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Album

Solo In Mondsee

By Paul Bley

Label: ECM Records
Released: 2007
Track listing: Mondsee Variations I-X.

Album

Florida

By Paul Bley

Label: ILK Music
Released: 2007
Track listing: Darkness; Light; Fluid Head; Arches; The Beaten Track; Told You So; Meeting Of The Minds; All The Things You Are; True Blue And Gold; Backlash.

241

Article: Album Review

Paul Bley: Solo In Mondsee

Read "Solo In Mondsee" reviewed by Martin Gladu

by Martin Gladu

The body may feel a bit tired, but the resolute, searching mind, is still very much intact; as sharp as an eagle's eye and as terrifying as a boxer's aim. Pianist Paul Bley has been searching relentlessly for half a century, yet his playing remains as fresh as spring water. His phrases are still as temperamental ...

856

Article: Film Review

Paul Bley/Archie Shepp/Bill Dixon/Cecil Taylor: Imagine the Sound

Read "Paul Bley/Archie Shepp/Bill Dixon/Cecil Taylor: Imagine the Sound" reviewed by Greg Camphire

by Greg Camphire

Paul Bley/Archie Shepp/Bill Dixon/Cecil Taylor Imagine the Sound Films We Like 1981/2007 The state of jazz in America in 1981 has remained a sort of lost history, in no small part due to the resounding indifference met by a brilliant film of the same year: Imagine the Sound. Now, with ...

1

Article: Album Review

Paul Bley - Kresten Osgood: Florida

Read "Florida" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Basterebbe un solo ascolto di “Darkness”, la prima traccia, per lasciare senza fiato chiunque decida di avvicinarsi al presente lavoro: due minuti e mezzo sospesi tra silenzio ed emozione, un autentico distillato di sobrietà, commozione e inventiva. Chi segue Paul Bley fin dai tempi del leggendario Open to Love (anno di grazia 1972), sa benissimo a ...

315

Article: Album Review

Paul Bley: Solo in Mondsee

Read "Solo in Mondsee" reviewed by Budd Kopman

by Budd Kopman

Paul Bley will be seventy-five in November, 2007 and has been recording for over fifty years, taking part in every revolution in jazz since 1950. Famously competitive and a tireless introspector, Bley is recognizable not so much by a particular style, but by his restless attitude and intensity, and perhaps the solidity of each note played. ...

204

Article: Album Review

Paul Bley: Solo in Mondsee

Read "Solo in Mondsee" reviewed by John Kelman

by John Kelman

It's been thirty-five years since pianist Paul Bley released Open, to love (ECM, 1972), an early classic of the then-nascent German record label. While Keith Jarrett's Facing You, from the same year, would go on to generate greater acclaim for the young pianist, listening to these two discs side-by-side reveals Bley's unmistakable influence. Despite ongoing critical ...

632

Article: The Jazz Session

Paul Bley: Stopping Time

Read "Paul Bley: Stopping Time" reviewed by Chris Comer

by Chris Comer

Listen Chris Comer talked to the influential and iconic free-jazz pianist Paul Bley upon the release of his first trio recording with Gary Peacock and Paul Motian in over 35 years, Not Two, Not One on ECM in April 2000. Since the 1950's Paul Bley's career has spanned many stylistic changes in jazz and Mr. Bley ...

414

Article: Album Review

Paul Bley / Kresten Osgood: Florida

Read "Florida" reviewed by Troy Collins

by Troy Collins

"Without Paul Bley, there would be no Keith Jarrett" is conventional jazz wisdom perhaps, but worth repeating. Bley's expansive and unfettered approach to the keyboard (acoustic and electric) has provided a viable alternative for generations of artists seeking a creative path beyond the kinetic tendencies of Bley's principle peer, Cecil Taylor. Bley, now 75, ...

873

Article: Profile

Paul Bley: Turning Points

Read "Paul Bley: Turning Points" reviewed by A. Henkin

by A. Henkin

In the pantheon of jazz, certain players are spoken of as upholding or continuing a particular lineage while others are given their own chapter in the book--their body of work something for others to uphold and continue. Paul Bley is one of the latter, a pianist who for over 50 years has participated in every stylistic ...


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