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Bill Evans: Everybody Still Digs Bill Evans: A Career Retrospective (1956 - 1980)
by Chris May
Only occasionally do classy looking limited-edition box sets prove to be a triumph of style and substance. Too often they are undermined by cheapskate packaging, over elaborate design, poorly written and researched booklets, inadequate session details or, most egregiously, bizarre (in a bad way) track selections. So it is a more than pleasant surprise when something ...
Bill Evans inedito: Olanda 1969 e Canada 1975
by Angelo Leonardi
Escono quasi in contemporanea, tra la fine di giugno e la seconda metà di luglio, due splendide testimonianze dei trii di Bill Evans comprendenti Eddie Gomez e Marty Morell (Hilversum--Amsterdam 1969) e Gomez con Eliot Zigmund (Vancouver 1975), rispettivamente. Sono entrambe registrazioni live di qualità acustica eccellente che testimoniano la magnificenza di quel pianista e il ...
Christoph Irniger's Open City: Retracing The Tenor's Evolution On Intakt Records
by Friedrich Kunzmann
A sound poet of sorts, Swiss tenor saxophonist Christoph Irniger has gained quite a reputation for his lyrical tone and creative penmanship, more often than not responsible for the majority of the memorable repertoire he records and performs. The poetic nature of his music is owed not only to the artists that have influenced him over ...
Julian Lage: Squint
by Chris May
Before discussing guitarist Julian Lage's album, some food for thought... A credible argument could be put forward to say that the jazz piano trio reached its pinnacle of perfection with Bill Evans' Village Vanguard performances of June 1961, with the trio of bassist Scott La Faro and drummer Paul Motian, and that trios led by guitars, ...
Dahveed Behroozi: Echoes
by Dan McClenaghan
On his sophomore effort, West Coast-based pianist Dahveed Behroozi goes into a deeply atmospheric mode on Echoes. He is joined by a pair of blue ribbon sidemen in this piano trio affair. Drummer Billy Mintz, as a drummer-texturalist, is in a league with past greats Paul Motian and Jon Christensen, creating off-kilter, unsettled weather systems of ...
Craft Recordings Celebrates The Legacy Of Bill Evans With First-Ever Career-Spanning Collection, Everybody Still Digs Bill Evans: A Career Retrospective (1956–1980)
Craft Recordings proudly honors the pioneering jazz artist Bill Evans and his enduring musical contributions, with two new titles. The first—a deluxe, five-CD box set and digital album, titled Everybody Still Digs Bill Evans: A Career Retrospective (1956–1980)—marks the first-ever career-spanning collection of music from the pianist, featuring over 60 tracks that spotlight Evans’ exceptional work ...
Mark Solborg, Anders Banke, Bjørn Heebøll: Angels
by Alberto Bazzurro
Cinque temi originali (per lo più di Mark Solborg) più due di Monk, uno in sé e per sé e uno riverniciato (quanto riconoscibilissimo), la titletrack ayleriana e il conclusivo “Harvest Breed" di Nick Drake compongono questo album, che nelle geometrie non può non rimandare allo storico trio di Paul Motian con Joe Lovano e Bill ...
Masabumi Kikuchi: Hanamichi — The Final Studio Recording
by Neri Pollastri
Esce postumo, a inaugurare l'etichetta Red Hook, questo album in solitudine del grande pianista giapponese Masabumi Kikuchi, che molti ricorderanno per le collaborazioni con Gary Peacock (epica quella del 1971, Voices) e Paul Motian, su tutte il formidabile e geniale trio Tethered Moon. Registrato nel 2013, due anni prima della sua scomparsa, il lavoro vede il ...
Gli Unscientific Italians e l'arte della meta-sintesi Friselliana
by Ludovico Granvassu
Se Nanni Moretti fosse nato nel 1973 invece che nel 1953, la famosa scena di Caro Diario che lo vede in sella ad un vespone per le strade vuote di una languida Roma ferragostana avrebbe avuto come colonna sonora la musica di Bill Frisell piuttosto che quella di Keith Jarrett. Perchè ogni epoca viene definita da ...
Arbenz, Mehari, Veras: Conversation #1: Condensed
by Kyle Simpler
One of the most appealing aspects in jazz is the interplay among musicians in a group. There is usually a continuous musical conversation occurring during any given session, which adds an element of spontaneity. Swiss drummer Florian Arbenz is concentrating on this concept of conversation in his upcoming releases, beginning with Conversation #1: Condensed.
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