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New music from Wojtek Mazolewski
by Bob Osborne
On this show the featured release is the latest album by Wojtek Mazolewski Following the rhapsodic response to his debut Whirlwind release--a deluxe edition of Polka which, internationally, broke through into dance clubs and rock and indie festivals--the double bassist now focuses attention on the music of his compatriot Krzysztof Komeda (1931--1969), a legend ...
Results for pages tagged "Peter Brotzmann"...
Peter Brötzmann
Born:
Born Remscheid, Germany on 6 March 1941; soprano, alto, tenor, baritone and bass saxophones, a-clarinet, e-flat clarinet; bass clarinet, tarogato. Peter Brötzmann's early interest was in painting and he attended the art academy in Wuppertal. Being very dissatisfied with the gallery/exhibition situation in art he found greater satisfaction playing with semi-professional musicians, though continued to paint (as well as retaining a level of control over his own records, particularly in record sleeve/CD booklet design). In late 2005 he had a major retrospective exhibition jointly with Han Bennink - two separate buildings separated by an inter-connecting glass corridor - in Brötzmann's home town of Remscheid.
Mareike Wiening's Debut Album
by Bob Osborne
German drummer and composer Mareike Wiening released her debut album featuring her original compositions performed by an outstanding quintet of New York improvisers on November 1st . Metropolis Paradise is dedicated to Wiening's six year residence in the Big Apple and is the featured album on this show. We also preview the excellent new album from ...
I Surrender Dear
Label: Trost Records
Released: 2019
Track listing: I Surrender Dear; Lover Come Back To Me; Lady Sings The Blues; Con Alma; Nice Work If You Can Get
It; Dark Blues; Improvisation Über Ein Thema Von JS Bach; ChurchSong; Sumpin’; Brozziman;
Ballade/Love Poem Nr. 7/Blues; I Surrender Dear.
Mats Aleklint/Per-Ake Holmlander/Paal Nilssen-Love: Fish & Steel
by Karl Ackermann
PNL Records was started in 2007 by Norwegian jazz drummer Paal Nilssen-Love to release his recordings as a solo artist, with his big band Large Unit, and in collaborations with other artists. Fish & Steel is the self-titled debut from the trio of trombonist Mats Åleklint, tuba player Per-Äke Holmlander, and Nilssen-Love. All three are part ...
Peter Brötzmann: I Surrender Dear
by Mark Corroto
You can forgive yourself if you get the feeling that you're a bit of a voyeur while listening to I Surrender Dear, the solo recording by saxophonist Peter Brötzmann. This sense of eavesdropping is due to the intimate sounds and the great man's choice of music. This intimacy is not something you generally associate with Brötzmann's ...
Astral Spirits: Lifting the Spirit of Jazz
by Jakob Baekgaard
While pop often follows predictable musical patterns, one of the greatest qualities about jazz is its sense of adventurousness and the ability to take the listener on a journey where the destination is unknown. The Astral Spirits label, based in Austin, Texas, and run by musician Nate Cross, truly embraces this quality of jazz.
Katarsis4: Katarsis4
by Vitalijus Gailius
A young generation of Lithuanian jazz and improvised music has been blossoming for the last few years, and Katarsis4 could be taken as one of the best examples of those youngsters who are looking toward new sonic approaches by reshaping the heritage of the past and mixing it with their own ideas.Katarsis4 is a ...
Matthew Shipp - Mark Helias - Gordon Grdina: Skin And Bones
by Karl Ackermann
The Skin and Bones Music Series is an ongoing succession of creative music events in various venues in and around the city of Kelowna in British Columbia. The concerts have hosted a diverse group of jazz artists from veterans such as Peter Brötzmann to rising stars The Bjorn Kriel Trio. Among the series' featured acts was ...
Istanbul Jazz: So Close to the Music, So Far From New York
by Arthur R George
That any musician, old cat, young lion, or apprentice anywhere, endeavors in jazz is amazing enough, given the elusiveness of “success." That is even more true in Istanbul, Turkey: not a conventional jazz capitol, far from the African-American roots of jazz, and even beyond the music's major continental domiciles. Yet the tilting cobblestoned streets of the ...
