Home » Search Center » Results: Paul Motian
Results for "Paul Motian"
Maier, Morpurgo, Ricci: Mesmer
by Neri Pollastri
Piccola gemma che esce dalle produzioni autarchiche di Giovanni Maier per la propria etichetta Palomar, questo disco è un omaggio a Paul Motian realizato in trio con al pianoforte Riccardo Morpurgo, che con il contrabbassista collabora da anni, e alla batteria Pietro Ricci, ennesima giovane leva del vivaio" friulan-giuliano. Motian è autore di sei ...
Angelica Sanchez & Marilyn Crispell: How To turn the Moon
by Dan McClenaghan
Fans of piano jazz might have a preference for the trio formatpiano/bass/drums. Or they might like their piano straight, no chaser, with solo piano sets. There is no shortage of trio and solo recordings floating around for our listening enjoyment. But two pianos? Rare, though not unheard of. Brad Mehldau and Kevin Hays offered up the ...
Results for pages tagged "Paul Motian"...
Russ Lossing
Born:
Pianist, composer and improviser Russ Lossing, based in New York City for over 35 years, is at the forefront of creative jazz performing and recording with Paul Motian, Mark Helias, Billy Hart, Dave Liebman, Samuel Blaser, Michael Formanek, Eric McPherson, Tim Berne, Billy Mintz, Cameron Brown, Gerry Hemingway, Ralph Alessi, Mat Maneri, Drew Gress, Oliver Lake, Kirk Knuffke, Gerald Cleaver, Gordon Grdina and many others. Lossing played with master drummer Paul Motian over a period of 12 years performing and recording including week-long stints at the Village Vanguard as a member of Motian's Quintet. He has toured world-wide playing major jazz clubs and festivals both as leader and side-man.
My Conversation with Gary Peacock
by AAJ Staff
Having been in the political arena, I know first hand the power of celebrity's undertow. It has a way of casually siphoning the integrity of a candidate. Fame and power in politics, I find, is quite similar in our music, and that it is no fluke that artists sell-out." But Gary Peacock has not. The bassist ...
Jeff Cosgrove, John Medeski, Jeff Lederer: History Gets Ahead of the Story
by Ian Patterson
The striking absence of a bassist on this organ-trio tribute to William Parker speaks volumes about the singular approach that Jeff Cosgrove, John Medeski and Jeff Lederer have taken to the compositions of a modern jazz great. Parker's music is so diverse, his output so vast, that a cohesive overview would be difficult to distil onto ...
The Pat Metheny Songbook - A New Jazz Canon, Part 1
by Ludovico Granvassu
This week we launch a series of episodes that, from time to time, we'll look at the work of contemporary jazz players as composers, rather than performers, from Tim Berne to Geri Allen, Bill Frisell, Carla Bley, John Zorn, Brad Mehldau and many more. We are starting this series with Pat Metheny, the author ...
Bill Frisell: Valentine
by Angelo Leonardi
Pur confermando in pieno l'identità stilistica del chitarrista, il nuovo disco di Bill Frisell si rivela sottilmente imprevedibile: spiazza forse un po' l'ascoltatore ma lo coinvolge intensamente nella mente e nel cuore. Pubblicato il 14 agosto dalla Blue Note, Valentine è la prima incisione ufficiale del trio con Thomas Morgan e Rudy ...
My Early Years with Bill Evans, Part 2
by Chuck Israels
Bassist and composer Chuck Israels was raised in a musical family. He studied the cello and played guitar in junior high school. Later musical training took place at Indian Hill, a summer workshop in the arts directed by his parents, and at the High School of Performing Arts in New York City. A year at Massachusetts ...
Bill Stewart Interview
by Mike Brannon
From the 1995-2003 archive: This article first appeared at All About Jazz in May 2002. Upon joining The John Scofield group in the mid '80s it seemed like drummer Bill Stewart just appeared out of nowhere. They of course did a number of tours and studio dates together while word got around about Stewart's ...
Women in Jazz, Pt. 3: The International Women in Jazz Organization
by Karl Ackermann
In part 1 and part 2 of the Women in Jazz series, we looked at the historical marginalization of women in jazz from Lil Hardin Armstrong and Blanch Calloway in the 1920s to Tia Fuller in 2019. Part 2 focused on several prominent pioneering artists including the all-female International Sweethearts of Rhythm, Marian McPartland, and Melba ...



