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304

Article: Album Review

Pepper Adams: Urban Dreams

Read "Urban Dreams" reviewed by Derek Taylor


Musicians frequently become associated with the attributes of their instruments. Charles Mingus was hulking and imposing, just like his bass. Art Blakey had the propulsive, authoritative personality of his drums. Paul Desmond was urbane and laidback, just like the sound of his sweet-toned alto. There are, of course, exceptions to these sorts of correlations. ...

295

Article: Album Review

Paul Desmond: Cool Imagination

Read "Cool Imagination" reviewed by David Rickert


Anyone remotely familiar with “Take Five” will recognize Paul Desmond’s dry, feathery alto instantly. However, Desmond often lived in Brubeck’s shadow, and many may not know that Desmond also recorded several fine albums as a leader as well. Brubeck and Desmond had an unwritten contract that the altoist would not play with any other pianist, and ...

Album

Lemme Tell Ya 'Bout Desmond: the Music of Paul Desmond

Label: Label M
Released: 2001
Track listing: I'm Old Fashioned; Skylark; Take Ten; Stardust; When Joanna Loved Me; Desmond Blue; Taste Of Honey; Bossa Antigua; The Night Has A Thousand Eyes; Alianca; El Condor Pasa; Samba With Some Barbeque (Total Time: 57:33)

Album

Jazz Impressions of Japan

Label: Columbia Records
Released: 2001
Track listing: Tokyo Traffic, Rising Sun, Toki's Theme, Fujiyama, Zen Is When, The City Is Crying, Osaka Blues, Koto Song Koto Song.

Album

Jazz: Red Hot And Cool

Label: Columbia Records
Released: 2001
Track listing: Lover; Little Girl Blue; Fare Thee Well, Annabelle; Sometimes I'm Happy; The Duke; Indiana; Love Walked In; Taking a Chance on Love; Closing Time Blues.

240

Article: Album Review

Paul Desmond: Lemme Tell Ya 'Bout Desmond: the Music of Paul Desmond

Read "Lemme Tell Ya 'Bout Desmond: the Music of Paul Desmond" reviewed by C. Michael Bailey


An alto saxophone tone as dry and bright as a martini with the sun shining through it. I have been listening to this disc over and over and over. My knowledge of Desmond is admitted limited. Sure he penned “Take Five" and was a mainstay with Brubeck in the '50s and '60s. And sure he has ...

165

Article: Album Review

Paul Desmond: Lemme Tell Ya 'Bout Desmond

Read "Lemme Tell Ya 'Bout Desmond" reviewed by AAJ Staff


Oddly, few saxophonists choose to imitate Paul Desmond's sound. Even Lee Konitz, whose timbre is comparable, attracts more imitators, perhaps because of his angularity and his adaptability to virtually any configuration of musicians or any musical concept. While Desmond's sound within the Dave Brubeck Quartet of course is as well-known as Brubeck's himself, Desmond's coolness remains ...

169

Article: Album Review

Paul Desmond: Lemme Tell Ya 'Bout Desmond

Read "Lemme Tell Ya 'Bout Desmond" reviewed by AAJ Staff


Oddly, few saxophonists choose to imitate Paul Desmond's sound. Even Lee Konitz, whose timbre is comparable, attracts more imitators, perhaps because of his angularity and his adaptability to virtually any configuration of musicians or any musical concept. While Desmond's sound within the Dave Brubeck Quartet of course is as well-known as Brubeck's himself, Desmond's coolness remains ...

Album

Take Ten

Label: RCA Victor
Released: 1963
Track listing: Take Ten, El Prince, Alone Together, Embarcadero, The Theme From Black Orpheus, Nancy, Samba de Orpheu, The One I Love Belongs to Somebody Else, Out of Nowhere, Embarcadero (alternate take), El Prince (alternate take).


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