancient Relics. The album is ...
Joe Lovano: da New York a Bergamo
by Libero Farnè
Joe Lovano è di casa in Italia. Non so quanto in questo possa influire l'origine siciliana della sua famiglia; penso che la ragione sia da ricercare piuttosto, oltre che nell'estroversa giovialità del carattere, nella sua vocazione di globetrotter che lo ha portato in ogni angolo del mondo con le più svariate formazioni, sue o di altri ...
Ches Smith, Damasiewicz / Wania, Fujii / Ono & Roberto Ottaviano
by Maurice Hogue
Plenty of genre-stretching music in this episode, from drummer Ches Smith's new Laugh Ash, vocalist Amirtha Kidambi & Elder Ones and their drive to make their music reflect the need for protest, and the Ewart/Asplin/Ricks Trio, featuring master AACM reedist Douglas Ewart, recorded live at BYU. Polish trumpeter Piotr Damasiewicz hooks up with fellow Pole, the ...
James Brandon Lewis: For Mahalia With Love (Expanded Edition)
by Chris May
Not since Oded Tzur's Isabela (ECM, 2022) has a comparably exalted tenor saxophone-led album come along, not until For Mahalia, With Love. Vaultingly great jazz and deep solace for the soul, For Mahalia, With Love was released in late 2023. An annual cycle for albums of this quality is actually a sufficiency, for there is enough ...
Coltrane, il frastornante riflesso dell’universo
by Libero Farnè
John Coltrane--Tranesonic o il riflesso dell'universo Aldo Gianolio e Piercarlo Poggio 129 pagine Tuttle Edizioni 2024 Bisogna ammettere che negli ultimi anni l'offerta editoriale italiana di argomento jazzistico è tutt'altro che avara di proposte. Merito del lavoro lodevolissimo e disinteressato di tante case editrici, per lo più piccole e amatoriali ...
James Brandon Lewis' Red Lily Quintet: Sparrow
by Chris May
Here is the opening track from James Brandon Lewis' Red Lily Quintet's For Mahalia, With Love (TAO Forms, 2023), a celebration of the music of Mahalia Jackson, remaining true to its original essence but framing it in a jazz context. Not since Oded Tzur's Isabela (ECM, 2022) has such an exalted tenor saxophone-led album come along. ...
Eddie Henderson: Everything Changes
by Ian Patterson
Eddie Henderson made his name in Herbie Hancock's Mwandishi band in the early 1970s, at the dawn of jazz-fusion--a new frontier. It was undoubtedly a launching pad that saw the New York-born trumpeter go on to play with Art Blakey and The Jazz Messengers, Elvin Jones, Archie Shepp, Pharoah Sanders and McCoy Tyner. Yet ...
Pharoah Sanders: Upper Egypt & Lower Egypt
by Chris May
This little beauty, all sixteen minutes of it, is the opening track of Pharoah Sanders' first own-name masterpiece, Tauhid (Impulse!), recorded in 1966, released in 1967, and the blueprint for Sanders' style of astral jazz. Remarkably, many jazz enthusiasts, including Sanders fans, seem not to have heard Tauhid--and one leading tenor saxophonist on London's alternative jazz ...
Remembering Saxophonist, teacher, and composer Carl Grubbs
by Matt Hooke
Saxophonist Carl Grubbs built a community around him everywhere he played, whether in 1970s Philadelphia where people gathered outside of his house to listen to his band practice, or in Baltimore where he mentored countless generations of musicians since the 1990s. Even as his health worsened over the past year, Grubbs continued to see ...
The Complete Obscure Records Collection 1975-1978
by Chris May
The first ever CD box set gathering the complete 10-album catalogue of Brian Eno's Obscure Records has been released by Italian-based label Dialogo. In the mid to late 1970s, Obscure gave a platform to some of the most significant young British composers of experimental music, together with a few Americans. In a quiet way spectacularly successful, ...





