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Alan Broadbent: Intimate Reflections on a Passion for Jazz
by Victor L. Schermer
Pianist, composer, and arranger Alan Broadbent doesn't just “dig" jazz. He has a deep and enduring passion for it. Growing up in mid- 20th-century New Zealand, he quickly went beyond piano lessons to reading musical scores and learning jazz standards. Then, when the Dave Brubeck Quartet came to his relatively isolated hometown of Auckland, his love ...
Blue Highways and Sweet Music: The Territory Bands, Part II
by Karl Ackermann
Part 1 | Part 2 Part 1 of Blue Highways and Sweet Music: The Territory Bands looked at the roots, drivers and challenges of the travelling groups who brought jazz music to the non-urban areas of the Southern Plains, through one-night-stands, in often impromptu venues. A black phenomenon, often misappropriated by white musicians, promoters, ...
Blue Highways and Sweet Music: The Territory Bands, Part I
by Karl Ackermann
Part 1 | Part 2 OriginsBy the second half of the 1920s, New York had supplanted Chicago as the center of jazz. The “Jazz Age"--a label incorrectly ascribed to F. Scott Fitzgerald--could rationally have been framed as the “Dance Age." Prohibition, and the speakeasies that it spawned, were packed with wildly enthusiastic patrons of ...
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
Frank Woeste: Reversing Ravel
by Ludovico Granvassu
Maurice Ravel is not only one of the great authors of 20th century classical music, but one of a handful of classical composers to have demonstrated an interest in jazz. During his tour of the United States in 1928, Ravel went to the Savoy Ballroom in Harlem, or Connie's Inn and the nearby Cotton Club, to ...
A Conversation with Mike Mainieri
by Anthony Smith
The following is an excerpt from the chapter “A Conversation with Mike Mainieri" of Masters of the Vibes by Anthony Smith (Marimba Productions, 2017). So you've been working on a new project this week? Yes, just finishing some overdubs... it's a project I'm involved in with some friends, but I really can't ...
Dana Jessen: Carve
by Karl Ackermann
The bassoon rarely makes an appearance outside of the orchestral setting though it has found a place in jazz recordings dating back to Paul Whiteman and much later with Chick Corea. The instrument is considered one of the most difficult to play but its natural range and dynamics are far-reaching and versatile. Add in electronics and ...
King of Jazz: Two-Color Print
In April 1930, at the advent of the “talkie," Universal Pictures released King of Jazz. The 105-minute film was a revue of Paul Whiteman's music through film and animation. But what made the movie truly special was that it was released using a two-color process. Color films weren't new, per se. France had released the first ...
Umlaut Big Band: Euro Swing Vol. 2
by Mark Corroto
In Elvis Costello's autobiography, Unfaithful Music & Disappearing Ink (2015), he writes about his mother working in a music shop in the 1940s in Britain, and how she somehow became an expert in acquiring American jazz records from musicians and other international travelers. Certainly, she learned her craft from other music sellers and fans, maybe a ...
The Real Dixieland Book / Tunes Of The Twenties
by Budd Kopman
The Real Dixieland Book Robert Rawlins 378 Pages ISBN: 978-1-4234-7694-8 Hal Leonard 2015 Saxophonist Robert Rawlins, who is also Professor of Music Theory at Rowan University (New Jersey) has done jazz a great service by producing The Real Dixieland Book and Tunes Of The Twenties. While they obviously ...
