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Brilliant Corners 2018
by Ian Patterson
Brilliant Corners 2018 Black Box Belfast, N. Ireland March 3-10, 2018 Compared to Dublin or cities in the UK, Belfast is usually overlooked when jazz groups tour. When the likes of Wayne Shorter, Charles Lloyd, Ahmad Jamal, Keith Jarrett or Brad Mehldau come to Ireland it's usually a one-stop visit ...
Carlos Saunier: Inminente
by Matt Hooke
Whenever a guitarist or other instrumentalist releases an album, they always run the risk of being egocentric. The album can often turn into a showcase for their instrumental abilities instead of the songs. Chilean guitarist, Carlos Saunier's debut album Inminente shows what happens when an artist bucks that trend. He offers up six solid original songs, ...
Steve Khan: Public Access / Headline / Crossings
by John Kelman
It's been a great couple of years for Steve Khan fans who are (relatively) new to the guitarist's work, especially his early releases, thanks to UK-based BGO Records. First, his '70s-era trio of fusion-centric LPs on Columbia Records, 1977's Tightrope, 1978's The Blue Man and 1979's Arrows, were remastered and reissued in a 2015 two-CD set, ...
David Series: Meerkat Parade
by Geno Thackara
Apparently the official term is “clan" or “mob" when meerkats gather in a group. Despite their being social animals, nothing suggests they'd be organized enough for anything resembling a parade--that would only be a silly distraction from the business of burrowing, foraging and avoiding the jackals. Nonetheless David Series and a sharp crew find some good ...
Dixie Dregs at Lincoln Theatre
by Eric Thiessen
The Dixie Dregs Lincoln Theatre Washington, DC March 7, 2018 Back in the 1970s, many aspiring young guitarists yearned to play like Eric Clapton, Jimmy Page or Jimi Hendrix, but truly inspired musicians wanted to be as good as John McLaughlin or Steve Morse of the Dixie Dregs (later just The Dregs). While the ...
Jan Sturiale: Roadmaps
by Paul Naser
Italian born, New York-based guitarist Jan Sturiale wastes no time on his latest record, Roadmaps; from the first notes of the opener it's evident that everyone on the record, which was cut in just one day, came ready to push the compositions to their limits. Sturiale writes tunes that are complex, but they develop organically and ...
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
ECV: Sticks and Stones
by John Kelman
While a somewhat common secondary instrument for primarily electric guitarists including Vic Juris, Pat Metheny and Adam Rogers, there are but a handful of jazz six-stringers alive today who make the nylon-string acoustic guitar their main axe. Despite being known to pick up a warm-toned hollow body electric guitar when the need arises, Ottawa, Canada-based Roddy ...
Quentin Angus: In Stride
by Geno Thackara
Quentin Angus comes across as the kind of player who's seemingly absorbed everything in developing a repertoire--one whose extensive study lets him draw on any style and throw out familiar licks on a whim. Here we have soft electric tones worthy of Grant Green crossed with the expansive compositional smarts of Pat Metheny. Fleet lines and ...
2017: The Year in Jazz
by Ken Franckling
A year of achievements, challenges to gender inequality, scandal and losses The year 2017 was quite something for the jazz world. Incidents or discussions of misogyny and sexual misconduct bubbled up even before the #MeToo phenomenon developed. Beyond that, woman musicians made significant contributions to the genre. International Jazz Day brought its biggest stage ...
