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Pamela Hines: This Heart Of Mine
by Raul d'Gama Rose
It's always tempting to say that any bright young musician who plays the ivory keys with a sound that's delightful and, sometimes, defined by silence has descended artistically from musicians like Paul Bley or Bill Evans. These kinds of generalizations can be overzealous; but despite the clear influence in the case of pianist Pamela Hines' This ...
Ornette Coleman: Music is a Verb
by Warren Allen
"Some people think of music as being on some higher level," Ornette Coleman says by phone from his apartment in New York City. “But basically it's the human being that receives the pleasure from sound. Not from the argument over what it is." There are a lot of questions about Ornette Coleman and ...
Dan Tepfer: Oxygen & Duets with Lee
by Martin Longley
Dan TepferOxygenDIZ Productions2009 Dan TepferDuets with LeeSunnyside2009 The full arrival of pianist Dan Tepfer has been signaled by his recent sideman work with the august alto saxophonist Lee Konitz. These ...
Laurence Hobgood: When the Heart Dances
by Joel Roberts
Laurence Hobgood is one of those artists whose undeniable talents beg the question, “Why isn't he better known?" In Hobgood's case, part of the reason may be that he's spent most of the past decade and a half in a supportive role, as pianist and musical director for singer Kurt Elling--a pretty good gig, but one ...
John Surman: From Boy Choirs to Big Horns
by John Kelman
It's increasingly risky to be a musician on the road. When British saxophonist John Surman was traveling from his home in Oslo, Norway, to New York City in September, 2007 for a recording session, he almost lost his baritone saxophone to the airlines. “It is a nightmare traveling now," says Surman, “and hardly a tour goes ...
AllAboutJazz-New York September 2009 Issue Now Available!
This month, we mourn the passing of the seminal composer George Russell, whose book, Lydian Chromatic Concept of Tonal Organization, was the precursor for a modal approach to jazz and such masterworks as Miles Davis’ Kind of Blue. But for such a pedigree, Russell may not be well-known to some readers. The history of jazz, for ...
Klang: Tea Music
by Troy Collins
Formed in 2006 for a now defunct improvised music series, Klang has since become one of Chicago-based clarinetist James Falzone's primary working groups. An update of the swing era clarinet and vibes combination popularized by Benny Goodman and Lionel Hampton, the quartet (which features vibraphonist Jason Adasiewicz, bassist Jason Roebke and drummer Tim Daisy) taps into ...
Why George Russell Will Always Live in Time
by Raul d'Gama Rose
A measure of just how underrated a musician he was in his lifetime is reflected in the fact that even three days after he passed on most of the major publications had not even reported his death, much less celebrated his life in the glowing terms that he so richly deserved. Perhaps this was because oddly ...
Steve Kuhn: Life's Backward Glances
by Stuart Broomer
Pianist Steve Kuhn recently explored the beginnings of his musical career on Mostly Coltrane (ECM, 2009). On this three-CD set, ECM commemorates Kuhn's mid-career work with reissues of three LPs recorded between 1974 and 1979. Life's Backward Glances is aptly titled and not just because two of the three albums conclude with Kuhn's song of the ...
Trio 3 + Geri Allen: At This Time
by Nic Jones
The trio of Lake, Workman and Cyrille is, by now, seasoned in the right way. All three players are relative veterans and the depth of their shared musical understanding is obvious in everything they do. This time, Geri Allen's pianist's skill is an amalgam of Paul Bley and Andrew Hill harmonically speaking, though it's only fair ...
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