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ARTICLE: INTERVIEW

Bill Bruford: In the Court of the Percussion King

Read "Bill Bruford: In the Court of the Percussion King" reviewed by Mike Brannon

From the 1995-2003 archive: This article first appeared at All About Jazz in March 2001. A charmed life might be a good way of describing that of Bill Bruford. Always at the center of and driving vastly creative projects, including King Crimson, Yes, Earthworks, Genesis, Bruford, Gong and many other collaborations of like minds, ...

ARTICLE: ALBUM REVIEW

Stick Men featuring David Cross: Panamerica: Live in Latin America

Read "Panamerica: Live in Latin America" reviewed by Mark Sullivan

When Stick Men—Chapman Stick player Tony Levin, drummer Pat Mastelotto (both past and current King Crimson members) and Touch Guitarist Markus Reuter—embarked on a Latin American tour with guest electric violinist/keyboardist David Cross (best known for his time with King Crimson) they recorded all of the shows, intending to release a series of digital live albums. ...

ARTICLE: BOOK EXCERPTS

In the Court of King Crimson: An Observation Over 50 Years: Level Five, VIII

Read "In the Court of King Crimson: An Observation Over 50 Years: Level Five, VIII" reviewed by Sid Smith

On November 15, 2019, as part of King Crimson's 50th Anniversary Celebration, Panegryic will be releasing Sid Smith's significant revision and expansion of his critically acclaimed bio, In the Court of King Crimson (Helter Skelter Publishing, 2001). More than merely adding what has gone on in the nearly 20 years since the original book was published, ...

ARTICLE: LIVE REVIEW

King Crimson at Budweiser Stage & Théâtre St-Denis

Read "King Crimson at Budweiser Stage & Théâtre St-Denis" reviewed by John Kelman

King Crimson 2019 Celebration Tour Budweiser Stage, Toronto, Canada Théâtre St-Denis, Montréal, Canada September 14 & 17, 2019 After covering six shows including two 2014 dates in San Francisco, another two 2015 shows in Montréal, and single, back-to-back 2017 performances in Montréal and Toronto, perhaps the biggest question is:

ARTICLE: LIVE REVIEW

Stick Men at the Beachland Ballroom

Read "Stick Men at the Beachland Ballroom" reviewed by Matt Hooke

Stick Men, CuDa Sheif & CuDaBeachland Ballroom Cleveland Ohio August 4, 2019 The audience at the Beachland Ballroom in Cleveland on August 4 witnessed the Stick Men develop a new canon for a new breed of instruments. Markus Reuter and Tony Levin both play instruments that are less ...

Heaven & Earth: Live and in the Studio 1997-2008

Read "Heaven & Earth: Live and in the Studio 1997-2008" reviewed by John Kelman

Yet another year, yet another characteristically detailed and chronologically contextualized King Crimson mega-box set. Except that 2019 is no typical year. And Heaven & Earth is no typical King Crimson box set. While Heaven & Earth: Live and in the Studio 1997-2008 completes (well, almost) the series of box sets documenting King ...

ARTICLE: ALBUM REVIEW

Stephan Thelen: Fractal Guitar

Read "Fractal Guitar" reviewed by John Kelman

For his Moonjune Records debut, Stephan Thelen, USA-born/Swiss guitarist and primary composer for the post-minimalist/post-progressive band Sonar, challenges some of the foundational premises of a group that has, over almost the last decade, garnered increasing critical and popular acclaim. As informed by Robert Fripp and the guitarist's work with (and beyond) King Crimson as it is ...

ARTICLE: ALBUM REVIEW

King Crimson: Meltdown (Live in Mexico City)

Read "Meltdown (Live in Mexico City)" reviewed by John Kelman

Something happened to King Crimson between June 28, 2017 in Chicago, IL and the band's five-night run from July 14 to 19 (with a night off on the 17th), that same year, in Mexico City. Both engagements were exceptional, with the Chicago performance captured on Official Bootleg: Live In Chicago, June 28th, 2017 (DGM Live, 2017), ...

ARTICLE: ALBUM REVIEW

King Crimson: Live In Vienna, December 1st, 2016 (UK Edition)

Read "Live In Vienna, December 1st, 2016 (UK Edition)" reviewed by John Kelman

Another year, another live King Crimson set? True, perhaps. But since reforming in a slightly shifting but conceptually constant form in 2013 to begin touring in the fall of the following year, the band's forward-looking, ever-growing repertoire of new music and revisitation of old music (from across its nearly half century career) made new again has ...


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