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Satoko Fujii Orchestra New York: Entity
by Dan McClenaghan
Pianist / composer Satoko Fujii has staked out her ground as one of the most original voices in jazz—or in any artform, for that matter. She has released more than eighty albums, beginning with her 1995 debut, Something About Water (Libra Records), a piano duet set with Paul Bley. She tours relentlessly. She records in every ...
Bill Dixon e Cecil Taylor: iniziò a Verona
by Angelo Leonardi
La pubblicazione di quest'inedita incisione in studio documenta un momento storico: il magistrale e fugace confronto artistico tra Bill Dixon e Cecil Taylor dell'estate 1992. I due protagonisti del free dettero il 25 giugno di quell'anno un concerto a Verona Jazz, nei giorni seguenti s'esibirono a Vienne (Francia) e subito dopo entrarono in studio ...
Adam Berenson: Every Beginning Is A Sequel
by Karl Ackermann
Pianist/keyboardist/composer Adam Berenson--across more than twenty recordings--offers incontrovertible evidence that talent surpasses an affinity for category. He is equally at home with jazz, electronica, blues, or a string quartet. On his previous , fully-acoustic album, Stringent and Sempiternal (Dream Works, 2019) Berenson went in an unusual direction (for him), covering works of Miles Davis, Bud Powell, ...
When Will The Blues Leave
By Paul Bley
Label: ECM Records
Released: 2019
Track listing: Mazatlan; Flame; Told You So; Moor; Longer; Dialogue Amour; When Will The Blues Leave; I Loves You, Porgy.
John Kelman's Best Releases of 2019
by John Kelman
Well, Chronic Fatigue Syndrome continues to be a challenge, as it has been since mid-2014. 2019 represents, in fact, the worst year when it comes to the actual number of articles written. Still, I've been finding an increasingly satisfying niche in the arena of in-depth, detailed and extensive/exhaustive (exhausting, for you as much as I!!) articles. ...
Karl Ackermann’s Best Releases of 2019
by Karl Ackermann
2019 was the year when one couldn't turn an ear without hearing a release that featured either Kris Davis or Matthew Shipp. Between the two pianist/composer/improvisers, listeners have been treated to more than a dozen recordings, each noteworthy. Then there is Satoko Fujii. On the heels of her 2018, twelve-album birthday celebration, the pianist issued another ...
Ruby Rushton: Ironside
by Don Phipps
Ruby Rushton's Ironside is like a trip back to the jazz of Dave Grusin's late 1980s film soundtrack The Fabulous Baker Boys. Hard driving bop, the music bubbles along with syncopated riffs and upbeat, energetic shuffles interlaced with soulful intervals. Woodwind player Edward Cawthorne penned six of the tunes, keyboardist Aidan Shepherd penned two ...
November Birthday Salutes Featuring ECM Artists
by Marc Cohn
It is... time for November birthday salutes! Pianists Hampton Hawes, Ellis Marsalis, Paul Bley, Lyle Mays, Marcin Wasilewski; flutist Hubert Laws; singer Ernestine Anderson; guitarist Russell Malone; saxophonists Lou Donaldson, Mark Turner; trumpeters Arturo Sandoval & Don Cherry; drummers Andrew Cyrille & Billy Hart! And resident sage Mose Allison. You'll notice a slug of ECM artists ...
Dor Herskovits: Flying Elephants
by Jerome Wilson
Drummer Dor Herskovits has been recording since 2017 as a member of the forward-thinking jazz group Earprint. His own quintet has a similar modern style but does more incorporation of older jazz traditions into its work. This group's music can be either raucous or dreamy and sometimes brings up refracted echoes of other players. ...
John Zorn: Tractatus Musico-Philosophicus
by Don Phipps
John Zorn begins his 38-minute musical treatise, Tractatus Musico-Philosophicus with a bitten reed while racing up and down the keys of his saxophone. What remains is some of the most interesting music in modern jazz—a wonderful treatise on the absurdity of life. Zorn wrote and plays all the instruments on this fascinating album--and the soundscapes he ...
