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Barry Altschul: The 3dom Factor
by Troy Collins
Drummer Barry Altschul is widely revered for his innovative work during the 1970s with the all-star quartet Circle and as a member of the influential trios of pianist Paul Bley and multi-instrumentalist Sam Rivers. Despite his avant-garde credentials, Altschul's purview also included sideman work with traditional jazz artists, including saxophonists Sonny Criss, Lee Konitz and Art ...
Barry Altschul: The 3dom
by Mark Corroto
Seems of late, Mr Simon, Mr Garfunkel and the nation have been singing “Coo, coo, ca- choo, Mrs. Robinson" not for Joe DiMaggio or the deceased Ann Bancroft, but for drummer Barry Altschul. Somehow, in the 1980s and '90s we misplaced him. Actually, he moved to Europe, recording for smaller labels before he quietly returned to ...
ECM: A Cultural Archeology
by John Kelman
ECM: A Cultural ArcheologyHaus der KunstMünchen, GermanyNovember 23, 2012-February 10, 2013A trip to München (Munich) is a bit like a pilgrimage for fans of Germany's ECM label, especially right now, with the city's Haus der Kunst hosting a three-month exhibition, ECM: A Cultural Archeology, celebrating the music of this nearly 44 ...
George Schuller's Circle Wide: Listen Both Ways
by Troy Collins
Listen Both Ways is the first studio recording by drummer George Schuller's longstanding Circle Wide quintet to concentrate primarily on his original compositions. The group's previous Playscape releases, 2003's Round 'Bout Now and 2008's Like Before, Somewhat After, paid homage to the seminal efforts of famous post-war bandleaders--trumpeter Miles Davis' Second Great Quintet on the former ...
Klare / Platz / Kneer / Elgart: Modern Primitive
by Dave Wayne
Steeped in various aspects of jazz tradition as much as it is on the cutting edge, the sonic territory covered by Modern Primitive is vast, to say the least. The music here, all freely improvised, has a warmth and immediacy that comes from intense, shared listening. Though there are no tunes or changes per se, that ...
Cecil Taylor: FLY! FLY! FLY! FLY! FLY!
by John Kelman
83 years old and approaching ninety releases as a leader, pianist Cecil Taylor's place in the history of jazz may already rest assured, but he's more cited than seen these days. He may not come up as a primary influence as often as usual suspects Bill Evans, Keith Jarrett, McCoy Tyner or Herbie Hancock, but in ...
Sam Rivers / Dave Holland / Barry Altschul: Reunion: Live In New York
by Mark Corroto
There will be no more opportunities to experience saxophonist Sam Rivers, who passed away in 2011, at 89. Then again, you probably hadn't caught him live in decades, since he chose to live in Florida from the early 1990s, although he did release several large ensemble sessions. His 1960s Blue Note Records and 70s Impulse! dates ...
Bro/Knak: Bro/Knak
by John Kelman
Following three consistently fine recordings as a leader--2009's The Stars Are All New Songs Vol. 1, 2010's Balladeering and 2011's Time (all on the Danish guitarist's own Loveland imprint)--in addition to international visibility gained through work with Paul Motian on the drummer's Garden of Eden (ECM, 2006) and trumpeter Tomasz Stańko's Dark Eyes (ECM, 2010), Jakob ...
Jakob Bro / Thomas Morgan / Jon Christensen: Copenhagen, Denmark, July 8, 2012
by Henning Bolte
Jakob Bro / Thomas Morgan / Jon ChristensenHofteatretCopenhagen, DenmarkJuly 8, 2012The Copenhagen Jazz Festival, with its more than 1,000 concerts in 10 days spread over more than 100 venues and stages in all parts of the Danish capital is like a musical monsoon cloudburst. The concerts range from big international stars ...
Jakob Bro: Searching for Beauty Through Sound
by Jakob Baekgaard
Beauty is perhaps one of the most common words used in association with music, but it is also one of the vaguest terms in musical criticism, and it rarely says something substantial about the work that is described. And yet, despite its intangible character, it would be almost impossible to characterize Danish guitarist Jakob Bro's music ...
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