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Joe Alterman: Give Me The Simple Life
by C. Michael Bailey
Bruce Lindsey, in his review of Joe Alterman's Give Me The Simple Life, notes that the young pianist has..."the feel of a musician who's been immersed in his chosen music for decades." Citing Errol Garner, Oscar Peterson and Red Garland as influences, Altman betrays influences that further give bona fides to his experience beyond youth. Chief ...
Art Restoration: Laurie Pepper and Widow's Taste Records
by Skip Heller
It was F. Scott Fitzgerald who wrote, In American life, there are no second acts," which means he clearly was not an Art Pepper fan. Pepper was one of the great alto saxophonist stars of the bop era, famed not only as a Stan Kenton sideman, but also for his own albums as a ...
Take Five With Gavin Barras
by AAJ Staff
Meet Gavin Barras: Born in Kendal, Cumbria in the UK, bassist Gavin Barras studied music at the University of Manchester, receiving private tuition from Roberto Carillo-Garcia and Corin Long. Whist studying classical music, Gavin continued developing his love for jazz and received lessons from Steve Berry in jazz bass. Gavin is a busy working ...
Ted Gioia: The History of Jazz (Second Edition)
by C. Michael Bailey
The History of Jazz (Second Edition)Ted GioiaHardcover; 452 pagesISBN: 0195399706Oxford University Press2011 For the past 25 years, author and teacher Ted Gioia has provided the most succinct and contemporary histories of America's native musics: blues and jazz. He has done this through his ...
Music Matters and the Blue Note Oddballs
by Greg Simmons
In its heyday, Blue Note records had a relatively stable roster of musicians. Leaders including saxophonist Hank Mobley, trumpeter Freddie Hubbard, pianist Horace Silver and saxophonist Lou Donaldson all released lengthy strings of records during recording relationships that were measured in years. Some players, like bassist Paul Chambers, became de facto house musicians for the label, ...
Curtis Fuller: Down Home
by Florence Wetzel
The jazz world of the fifties and sixties was undeniably a golden age, and legendary trombonist Curtis Fuller was one of the era's key voices. Throughout his sixty-year career, Fuller has worked with some of jazz's foundational players: he appears on saxophonist John Coltrane's Blue Train (Blue Note, 1957), he was part of drummer Art Blakey's ...
Talkin' Blues with the Groovemaster, Jerry Jemmott
by Alan Bryson
Jerry Jemmott's groove is the bedrock of guitarist B.B. King's career defining hit, The Thrill is Gone." He was in the studio with Duane Allman and singer Wilson Pickett recording Hey Jude," a track that was instrumental in launching the late Allman Brothers Band guitarist's musical career; and they were together again for flautist Herbie Mann's ...
Kenny Burrell: Every Note Swings
by Chris M. Slawecki
Kenny Burrell has appeared on so many essential jazz recordings that jazz history and his story seem irretrievably intertwined. Billie Holiday's valedictory rumination Lady Sings the Blues (Verve, 1956)? Jimmy Smith's epochal funk throwdown Back at the Chicken Shack (Blue Note, 1960)? Tony Bennett's Carnegie Hall debut? Kenny Burrell played guitar for them all. Even Jimi ...
Take Five With Joseph Patrick Moore
by AAJ Staff
Meet Joseph Patrick Moore: For more than a decade Joseph Patrick Moore has been touring, recording, and establishing himself as an artist with a unique voice and a diversity of talents. His skills as bassist; composer; arranger; producer; author; educator and founding partner of Blue Canoe Digital illustrate why he is a highly sought ...
Lonely Crow Records presents: Jon Crowley's "At the Edge"
Lonely Crow Records is proud to announce its first release: forward-thinking trumpeter Jon Crowley's second album, At the Edge. This recording establishes Crowley not only as an artistic force on the rise, but one who is constantly looking to evolve, explore and innovate. While his first release, Connections, was a modern jazz straight-ahead album, At the ...





