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Album

Our Faceless Empire

Label: Pax Recordings
Released: 2010
Track listing: 01. Nosso Rosto Empire - 04:51; 02. Luftzucker - 08:49; 03. Mi Conde El Odiosas - 04:29; 04.O. Bursty Bruegel - 06:11; 05.Intervalo de Confianza - 09:24; 06. Vida de Lujo - 05:44; 07. Emetico Labilty- 04:50; 08. Um Lilburn Em Flovilla - 03:55; 09. A Cartesian Blaspheme - 05:39. Tutti i brani sono composti/improvvisati dai quattro musicisti.

Album

Our Faceless Empire

Label: Pax Recordings
Released: 2010
Track listing: Nosso Rosto Empire; Luftzucker; Mi Conde, el odiosas; O, Bursty Bruegel; Intervalos de confianza; Vida de lujo; Emético Labilty; Um Lilburn em Flovilla; A Cartesian Blaspheme.

Article: Album Review

Ernesto Diaz-Infante - Manuel Mota - Gino Robair - Ernesto Rodrigues: Our Faceless Empire

Read "Our Faceless Empire" reviewed by AAJ Italy Staff


Interessante l'organico originale impegnato in questa performance dovuta all'incontro tra i due musicisti portoghesi Ernesto Rodrigues alla viola e Manuel Mota alla chitarra elettrica con i californiani Ernesto Diaz-Infante alla chitarra acustica e Gino Robair, percussionista che, oltre a modellare fenomeni elettrici e a tradurli in suoni, si è occupato della realizzazione del CD (editing, missaggio ...

366

Article: Album Review

Ernesto Diaz-Infante / Manuel Mota / Gino Robair / Ernesto Rodrigues: Our Faceless Empire

Read "Our Faceless Empire" reviewed by Mark Corroto


The meeting of four skilled improvising musicians--two from Lisbon, Portugal, and two from San Francisco--is cause for celebration on these nine ephemeral pieces. Surprisingly, Our Faceless Empire is not a live date; instead, it was made in an Oakland, California studio in 2006. By the very nature of this session, an audience--or any outside noise or ...

Album

Crashing The Russian Renaissance

Label: Pax Recordings
Released: 2006
Track listing: Three College Radio Ready Edits: 01. 04:40; 02. 03:55; 03. 05:14; Overthruster: 04. 04:05; 05. 05:59; 06. 00:34; 07. 03:17; 08. 00:52; 09. 02:20; 10. 00:56; 11. 02:51; 12. 01:43; 13. 01:42; 14. 02:00; 5. 00:41; 16. 00:41; 17. 00:41; 18. 01:03; 19. 01:20; 20. 00:35; 21. 01:08; 22. 00:29; 23. 03:01; 24. 01:57; 25. 00:23; 26. 00:26; 27. 01:55; 28. 00:03; 29. 00:03; 30. 03:03

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Article: Album Review

Lx Rudis - André Custodio - Ernesto Diaz_Infante: Crashing The Russian Renaissance

Read "Crashing The Russian Renaissance" reviewed by AAJ Italy Staff


Interessante quest'opera di improvvisazione acustico-elettronica che senza ricorrere a trucchi d'effetto libera un flusso sonoro continuamente in evoluzione, tutto da seguire. Si riconosce dietro a questi brani un'analisi sonico-strutturale notevole veicolata da una volontà e un talento espressivi che ci guidano appunto ad un gradevole ascolto. Il mezzo informatico-elettronico viene utilizzato come strumento acquisito, tranquillamente per ...

Album

Turn A Deaf Ear

Label: Pax Recordings
Released: 2001
Track listing: Das Capital Crime- Local Bomb; Pavement Jam:

Album

Wires and Wooden Boxes

Label: Pax Recordings
Released: 2001
Track listing: NYC Journal excerpt (2000); Metallic Strands; Sound Is Good All The time; Straight To It; Pulled Wires; Passing One Another; Knock On wood; Cut And Dried; To Place In; Trace Out Motion

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Article: Album Review

rev.99: Turn A Deaf Ear

Read "Turn A Deaf Ear" reviewed by Mark Corroto


The French Situationalist movement of the 1960s for the most part has been ignored here in the United States, but its call to re-examine art, media, and culture has been taken up by writer/poet 99 Hooker and the musicians that make up rev.99. Their “environmental improv,” Turn A Deaf Ear mixing rants with new experimental improvisation ...

138

Article: Album Review

Ernesto Diaz-Infante & Chris Forsyth: Wires and Wooden Boxes

Read "Wires and Wooden Boxes" reviewed by Glenn Astarita


Multi-instrumentalist, Ernesto Diaz-Infante is apt to tackle either minimalist style themes, brimming with melodic frameworks and lush voicings or engage in John Cage-like musings with free-improvisational guitarist, Chris Forsyth. With their second collaboration, this 2001 release features more of the somewhat alien discourses witnessed on the duo’s previous effort, “Left & Right.” On the opener “NYC ...


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