Home » Jazz Articles » Russ Lossing
Jazz Articles about Russ Lossing
Russ Lossing: Alternative Side Parking Music
by Maurizio Zerbo
Oltre a riflettere la musica del proprio tempo, i progetti dei jazzisti sono direttamente collegati alla quotidianità delle loro esistenze. Paradigmatica è in tal senso la scrittura per questo CD, pensata durante le ore impiegate da Russ Lossing per parcheggiare la propria automobile nei giorni in cui la sosta è consentita in un solo lato della strada. E non è un caso se lo spigoloso brano d'apertura, quasi monkiano, evoca con il suo andamento asimmetrico la strada percorsa ...
read moreRuss Lossing, Artemis, Rudy Royston and More
by Jerome Wilson
This show features newer and older jazz from a great variety of players, such as Russ Lossing, Rudy Royston, the group Artemis, and the Frankfurt Radio Big Band which is heard in two contexts, with Julian Arguelles and with Jim McNeely. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Anne Mette Iversen Quartet +1 “Triangular Waves" from Racing A Butterfly (Brooklyn ...
read moreRuss Lossing: Alternate Side Parking Music
by Dan McClenaghan
Pianist Russ Lossing is not one to let imposed downtime go to waste. The imposition comes from New York City's regulations concerning alternate side parking which requires, only one day per week, that cars park on one side of the street, for street cleaning purposes. The evening car-moving causes jostling. Sometimes open spots are not readily available. Parallel parking is often required, as is (temporary, we can assume) double parking. Time in the driver's seat results. Lossing put this time ...
read moreRuss Lossing, Loren Stillman: Canto.
by Hrayr Attarian
Although pianist Russ Lossing and saxophonist Loren Stillman have collaborated on a handful of superlative releases in the past, the stimulating Canto is their first duo recording. The introspective and intriguing release consists entirely of originals which are at times mesmerizingly dark and, at others, warmly vibrant. The music is sublimely balanced between the emotive and the cerebral. Lossing opens Stillman's “Her Love Was Like Kryptonite ” with resonant plucking of the strings followed by sparse and hypnotic ...
read moreLena Bloch & Feathery: Rose Of Lifta
by Dan McClenaghan
Saxophonist Lena Bloch knows something about the pain of separation from one's homeland. Born in Russia, she emigrated to Israel in 1990, then to Europe and, finally, in 2008, to the United States, setting up shop in New York City's fertile jazz ground. In 2014, Feathery, (Thirteen Note Records), the album and her quartet of that name, came into being. The group's second album, Heart Knows (Fresh Sound New Talent, 2007), cemented her distinctive horn-and-rhythm-section approach, with bassist ...
read moreRuss Lossing: Metamorphism
by Neri Pollastri
Registrato nel luglio del 2017, questo lavoro a firma dell'allora cinquantasettenne Russ Lossing, pianista della scena newyorchese originario dell'Ohio, vede all'opera un quartetto classico nella formazione, ma in equilibrio tra mainstream e contemporaneità negli stilemi. Il leader, infatti, ha alle spalle trentacinque anni di collaborazioni con artisti di primissimo piano, da Kenny Wheeler a Tim Berne, tra le quali spicca quella, continuativa, con Paul Motian, alla musica del quale ha dedicato un lavoro per piano solo. Qui tale ...
read moreRuss Lossing: Traces: Two Song Cycles
by Mark Corroto
There is an HBO television series, A World of Calm, which delivers thirty-minute vignettes on subjects from trees to snowfall to the vastness of the universe. The unhurried series is designed to elicit restfulness while at the same time provoking deep concentration. The same can be said of Traces, a quartet project by pianist Russ Lossing. Lossing is probably best known as a former sideman to the late drummer Paul Motian, plus he has series of recordings on ...
read more
Giveaway
Days remaining: 5
