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André Santos: Ponto De Partida
by Dave Wayne
Listening to Ponto de Partida (Starting Point), it's rather hard to believe that André Santos has been playing jazz for less than 10 years. The young Portuguese guitarist's charming, understated debut album seems like the work of an older musician: one, perhaps, with nothing to prove except for the sheer enjoyment of making music. From the ...
Mai Jazz 2014
by John Kelman
Mai Jazz 2014 Stavanger, Norway May 6-11, 2014 After visiting Norway as often as four or five times annually, a first trip to the country in early May is surprisingly late for a first visit of the year. The last time visiting the west coast city of Stavanger was in 2008, part ...
Nistha Raj: Exit 1
by Chris M. Slawecki
Composer and violin player Nistha Raj has studied Hindustani (North Indian) and Western classical music for most of her life. She was raised in Texas and graduated with honors from music studies at the University of Houston, and then studied music for three years in India through a scholarship with the Indian Council for Cultural Relations. ...
Worlds Apart, Whirled Together
by Chris M. Slawecki
BossaCucaNova Our Kind of Bossa Six Degrees 2014 Our Kind of Bossa celebrates fifteen fun years of BossaCucaNova, one of Brazil's most adventurous contemporary ensembles (and was also timed to coincide with Brazil hosting the 2014 soccer World Cup). These eleven tracks fuse the electro-bossa nova for which the group ...
Quentin Angus: Perception
by Dan McClenaghan
Quentin Angus, a multi-award-winning Australian guitarist, follows up his 2011 debut recording, Retrieval Structure, with the ambitious Perception. Born in 1987, he still clocks in as a “young" artist, but his music is strikingly mature. An apt comparison is the monumentally talented guitarist Pat Metheny, with a broad vision and a penchant for grand statements and ...
Holly Hofmann: Low Life: The Alto Flute Project
by Dan McClenaghan
Holly Hofmann, one of the jazz world's premier flutists, explores a deeper-toned territory with Low Life: The Alto Flute Project. Primarily a conventional C flautist--with an impressive discography--Hofmann has broken out the lower tone of the alto flute in her concerts, and occasionally on record. Now it's time for a full length CD featuring her expertise ...
Furthering The Flute In Jazz: Holly Hofmann and Bill McBirnie
by Dan Bilawsky
Long gone are the days when the flute was only seen as a jazz novelty or a saxophonist's double. Once upon a time you could count the number of notable jazz flautists on a hand (or two), but the ranks have swelled a little bit over the years, and those leading the charge today aren't content ...
Jazzkaar 2014
by John Kelman
Jazzkaar 2014 Tallinn, Estonia April 16-28, 2014 Any opportunity to return to Tallinn, the capital of Estonia in Eastern Europe, is one worth grabbing. Beyond the somewhat surreal feeling of being in a country that, just 23 years ago, was a completely different place, Tallinn is, quite simply, one of the most ...
Jazzahead! 2014
by John Kelman
Jazzahead! 2014 Bremen, Germany April 24-27, 2014 It's hard to imagine, with diminishing music sales, the emergence of streaming services as the musical version of the antichrist for musicians and the increasing challenge of putting rear ends into seats at North American jazz festivals, but as it heads into its ninth year, ...
Tenor Legend Ernie Watts Euorpean Quartet Play Dublin's Sugar Club, May 8
The Sugar Club in Dublin braces itself for the arrival on the 8th May of one of jazz’s greatest tenor saxophonists – Ernie Watts. Leading his European quartet of fifteen years standing, Watts, pianist Christof Saenger, bassist Rudi Engel and drummer Heinrich Koebberling will be playing music from Watts’ new CD, A Simple Truth (Flying Dolphin ...
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