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Results for "Peter Brotzmann"
Insalata d'ance dal duo al quartetto: Gebhard Ullmann e dintorni
by Alberto Bazzurro
La partenza di questa nostra odierna circumnavigazione, che di primo acchito potrà anche apparire stravagante ma le cui motivazioni confidiamo appariranno poi piuttosto chiare, ha un nome e un cognome: Gebhard Ullmann, notevole sassofonista e clarinettista tedesco di cui ci occupiamo sempre volentieri. Nella fattispecie, lo troviamo coinvolto in tre recenti album (in un caso come ...
Jazz From Around the World: Europe
by Hrayr Attarian
Jazz has had a universal appeal since its inception. As soon as the music left its cradle of New Orleans in the early years of the 20th century it quickly spread to all corners of the world. Europeans were among the first non-Americans to embrace the music and place their unique twist on it. Below are ...
Five New From Konvoj Records
by Mark Corroto
If you are a free jazz fanatic, you probably look for those out-of-print vinyl offerings from labels like Hat Hut, FMP, Sonet, and El Saturn Records. Sadly, you would have to be either independently wealthy or Mats Gustafsson to acquire the rarest of the rare music. But take heart, there are small labels producing the free ...
Something old, something new, something reissued, something Brötzmann blew.
by Mark Corroto
Can the entire history of a musical genre be encoded in one man's DNA? If that is possible, then reading the DeoxyriboNucleic Acid molecules in saxophonist Peter Brötzmann's body would yield all the information a musical scientist studying the development of free jazz would require. Since the 1960s, he has been in the center of the ...
Keir Neuringer/Rafal Mazur: Diachronic Paths
by Mark Corroto
The aptly named release Diachronic Paths by the free improvising duo of Keir Neuringer and Rafal Mazur continues the transformation discourses of their evolving musical language. One that is based on their dialogue of discovery. Keir Neuringer, a Philadelphia-based saxophonist lived in Kraków and The Hague for a time and established a strong relationship ...
The Virtues of Jazz
by Douglas Groothuis
Any jazz aficionado knows the musical virtues of jazz, whether they are a musician, a jazz writer, or simply a committed jazz listener. In classical Western thought (that is, in the musings of cats like as Aristotle and Plato), a virtue is a kind of excellence in performance that flows from a settled habit. One who ...
Mats Gustafsson: Piano Mating
by Mark Corroto
Sure, saxophonist Mats Gustafsson is a rock star. A star in the same sense that Thurston Moore is a jazz artist or Merzbow generates ambient sounds. It's not so much that we would expect to see those three gentlemen receiving a Grammy Award, but that imitators of their styles will. Someday. In other words, innovators pioneer ...
Peter Brötzmann: Münster Bern
by Mark Corroto
One indisputable fact, there cannot be enough Peter Brötzmann solo recordings in this world. Okay, for those that might disagree, there are a few choice solo Brötzmann sessions that are a must. Count Münster Bern in that category. The saxophonist, a leader of the 1960s European free jazz movement and a Fluxus artist had released several ...
Barry Guy: A Prophet is Not without Honour (Part 2)
by Duncan Heining
Part 1 | Part 2 | Part 3 Barry Guy has been the artistic director and main composer of the London Jazz Composers' Orchestra throughout its now forty-five year history. Recordings and performances since Ode in 1972 have been sporadic but those forty-five years have resulted in eleven albums (including one with Anthony Braxton) ...
Hamid Drake & Michael Zerang: For Ed Blackwell
by Mark Corroto
This forty-two minute continuous recording of drummers Hamid Drake and Michael Zerang was released on the occasion of the 25th anniversary performance of their Winter Solstice Concerts in December 2015. The percussionists' tradition of welcoming the return of the sun to the northern hemisphere every December 21st by making music predawn only to be illuminated by ...


