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Carla Bley: Joyful Noise – Live In Hamburg 1984
by Mike Jurkovic
For a brief human moment, let us imagine that pianist/composer/maestro Carla Bley was cast as a villainess on the low-camp-crazy 60's Batman TV show. Yes, that one. The one with Adam West running around in tights. Who would Bley be? Perhaps, with her humorous inquests into any musical form that might threaten Gotham, she would be ...
The Top 25 Songs Featuring Clarinet
by Dean Nardi
As Ian Dury might have sung had he played the clarinet, “Hit me with your licorice stick." (That is “rhythm stick" for those not fluent in punk rock.) From the intricacies of classical music to the smooth swing of jazz to Klezmer--the folk music of the Eastern European Jewish population--the instrument resonates throughout a good portion ...
Joe Block: Solo Piano Vol. 1
by Victor L. Schermer
At 26, Joe Block is already a mature, creative, and disciplined jazz pianist as well as an exceptional composer, arranger, conductor, and educator. His roots are in the Philadelphia area with such mentors/teachers as Tom Lawton. Repeated performances, especially at the Philadelphia's Clef Club and Chris' Jazz Cafe have helped him in sharpening his craft. He ...
Jakob Bro, Wadada Leo Smith & Marcus Gilmore: Murasaki
by Vincenzo Roggero
Jakob Bro è un chitarrista danese con ormai venti album da leader alle spalle, vanta frequentazioni eccellenti--Bill Frisell, Lee Konitz, Kenny Wheeler, Paul Bley, Paul Motian per citarne alcuni--e anche in quest'ultimo lavoro per la sua etichetta Loveland la compagnia è di quelle che contano. Marcus Gilmore è batterista ormai consacrato ai massimi livelli e Wadada ...
Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 1
by Victor L. Schermer
This two-part article was first published on All About Jazz on August 13, 2019. Part 1 | Part 2 Richie Beirach hovers somewhat mysteriously in the pantheon of the great modern jazz pianists. Some of the others in that category from his generation (coming up in the 1960s/'70s), like Herbie Hancock, Keith ...
Albert Marquès / Rachel Therrien: Dialogue (Vol. I & II)
by Artur Moral
Except for the most radically experimental music, in a jazz context increasingly dominated by written scores that leave little room for improvisation, the appearance of a musical diptych centered on the latter is undoubtedly most welcome. This applies both to individual discourse and to creation shared simultaneously by various performers. Granted, many listeners may be absolutely ...
Floater & Syndrome The Upright Piano Sessions Revisited
By Paul Bley
Label: Ezz-thetics
Released: 2025
Track listing: When Will the Blues Leave; Floater; Stereophrenic; The Circle with the Hole in the Middle; Around Again; Syndrome; Cousins; King Korn; Vashkar; Ballad No. 1; Ballad No. 2; Ballad No. 4; Turns.
Open, to Love
By Paul Bley
Label: ECM Records
Released: 2025
Track listing: Closer; Ida Lupino; Started; Open, To Love; Harlem; Seven; Nothing Ever Was, Anyway
Satoko Fujii Quartet: Burning Wick
by Glenn Astarita
Few pianists alive match the relentless invention of Satoko Fujii. Born in Tokyo in 1958, she trained classically before studying jazz at Berklee and the New England Conservatory under mentors such as Paul Bley and Ran Blake. Since the 1990s she has released more than 100 albums, often marking her birthday with a new project that ...
Jack Kenny's Best Jazz Albums Of 2025
by Jack Kenny
A year is an arbitrary time. The list is chronological by how they came to me. The albums that still stand out are Bone Bells (Pyroclastic Records) by Sylvie Courvoisier and Mary Halvorson and the sheer professional expertise of Jed Levy Faces and Places (Self Produced). Both albums, in their different ways, exude creativity and joy. ...
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